Jack Moreno is an attorney with an office in the neighborhood he grew up in. All he wants is to help his friends and neighbors, but he must do business with the mob to make a living.Jack Moreno is an attorney with an office in the neighborhood he grew up in. All he wants is to help his friends and neighbors, but he must do business with the mob to make a living.Jack Moreno is an attorney with an office in the neighborhood he grew up in. All he wants is to help his friends and neighbors, but he must do business with the mob to make a living.
Catherine Doucet
- Mrs. Hattie Reid
- (as Catharine Doucet)
Soledad Jiménez
- Mrs. Rossetti
- (as Soledad Jiminez)
Edward J. Nugent
- Edward Spetner
- (as Edward Nugent)
John Ardizoni
- Guierpe
- (uncredited)
King Baggot
- Man at Picnic
- (uncredited)
Polly Bailey
- Crying Mother
- (uncredited)
Jack Baxley
- Duffy
- (uncredited)
Featured reviews
Even a B picture from MGM looked a whole lot like an A film from some other
studios. No box office stars appear in Man Of The People, but in this case that
only makes this one more real.
Fiorello LaGuardia would have identified with Joseph Calleia in this one. He's a newly minted lawyer and just about to hang out a shingle in the old neighborhood. But the local Tammany like organization comes calling and says join or you will starve. Calleia has no choice but to join and at first he's thinking he's done the right thing.
But while boss Thomas Mitchell does help constituents in certain things he also gets a cut of a lot of corruption. One egregious examle was a 'gold finding machine' in which a lot of Calleia's friends were bilked.
The political machine as in a lot of urban areas was Irish dominated as personified by Thomas Mitchell. Mitchell wants Calleia in with him to control the more recent arriving Italians. But Calleia proves not easy to handle.
Calleia's character in a lot of ways is based on Fiorello LaGuardia who spent his life fighting Tammany Hall corruption. I'm sure the then mayor of New York City must have loved this film. And as it turned out he was running for a second term as mayor in 1937 when Man Of The People came out.
One sour note in the proceedings, Ted Healy plays a typical Tammany Hall character and he was more annoying than funny. And his actions really don't ring true with the character we are first presented with.
Still Man Of The People is not a bad political movie. It would have been an A film at RKO or Republic.
Fiorello LaGuardia would have identified with Joseph Calleia in this one. He's a newly minted lawyer and just about to hang out a shingle in the old neighborhood. But the local Tammany like organization comes calling and says join or you will starve. Calleia has no choice but to join and at first he's thinking he's done the right thing.
But while boss Thomas Mitchell does help constituents in certain things he also gets a cut of a lot of corruption. One egregious examle was a 'gold finding machine' in which a lot of Calleia's friends were bilked.
The political machine as in a lot of urban areas was Irish dominated as personified by Thomas Mitchell. Mitchell wants Calleia in with him to control the more recent arriving Italians. But Calleia proves not easy to handle.
Calleia's character in a lot of ways is based on Fiorello LaGuardia who spent his life fighting Tammany Hall corruption. I'm sure the then mayor of New York City must have loved this film. And as it turned out he was running for a second term as mayor in 1937 when Man Of The People came out.
One sour note in the proceedings, Ted Healy plays a typical Tammany Hall character and he was more annoying than funny. And his actions really don't ring true with the character we are first presented with.
Still Man Of The People is not a bad political movie. It would have been an A film at RKO or Republic.
For a change, Joseph Calleia is local lad made good. "Moreno" has become an attorney minded to help out his community and that means he must do deals with the devil - exemplified by Thomas Mitchell's "Grady" who insists he defend one of his henchmen and in return offers him "protection". As courtroom dramas go - this stage is quite unique as it all revolves around a fish! Anyway, thereafter his new arrangement doesn't well suit his independent spirit, and he is soon teamed up with the DA and on the trail of swindlers trying to sell a contraption that can detect gold. The story is a bit all over the place and the writing offers little of substance for the actors to play with, but the plot is solid enough and the message of truth and integrity writ large. It is long, but is essentially two stories knitted together and so just about works ok in the rather predictable end.
Jack Moreno (Joseph Calleia) is a lawyer in an Italian neighborhood. He is truly a man of the people and helps the little guy whenever he can. Abbey Reid (Florence Rice) comes from the rich establishment and is taken with him. To his dismay, he is commanded to work for mob boss William J. Grady (Thomas Mitchell).
This is a crime drama B-movie. There is nothing wrong with it and nothing terribly exciting about it either. Calleia could be more handsome or more charismatic. Rice is perfectly WASPy. Mitchell isn't the best mob boss. He's not scary enough. All in all, this is fine. The story is fine. The couple could be better.
This is a crime drama B-movie. There is nothing wrong with it and nothing terribly exciting about it either. Calleia could be more handsome or more charismatic. Rice is perfectly WASPy. Mitchell isn't the best mob boss. He's not scary enough. All in all, this is fine. The story is fine. The couple could be better.
But they do need someone to make sure the script works and a director who can deal with zigs. Joseph Calleia -- best known as the heavy in GILDA --gets a chance to star in this programmer as a lawyer who joins the political machine and then fights it. He is especially fine in a couple of underplayed small scenes.
He is ably abetted by fine supporting actors like Jonathan Hale, Ted Healy and the always wonderful Thomas Mitchell. But the story veers and rushes off two thirds of the way through and before you can catch your breath, it's over. Was this originally broached as a vehicle for someone like Spencer Tracy and then bounced down? Director Marin never got out of the B movies, and his inability to direct Calleia in the second half shows why. Visually the picture is fine, with the usual MGM gloss. But even the best character actor needs the occasional hint from his director, and it looks like Marin could not supply it.
He is ably abetted by fine supporting actors like Jonathan Hale, Ted Healy and the always wonderful Thomas Mitchell. But the story veers and rushes off two thirds of the way through and before you can catch your breath, it's over. Was this originally broached as a vehicle for someone like Spencer Tracy and then bounced down? Director Marin never got out of the B movies, and his inability to direct Calleia in the second half shows why. Visually the picture is fine, with the usual MGM gloss. But even the best character actor needs the occasional hint from his director, and it looks like Marin could not supply it.
B-movies are not necessarily bad movies...though many people think this is the case. The term 'B-movie' was originated to refer to the second feature at a double-feature. The A-picture was usually the more prestigious film....costing more and having bigger stars. The Bs, on the other hand, were short (about an hour) and often gave supporting actors a chance to be in the lead. In "Man of the People", Joseph Calleia got to strut his stuff as a leading man, as usually he played a heavy. Oddly, however, this B clocks in at a little over 80 minutes...very long for a B.
Calleia plays Jack Moreno, a poor guy from the poorer part of New York. Despite this, he's worked hard and when the film begins he's just obtained his law degree and passed the bar....and he's finally a lawyer. However, after taking a case with a defendant who's tied in with the mob, he has to make a choice...will he continue this sort of work or try something more honest and honorable. When he chooses to try running for District Attorney and doing the right thing, the strength of the mob machine shows itself.
Calleia was good...which isn't surprising, though seeing him in the lead and NOT playing an evil guy is a bit unusual! As far as the film goes, it's neither a great B nor a cheap and forgettable picture. Instead, it's very watchable and well made...and great for fans of Bs.
Calleia plays Jack Moreno, a poor guy from the poorer part of New York. Despite this, he's worked hard and when the film begins he's just obtained his law degree and passed the bar....and he's finally a lawyer. However, after taking a case with a defendant who's tied in with the mob, he has to make a choice...will he continue this sort of work or try something more honest and honorable. When he chooses to try running for District Attorney and doing the right thing, the strength of the mob machine shows itself.
Calleia was good...which isn't surprising, though seeing him in the lead and NOT playing an evil guy is a bit unusual! As far as the film goes, it's neither a great B nor a cheap and forgettable picture. Instead, it's very watchable and well made...and great for fans of Bs.
Did you know
- TriviaBeloved silent-era comedian Max Davidson is very noticeable as one of the jurors.
- GoofsOn the card Jack finds on the bag of booze outside his door, it states Grady's "Chowder & Social Club" is in the 72nd assembly district. But, on the door to the club it states the 76th assembly district.
- SoundtracksSanta Lucia
(uncredited)
Traditional Italian folksong
Played often in the score
Details
- Release date
- Country of origin
- Languages
- Also known as
- To the Victor
- Filming locations
- Albany, New York, USA(exterior of New York state capitol building)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 21m(81 min)
- Color
- Aspect ratio
- 1.37 : 1
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