Sur l'Avenue

Glowingly photographed in B&W by Lucien Andriot on Zanuck's Twentieth Century Fox's lot, the blonde English beauty Madeline Carroll --best remembered for being handcuffed to Robert Donat in "The 39 Steps"-- never looked more enchanting. The film features some of Irving Berlin's best romantic ballads, foremost of which is the almost forgotten "You're Laughing At Me," which Ella Fitzgerald later revived in her classic 1958 album of The Irving Berlin Song Book. The great character comic Sig Ruman ("To Be or Not to Be") shows up as an over-weight trainer in gym clothes, and for the grand finale even gets to sing part of "Slumming on Park Avenue" in a German accent. Vastly entertaining plot if vastly silly. But who cares?

Picked this up not having heard of this film and it was rather good. I thought it was rather odd not having seen it as it was one of Irving Berlin's. It turns out that it is not one of his best known scores although, 'I've Got My Love To Keep Me Warm' and 'Slumming on Park Avenue' are surely good enough. The dance routines were not some of the most famous ones but they are amazing, especially early on and some of the costumes wonderful and certainly rather sexy. The plot of course is silly but we never had to worry because the acting is great and the music and dancing almost never stops. Then we have the Ritz Brothers, I thought their acts would not be too good but they were splendid, not quite The Marx Brothers but not bad at all, there really fast jokes and funny dancing made me smile. I was also surprised to see that Cora Witherspoon was so good with her quirky talking way and odd dance turns as she will be with W C Fields in The Bank Dick (1940).

"On the Avenue" was made in 1937 and starred Madeline Carroll, Dick Powell, Alice Faye and the Ritz Brothers. A musical revue does a send-up of a wealthy family, which outrages them. The writer, Gary Blake, accuses the young woman of the family, Mimi Caraway (Carroll) of being a bad sport. She invites him to dinner, and they fall in love. He promises to rewrite the skit. However, Mona Merrick (Faye), the leading lady who is in love with Gary, performs the skit so that the family comes off as even worse. Mimi retaliates by buying the production and planning some big revenge on Gary.

There are some good numbers and wonderful singing by Faye and Powell; alas, the appeal of the Ritz Brothers has always been lost on me. They always do these incredibly long routines in films, and to me, anyway, they're annoying rather than funny.

Madeline Carroll is stunningly beautiful; it's a shame she wasn't in Hollywood longer (in 1938, she was the highest paid actress in Hollywood). She returned to England to work for the war effort and stayed on after the war. Dick Powell, in the course of a 30-year career, reinvented himself several times. Here he is in his first incarnation, that of a juvenile tenor. He's very good and as he evolved into a serious actor and then a director and producer, he only got better. Alice Faye looks great and sings in her beautiful, smooth contralto; her stardom was just about to hit its peak.

All in all, very pleasant. If you're like me, record this and fast forward through the Ritz Brothers.

Alice Faye's movie career was just getting into high gear when she did this gem in 1937. The Irving Berlin score is among the best he ever wrote for the screen and Alice does well with Let's Go Slumming on Park Avenue and This Year's Kisses. The former is somewhat autobiographical for her as Alice Faye was brought up in Hell's Kitchen and she sings it against a Hell's Kitchen background.

In her early career at 20th Century Fox, Darryl Zanuck had a problem with finding someone who could sing opposite her. The only one available on the lot was Don Ameche. Zanuck's number one leading man, Tyrone Power, was non-musical. So Zanuck had to reach out to his former employer, Jack Warner, to borrow Dick Powell to play opposite Faye. Ironically Powell got the hit song out of this film with I've Got My Love To Keep Me Warm.

The rest of the cast is top rate. Madeline Carroll plays a typical 1930s débutante and it's the antics of her family and actor-writer Dick Powell's satire of same that form the basis of the story. My two personal favorites of the supporting cast are George Barbier who always hits the right note as Madeline's perennially choleric father and Billy Gilbert who has a great bit as a diner owner.

Wonderful film, great entertainment.

There are so many things to recommend this delightful film. The cast is top notch (Alice Faye is outstanding in her numbers and she brings real pathos to her role as the ignored but adoring admirer of Dick Powell), the story silly and witty in that charming mid 1930s screwball comedy style and the score by Irving Berlin is one of his very best. There isn't one dud song here and all were written to order for the film - astonishing facility.

However, I really rate this musical because of the way the numbers are filmed. One actually feels like one has been to the theatre to see a show and the staging is often remarkably elaborate.

For example, "The Girl on the Police Gazette" makes use of an amazing continuous revolving set (the soundstage must have been huge to accommodate this) and appears to have been filmed in almost a continuous take. Think of the rehearsal that must have taken!

The other reason to see it is the Ritz Brothers. I know that these zany comedians are an acquired taste and are often grating and irritating for modern audiences, but this is possibly their best vehicle and the closest we can get to seeing what they were really like in the theatre. Often referred to as a poor second rate alternative to the Marx Brothers, they were quite different in style and were really fabulous comedy dancers. The movies did them no favours at all in grounding their routines, forcing them to fit in with the plots of the films in which they appeared (consider their contributions to The Goldwyn Follies in 1938.....YUK!)

Here, however, they are purely a speciality and their musical contributions are terrific. The parody they do on "Let's Go Slumming" with Harry Ritz in drag, dressed in the identical outfit worn by Alice Faye only moments before, is just priceless.

I wish the print were in better shape but Fox has done the best it could with the surviving elements for the DVD release. Perhaps a Blu ray might improve definition further?

I also miss the trailer which appears to be lost. However I have an acetate of the very entertaining radio promotional trailer (12 minutes long), should the folks at Fox wish to include it on any future release.

Recommended viewing!