Le dernier gangster

I saw "The Last Gangster" (1937) for the first time last night (7/18/2006) and found it to be a fairly entertaining film. Edward G. Robinson's acting,as per usual in gangster movies of this type, carried the film. It had its weak moments (like Rose Stander's acting) and its unlikely moments(like the final shooting scene), but it remained fairly entertaining just the same. There was one rather strange item about the film. One of the 1930s more identifiable "bad guy" actors (Edward Pawley) appeared only briefly in this film (in the scene where the mob tortures Robinson's character)and didn't have a single line of dialog! I found this rather odd after having seen Edward Pawley play featured roles such as: Public Enemy Number One in "G-Men", the head of a gangster mob in "King Solomon of Broadway", a crazed and rebellious convict in "Each Dawn I Die", a prominent gangster in "Smashing The Rackets" and in "Eyes of the Underworld", Bogart's bad-guy partner in "The Oklahoma Kid, et cetera. Perhaps this lends some additional credence to what some critics have claimed to be poor directing of this movie. Perhaps, also, the fact that there was no love lost between Robinson and Pawley had something to do with it. Interestingly, Pawley went on to replace Robinson as "Steve Wilson" in the long-running and highly popular radio drama series, Big Town, in the 1940s.

Edward G. Robinson stars in "The Last Gangster," with a cast that includes Lionel Stander, Rosa Stradler, James Stewart, John Carradine, and Sidney Blackmer.

As older men, Stander and Blackmer would be known for the TV show Hart to Hart (no mistaking that voice) and Rosemary's Baby, respectively.

Robinson is Joe Krozac, a powerful, ruthless mob boss who does not tolerate anyone moving in on his territory.

Joe takes a trip to Europe and returns with a bride, Talya (Rosa Stradner). Talya doesn't speak much English so she really doesn't know how Joe makes his living.

When she becomes pregnant, Joe is crazy with joy, absolutely obsessed with the idea of having a son, whom he dreams of taking over his crime business.

Joe, alas, taking a page out of Al Capone's book, lands in jail for ten years for tax evasion. He is determined to be a model prisoner so he can get out on time. When Talya brings the baby to see him, he only cares about the baby and not her.

When her son is called baby mobster in the newspaper, with a photo, Talya becomes disillusioned and stops bringing the baby. She also divorces Joe. Meanwhile, Joe left a lot of money somewhere and his old friends want it as soon as he's released.

This film went the typical gangster route until the end, and it's really very sweet. Robinson was such a wonderful actor - he could play a wimp or a bully, do drama and comedy - he was a real treasure.

James Stewart had an early role in this film. I thought he looked on the young side for Rosa Stradner, even though he was five years older. Toward the end of the film, I guess to show the passage of time, he has a mustache someone stuck on him, and it looks dreadful.

Rosa Stradner did a good job as an insecure woman from another country who marries the wrong man. She was married to Joseph Mankiewicz, during which time, she didn't work in the early years while he was out having affairs with Judy Garland and Linda Darnell.

But they stayed married, and she did a film, The Keys of the Kingdom, in which she was marvelous. At the age of 45, an alcoholic by now, she committed suicide. Very sad.

Supposedly the line from the Mankiewicz screenplay of All About Eve - "Fasten your seatbelts. It's going to be a bumpy night" was inspired by Rosa.

You won't have to fasten your seatbelts for this, but thanks to Robinson, it's good.

Anyone who's a die-hard Edward G. Robinson fan will probably already have seen The Last Gangster, a drama that tugs on your heart. Eddie G plays the titular character, a mob boss kingpin who gets sent to jail for scrimping on his income tax. His frustration is understandable, since he's gotten away with everything else and gets tripped up by a minor detail. Plus, his lovely wife, Rose Stradner, has just given birth to a little boy. Rose, an immigrant without a good command on the English language, is lost without her husband. She also doesn't have an income anymore and has to struggle as a new and single mother.

James Stewart plays a young newspaper reporter. He learns of Rose's plight and writes some articles sympathizing with her situation. As he gets to know her, he can't help himself from trying to help her and the little baby. As time passes, they start to fall in love. Obviously, the good guy vs. Bad guy element is pretty strong in this film. Eddie G is a gangster who abandoned his family, and Jimmy is an upstanding reporter who believes in doing the right thing. But you just can't help loving Eddie G and feeling terribly sorry for him - or at least I can't. When he pouts and starts to cry, it just tears me up!

This is one of Edward G. Robinson's best performances. He played the gangster with the expired use by date in a number of movies, most notably in "Key Largo", but here he takes the character on a fascinating journey. He starts as a newly-wed little Napoleon, is crushed by his conviction on tax evasion, degraded through ten years of prison, and tortured to near death by his former gang when released. Through all this he is motivated by a great love for a son he has never met - when he does meet him finally his tender side is released.

What a challenging role this is - and how brilliantly Robinson rises to the challenge. At times you'll hate him, but he is always so vividly real that it is impossible not to empathise. Less effective is Rose Stradner as his wife - she too often slips into melodrama. It is perhaps not surprising to learn that she only made one other film. How fabulous Luise Rainer would have been in this role. The rest of the cast is terrific - that great Warner Bros store of thugs and villains - with Lionel Stander and John Carradine particular stand-outs.

And a pre-star James Stewart is the good guy - he even has a Clark Gable moustache in some scenes (the studio never let him grow that again!). The little boy is very icky - seems more English than American and is far too boy scouty to be appealing.

But add to all this strong direction, a good script, and stunning camera-work and you have a minor masterpiece. The torture scene is really very harrowing and the passage of time in prison montage is excellent - and you've got to love the opening credits.

Made at MGM but starring a Warner Brothers icon, and this strange gangster pic has ample ingredients reeking of both studios. Edward G. Robinson, clanking on all cylinders, is a Capone-like capo who gets rich during Prohibition, is sent up the river for a decade, and becomes obsessed with the little boy his wife (Rose Stradner, unknown to me and quite interesting) bore. She's an immigrant and utterly, somewhat implausibly unaware of her husband's dirty business, but she gets educated by a newspaperman (James Stewart, not very compelling here, except for an uncharacteristic Cesar Romero mustache) who falls in love with and eventually marries her. The Warners influence is evident not just in Robinson's snarling and grimacing but in the stepped-up violence, quicker-than-usual editing, and hilariously overblown musical score, by Edward Ward. But the ideal home life of Stewart, Stradner, and their adorable little boy, complete with suburban trimmings and Louise Beavers doing maid things, are utterly MGM. There's some excitement, and a good supporting cast, notably Lionel Stander as Robinson's henchman, but it's all kind of predictable. And when you want it to settle down, another Edward Ward blast assaults the senses. But what's really interesting, and still timely, is how Robinson's character, Joe Krozac, is self-centered, not as smart as he thinks he is, used to getting his own way, outraged when he doesn't... he's Donald Trump!