La loi du milieu

The acting and plot were strong here, and a very enjoyable movie. There is great chemistry with Joel McCrea and Barbara Stanwyck. Stanwyck per norm does great, dramatic work here.

The show stealer is Stanley Ridges. His creep who will help Stanwyck find her child -- only if she sleeps with him long-term and becomes his moll -- is chilling. It's one of the best performances I've ever see of a subtle, sinister gangster who alludes to dastardly deeds, without ever directly saying it. He doesn't ask her to sleep with him, he just munches popcorn, and offers her some. When she declines he says "At some point you should like popcorn." He is direct, firm and sleezy in a must-see performance.

The other scene stealer is Lloyd Nolan. A phenomenal what you would typically like a from a gangster, but with more depth. Great pauses, thoughtfulness and facial expressions in his conversations with McCrea. He's your ideal tough gangster but also has a bit of compassion. Just a bit.

MCrea is always a joy to watch - stable, sure performance.

Internes Can't Take Money is a clear title about the dilemma, and points to the moral quandary to come. But a more compelling title can be found, which that alone, would have made this a more sophisticated movie and higher up in the ranks.

... except this one is from Paramount and stars Joel McCrea as Dr. James Kildare. Like in the MGM series starting the following year, Dr. Kildare is an intern in a large New York City hospital, he lives on subsistence wages, and has a pretty grueling schedule. Unlike the MGM series there is no hot tempered wheelchair bound mentor in the person of one Dr. Gillespie. In all of his judgements here, Kildare is pretty much on his own.

As an intern in the hospital, Kildare treats a young woman for a burn on her hand (Barbara Stanwyck as Janet Haley). She also turns out to be undernourished so Kildare makes her lie down and drink a glass of milk. He then discharges her. It turns out Janet does have a job, she's just been cutting corners including her own meals to save money to pay for stool pigeons to help her find her own three year old child. She had been stolen by her estranged husband to keep her quiet about his illegal activities, but he died after pulling a hold up before he could tell her where the child was. She spent two years in prison because everybody believed she was in on the robbery with her husband.

If this is starting to sound like it is mainly about Stanwyck's character and not so much about Kildare, you would be right. This is mainly Stanwyck's film. But Kildare does figure heavily into helping Janet solve her dilemma. Also figuring heavily into the plot is Kildare's big taste for risk if it helps somebody out. That includes sewing up a gangster (Lloyd Nolan) after he shows up at a cafe and bar near the hospital, stabbed in some underworld activity and requiring immediate medical attention.

I think I prefer Lew Ayres' interpretation of the role, but this film is still worthwhile.

The first Dr. Kildare film, from Paramount. It has no connection to the later MGM series, of which I'm a big fan. Despite not having many of the elements I enjoy in those movies, this one is still entertaining. Joel McCrea and Barbra Stanwyck have nice chemistry. Lloyd Nolan and Stanley Ridges are great as gangsters, one rotten and one not so much. The best parts of the film are the hospital scenes that give us lots of "window into the past" bits that show us how life was at the time. Particularly how the medical profession was different. The visual style is more enhanced in these scenes, too. The hospital set is also pretty cool. Probably the one thing this film has over the MGM series. Worth a look whether you are a fan of Kildare or not.

I wonder when they dropped the "e" from interns. Interesting.

Internes Can't Take Money stars Joel McCrea, Barbara Stanwyck, Lee Bowman, Lloyd Nolan, and Stanley Ridges.

Dr. K. falls hard for one of his patients, Janet (Stanwyck) but she is a very troubled woman. She was sent to prison for two years as she was believed to be part of a robbery, led by her husband. When he was released, he took their daughter. She is now desperate to find her child, and will stoop to just about anything, even stealing from Kildare and taking up with gangster Stanley Ridges.

When Kildare finds out her real story, he tries to help her. He saved the life of another criminal (Nolan), actually in the local bar, and calls upon him for a favor.

Joel McCrea is an adorable Kildare - so handsome, and there was always something guileless about the actor. He plays very well with Stanwyck - in fact, they made six films together.

Of interest, interns in this film made a whopping $10 a month ($180 today) and one woman mentioned she made $27.50 a week ($495.00). When Kildare operates outside of the hospital, he's given $1000, but he gives it back because - you got it - "interns can't take money."

I do love Lew Ayres as Kildare, but McCrea's more aggressive interpretation worked well.

A wildly improbable drama, the misspelled "Internes Can't Take Money" was the first in the "Dr.Kildare" movie series, which was subsequently recast with Lew Ayres in the title role and continued at the MGM studio, following this initial Paramount effort. Concocted by writer Max Brand, the story involves an honest young intern at a large hospital, who crosses paths with a widowed ex-con seeking to locate her three-year-old daughter, who was abducted by her deceased bank-robber husband. The recipe is an old one; toss in a couple of shady characters and a gangster with a heart of gold, who is embroiled in illegal betting, add a tolerant landlady and a kindly bartender, sprinkle with nuns, mix with unexpected twists, and bake until overdone.

Despite an uninspired title and a routine script, director Alfred Santell maintains a steady pace that will distract viewers from the at-times laughable plot turns that lead to a teary fade-out, provoked either by laughter or sentiment. Beyond the script, the film's technical aspects are quite good, especially the black and white cinematography by Theodor Sparkuhl, who often dramatically captures Stanwyck garbed in deep black, contrasting with McCrea, dressed in his intern's whites.

Barbara Stanwyck plays the widow, Janet Haley, and the actress, at her sudsy distraught-mother best, is convincing in an unconvincing role. Joel McCrea is the original Dr. Kildare, a straight-arrow intern, poorly paid and burdened by work and rules, who seeks solace at a nearby bar, where his life takes a sudden turn. Stanwyck and McCrea, in their third co-starring film, work well together, and Stanwyck seems genuinely taken with McCrea during their first scene together. Attesting to what makes a film star a star, Stanwyck and McCrea add dimension and interest to otherwise cardboard characters in credibility-stretching situations. In addition to the two stars, the capable cast also includes Lloyd Nolan, Stanley Ridges, and Charles Lane. However, if not for the professionalism and charisma of the leads and supporting players, "Internes Can't Take Money" would be 80 minutes of laughable coincidences and plot turns, memorable only as the first in the Dr. Kildare movie series.