Two songwriters want to cast a British star in their new show.Two songwriters want to cast a British star in their new show.Two songwriters want to cast a British star in their new show.
- Nominated for 1 Oscar
- 1 nomination total
Al Shaw
- Moving Man
- (as Shaw)
Sam Lee
- Moving Man
- (as Lee)
Lillian Kemble-Cooper
- Mrs. Buffington (Credits)
- (as Lillian Kemble Cooper)
- …
Featured reviews
Lee Dixon and Ross Alexander, struggling songwriters, are dancing in their boxers because the tailor has their pants. The tailor wants fifty cents for his work, but they haven't four bits between them and so must resort to musical distractions. "Every time I come up here," the tailor complains, "you sing me out of your pants."
Meanwhile, shipboard, Ruby Keeler and a bunch of other "college girls" put on a show for their fellow ocean liner passengers. They're amateurs—but this is a Warner Bros. musical, so the show is big and polished. Ruby does a great song and dance; she would love to be a real Broadway star, but she knows that could never happen .
Music and high spirits abound in this lively musical about getting one's big break. Keeler, of course, gets her shot at the big time, as do Dixon and Alexander. And of course there is a major complication.
Allen Jenkins is at his best as a failed stage actor who, having tried everything else, becomes an "agent" and thinks he sees his big chance when he overhears a telegram being phoned in, sending to England for a big star.
Louise Fazenda is very funny as Ruby's teacher or chaperone, who admits that she herself once had aspirations as an actress—and then spends most of the movie reciting jumbled bits of Shakespeare. She holds her purse like a skull: "Alas, poor Yorick," she intones, "I knew him intimately." (At which Allen Jenkins gives her a funny look: "What's your friend doing now?")
Ross Alexander, as the songwriter, has the privilege of speaking and then singing the film's great song, "Too Marvelous for Words." Keeler's most memorable dance is the finale, in which she and Dixon dance from key to key on a giant typewriter.
Somewhat oddly, Keeler doesn't really sing and Alexander doesn't dance, and so the leading couple don't do any true duets—Alexander sings to Ruby instead of with her, and Dixon fills in as dancing partner.
Overall, it's no classic but still very entertaining—especially for fans of Ruby Keeler's wonderful dancing.
Meanwhile, shipboard, Ruby Keeler and a bunch of other "college girls" put on a show for their fellow ocean liner passengers. They're amateurs—but this is a Warner Bros. musical, so the show is big and polished. Ruby does a great song and dance; she would love to be a real Broadway star, but she knows that could never happen .
Music and high spirits abound in this lively musical about getting one's big break. Keeler, of course, gets her shot at the big time, as do Dixon and Alexander. And of course there is a major complication.
Allen Jenkins is at his best as a failed stage actor who, having tried everything else, becomes an "agent" and thinks he sees his big chance when he overhears a telegram being phoned in, sending to England for a big star.
Louise Fazenda is very funny as Ruby's teacher or chaperone, who admits that she herself once had aspirations as an actress—and then spends most of the movie reciting jumbled bits of Shakespeare. She holds her purse like a skull: "Alas, poor Yorick," she intones, "I knew him intimately." (At which Allen Jenkins gives her a funny look: "What's your friend doing now?")
Ross Alexander, as the songwriter, has the privilege of speaking and then singing the film's great song, "Too Marvelous for Words." Keeler's most memorable dance is the finale, in which she and Dixon dance from key to key on a giant typewriter.
Somewhat oddly, Keeler doesn't really sing and Alexander doesn't dance, and so the leading couple don't do any true duets—Alexander sings to Ruby instead of with her, and Dixon fills in as dancing partner.
Overall, it's no classic but still very entertaining—especially for fans of Ruby Keeler's wonderful dancing.
This movie is very nice. Not a must see but worth seeing. Ruby Keeler is always fun and pretty to watch. She dances fine in the movie. Carol Hughes is beautiful. Wini Shaw is an excellent singer and very beautiful. But she sounds a lot like Helen Morgan which is something that might of stopped her from gaining more fame. Ross Alexander is attractive and has a nice voice but he's no Dick Powell which stopped him from gaining fame at Warner Bros. Louise Fazenda is funny as usual. Anyone who criticizes Ruby's dancing, should see this movie, she dances quite well in "Handy with your feet" number. She acts fine and naturally as a girl in her position would.
This film is of a long lost art--the lighthearted, unpretentious tuneful musical that provides breezy entertainment without apology. One number, "Be Handy With Your Feet," is actually rather catchy and fun, and shows Ruby Keeler off quite well. Even the chorines look like they're having fun. The casual opulence of the set (a kind of nightclub on an ocean liner) is another example of how even "B" films from a major studio gave a certain panache to frivolity far and above what was required. Overall, not bad at all.
As people have already noted, 'Ready, Willing and Able' is notable for being Ross Alexander's swansong before his tragic suicide and Ruby Keeler's last film for Warner Bros, but they certainly aren't the only notable factors of the film.
'Ready, Willing and Able' is not a great film, but it does have enough to make it watchable. Keeler is a very charming screen presence, and Alexander a likable leading man. Most of the supporting cast also fare well, with the hoots that are Allen Jenkins and Louisa Fazenda faring best. Wini Shaw is also very winning, as is Jane Wyman.
Of the song score, only one is really outstanding. That is the sublime "Too Marvellous for Words", though "Be Handy on Your Feet" is also catchy and "Just a Quiet Evening" very listenable. Don't remember much of the rest though. The classical music selections of Schumann, Chopin and Liszt are also a delight.
The film looks pretty good, apart from the odd tacky moment, it is very skilfully photographed and while not exactly expansive the set is generally a long way from cheap.
Conversely, to me Lee Dixon was wooden in acting and even more so in his dancing, which doesn't look natural or rhythmic at all. There is a lack of chemistry between Keeler and Dixon, though occasionally a sweet one with Alexander, just that one does miss Dick Powell (who one can't help thinking that he would have been a better choice). The story, even for a film musical, is overly simplistic, goes overboard with the silliness and dumbness and is as thin as thin ice.
Even flimsier is the hugely underwritten and dull script, that's far too lightweight. Of the choreography and dancing, the only one that stands out is the clever type-writing sequence. The others are pedestrian and under-cooked, am aware that one shouldn't expect Busby Bekeley to be involved in every film musical around this time but the songs generally did deserve better treatment than the indifference they were given here, this was a film that cried out for his involvement really.
All in all, watchable but not great. 5/10 Bethany Cox
'Ready, Willing and Able' is not a great film, but it does have enough to make it watchable. Keeler is a very charming screen presence, and Alexander a likable leading man. Most of the supporting cast also fare well, with the hoots that are Allen Jenkins and Louisa Fazenda faring best. Wini Shaw is also very winning, as is Jane Wyman.
Of the song score, only one is really outstanding. That is the sublime "Too Marvellous for Words", though "Be Handy on Your Feet" is also catchy and "Just a Quiet Evening" very listenable. Don't remember much of the rest though. The classical music selections of Schumann, Chopin and Liszt are also a delight.
The film looks pretty good, apart from the odd tacky moment, it is very skilfully photographed and while not exactly expansive the set is generally a long way from cheap.
Conversely, to me Lee Dixon was wooden in acting and even more so in his dancing, which doesn't look natural or rhythmic at all. There is a lack of chemistry between Keeler and Dixon, though occasionally a sweet one with Alexander, just that one does miss Dick Powell (who one can't help thinking that he would have been a better choice). The story, even for a film musical, is overly simplistic, goes overboard with the silliness and dumbness and is as thin as thin ice.
Even flimsier is the hugely underwritten and dull script, that's far too lightweight. Of the choreography and dancing, the only one that stands out is the clever type-writing sequence. The others are pedestrian and under-cooked, am aware that one shouldn't expect Busby Bekeley to be involved in every film musical around this time but the songs generally did deserve better treatment than the indifference they were given here, this was a film that cried out for his involvement really.
All in all, watchable but not great. 5/10 Bethany Cox
Musical play writers Ross Alexander (as Barry Granville) and Lee Dixon (as Pinky Blair) work out a song and dance while their pants are being pressed. Playing modest for the movie studio, both Mr. Alexander and Mr. Dixon prefer boxers to briefs. The enthusiastic duo may have a tuneful Broadway hit on their hands. A backer mandates they hire an English actress to star, and agent Allen Jenkins (as J. Van Courtland) goes to pick her up. But Mr. Jenkins accidentally signs similarly named Ruby Keeler (as Jane Clarke), putting the show in jeopardy - she's no actress, but is she "Ready, Willing and Able"?
This was, most notably, the last film appearance for Ross Alexander, who ended his life with a suicide...
In what looks like a marketing decision, Warner Bros. likely switched Alexander's billing with Dixon's (he would have his most memorable success on Broadway with "Okalahoma!" before succumbing to alcoholism). Despite the sadness, the show goes on with the happy-go-lucky duo playing well together. Alexander's best moment is emotionally introducing "Too Marvelous for Words" to Ms. Keeler; she and Dixon have a memorable dancing sequence, showcasing the #1 hit show-stopper. Also, there are appearances by past favorite Louise Fazenda (as Clara) and future favorite Jane Wyman (as Dot).
***** Ready, Willing and Able (3/6/37) Ray Enright ~ Ruby Keeler, Ross Alexander, Lee Dixon, Allen Jenkins
This was, most notably, the last film appearance for Ross Alexander, who ended his life with a suicide...
In what looks like a marketing decision, Warner Bros. likely switched Alexander's billing with Dixon's (he would have his most memorable success on Broadway with "Okalahoma!" before succumbing to alcoholism). Despite the sadness, the show goes on with the happy-go-lucky duo playing well together. Alexander's best moment is emotionally introducing "Too Marvelous for Words" to Ms. Keeler; she and Dixon have a memorable dancing sequence, showcasing the #1 hit show-stopper. Also, there are appearances by past favorite Louise Fazenda (as Clara) and future favorite Jane Wyman (as Dot).
***** Ready, Willing and Able (3/6/37) Ray Enright ~ Ruby Keeler, Ross Alexander, Lee Dixon, Allen Jenkins
Did you know
- TriviaFinal film of Ross Alexander. NOTE: He committed suicide two months before this film was released. Because of this event, Warners eliminated his name from the above title credits, substituted that of Lee Dixon--who actually had little more to do than to serve as Ruby Keeler's dancing partner in an otherwise subordinate role--and relegated Alexander's credit to that of a member of the supporting cast, even though he played the leading male role, and Keeler's romantic lead. Reportedly, James Newill dubbed Alexander's singing voice.
- GoofsWhen Ruby Keeler decides to ask Hugh O'Connell to pay the balance due on the show so it can open as scheduled, Hugh's jacket is closed in the wrong direction. Since his handkerchief is visibly on the correct side, it's not flipped film.
- Quotes
Pinky Blair: Hiya, baby! Hey, did you hear my last song?
Dot: I hope so!
Pinky Blair: Dot, what do you think I am now?
Dot: Well, a man who had been valet to a seal could be anything!
Pinky Blair: You guessed it. He's an actors' agent.
Dot: An agent? You have hit a new low!
- ConnectionsReferenced in The Honeymooners: The $99,000 Answer (1956)
- SoundtracksToo Marvelous for Words
(1937) (uncredited)
Music by Richard A. Whiting
Lyrics by Johnny Mercer
Played during the opening and end credits and as background music
Played on piano by Lee Dixon and spoken by Ross Alexander
Reprised on piano by Lee Dixon at a party
Sung by Ross Alexander at a party
Was the show's big production number at its opening, sung by Ross Alexander (dubbed by James Newill) and Wini Shaw and chorus,
and danced to by Ruby Keeler, Lee Dixon and chorus
Details
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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