À Paris tous les trois

Claudette Colbert saved and scrimped for a trip to Paris just for her own little self. Even beau Lee Bowman can't talk her out of it. It's not that he's not happy for her or begrudging her well-deserved trip, but he feels anything can happen to her without him there. Though just why he's not going, I don't remember or understand. She goes, meets a waiter who speaks funny English, a French masher, and Robert Young and Melvyn Douglas who rescue her from the masher. But Bob came to her rescue first. The two men are supposedly friends, because they hang out together, but they don't act like it with their constant ribbing and competitiveness over Claudette. For such a good cast, it's hard to describe just how really bad this film is. There's no pace, no laughs, no anything. Just talking, and they're constantly bickering, and Claudette bad-mouths the other guy to the one she's with at the time. This was a total disappointment for all concerned, including director Wesley Ruggles. And, frankly, it's one of the worst old movies I've seen in a long time. Poor Claudette! Who cares who she picked! Stay away from this picture.

Claudette Colbert stars in one of her most underrated romantic comedies (though it was a big hit at the time and so acclaimed that The New York Times listed it as one of the ten best films of the year) as an aspiring American fashion designer who is off to see Paris and leave her dull fiancé Lee Bowman behind for at least a temporary separation. Alas, Claudette is a lost babe in the woods in France, speaking no French but she runs into two young Americans who take her under her wing and have more than a little interest in taking her romantically. Moderately successful novelist Robert Young is the one who is the more spirited and to Claudette's taste; his playwright buddy Melvyn Douglas is a little too stodgy and dour for her. She thinks Douglas is a spoil sport nosing in on their fun, unaware he is actually watching out for her since Bobby boy is not yet divorced and has a habit of romancing innocent young ladies. Eventually she warms up a little to Douglas but when she learns that the boys have hidden Young's marital status from her she's enraged and none too pleased either with her old beau Bowman who clearly doesn't trust her and has shown up to check up on her. (Claudette's character herself isn't that much of an angel given she's open to being wooed even while she is promised to another). This delightful piece of fluff moves faster than the runaway bobsled Claudette finds herself on at one point and while the plot has holes (shouldn't she have been checking out the fashion scene in Paris on her vacation rather than venturing off to Switzerland with the boys?) the movie is a lot of fun and the queen of romantic comedy, Miss Colbert, gives one of her most delightful performances.

Claudette Colbert stars with Robert Young and Melvyn Douglas in "I Met Him in Paris" from 1937. The beautiful Colbert, as Kay Denham, is en route to Paris via ship, and it's her dream trip, her trip of a lifetime. She can't get her fiancé (Lee Bowman) out her stateroom fast enough. Ah, Paree.

We next see her miserable face when she's been in Paris for three days. She's realizing that she should not have come alone, and no one speaks English. Worse than all of that, no one has written to her. I lived in Europe and it's hard when you don't get mail.

Then, in the American Bar of the hotel, she meets two men, George Potter (Douglas) and Gene Anders (Young). They start spending time together, and while she likes Gene, she's not so sure about Potter.

The fact is, Potter disapproves of Anders. We soon learn why. When Anders invites Kay to Switzerland, Potter insists on coming along as chaperon.

I would say the film picks up once they reach Switzerland, because some of the scenes where they try different sports were hilarious. My favorite is when Kay falls off a luge and she's trying to get off the track, but the walls are curved and slick -- and another luge is coming. It was hysterical. They try another activity where they are on skis behind horses and each person holds the reins of their horse as the horses are galloping and they are screaming "Whoa!" They also ice skate and ski.

Directed by Wesley Ruggles, the film doesn't have any pace or much humor, again, until they reach Switzerland, and it's based on kind of a dumb premise. If Potter disapproves of Gene, why doesn't he tell Kay why? Why would he agree to go along as Gene tries to romance Kay?

Screwball comedies were on their way out when this was made, though there would still be some good ones, Bringing Up Baby and Merrily We Live coming to mind. They would find new life later on television. Unfortunately this falls short, despite a wonderful cast and beautiful scenery.

Yeah the plot is dumb. Why doesn't Douglas spill the beans about his friend right away? Why are Douglas and Young friends ? That aside there's some really funny moments when the trio get to Switzerland. Most of this involves Colbert, Douglas, and Young trying out some very dangerous winter sports activities. This section is very well filmed as well. Then there's the real reason to watch this movie . The sexy, sassy, sophisticated ever beautiful Claudette Colbert in her prime. This is a must for Colbert fans.

Two clunkers in a row - first Bluebeard, then I met him in Paris. The clothes are great, the settings lovely, and the script - a mind-boggling inane conglomeration of improbable and contrived situations that must have contributed to the demise of the screwball comedy. A series of wealthy people with too much time on their hands, acting juvenile (or madcap, as they used to call it). Everyone here has been better elsewhere. Douglas and Young are both in love with Colbert, and three high-tail it off to Switzerland, as the question surfaces: who will Claudette end up with? Of course, Melvyn Douglas is billed above Robert Young, so we know what the outcome must be. As much as I love old films, and Colbert, and Douglas, and Young, I stuck this one out, but it never really gelled for me.