Penny Wisdom

The plot involves the hubby inviting the boss home for supper and notifying the wifey only about 2 hours before said supper. She attempts to produce a worthy meal but fails. The evening is saved when a favor is called in and the husband beams with pride, none the wiser about the culinary disaster she created behind the kitchen door.

This movie pays off in this one unforgettable scene--when the hapless housewife douses the family dog, a black cocker spaniel, in spilled flour. She then tries to wash it clean in the kitchen sink and ... Well, I won't spoil this wonderful visual joke.

While other Pete Smith shorts I've found to be rather infantile in content and humor level, such as Dogs 'N Ducks and You Can't Win, this gem, Penny Wisdom (1937) had many charming qualities.

Hubby phones home to announce he is bringing the boss and his best customer. Wife Gertrude Short finds the cook has quit, ad her idea of how to cook involves coating the dog in flour. No problem! A Smith called Pete phones the local paper, and Prudence Penny shows up .

There was no Prudence Penny. It was a pen name used by the Los Angeles Times for their food editors. Here, with Smith's snarky narration, ill-conceived make-up and dyspeptic Technicolor, the audience gets treated to some household hints.

An MGM PETE SMITH SPECIALITY Short Subject.

When her cook walks out, an incompetent housewife receives PENNY WISDOM in the kitchen only minutes before her hubby's boss comes to dinner.

Pete Smith serves up his special brand of narrative lunacy in this very enjoyable short film which features Prudence Penny, Culinary Columnist for the Los Angeles Examiner. She demonstrates her cooking expertise by producing a delicious ham meal, with baked Alaska for dessert, in a short time. The food looks great in Technicolor.

This little movie, which won the Oscar for Best Short Film of 1937, was a reworking of an earlier Pete Smith short subject, MENU (1933).

Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.

This Oscar-winning "Pete Smith Specialty" short is basically an exercise in gastronomical short-hand, where a society matron – who is helpless in the kitchen – has her proficient but long-suffering cook quit on her right on the night of an important business dinner at home! Since the husband is obviously aware of her ineptitude, he prepares for the worst – but, actually, a professional steps in to save the day by preparing simple but still attractive and palatable dishes. The film is unassuming but reasonably amusing (especially in dealing with the woman's accident-prone nature, to which even the family dog falls victim!), engaging (one might say educational for anyone with a deep-seated culinary interest!) and quite pleasant-looking (being shot in early Technicolor).

This is a rehash of a similar short produced a few years earlier called "Menu". Like the previous short, this one is also in Technicolor, much improved over the intervening years, and stars PRUDENCE PENNY, a culinary expert who specialized in home economics and wrote a column a Chicago newspaper.

As in the previous short, a housewife is badly in need of help before company arrives with her husband. She calls for the services of Prudence Penny, who shows up prepared to whip up a meal on short notice. The results look appetizing enough, especially in color.

Once again, the best feature of this short is the narration which manages to remain bright and witty throughout. By the time it's over, you may want to whip up a little snack for yourself.