The House of Secrets

"House of Secrets" was a second feature when it came out before World War II. Directed by Roland D. Reed, whose major career in film was as an editor and a producer, this is a mystery with many unnecessarily improbable twists Good acting and occasional crisp dialog make the movie enjoyable.

Leslie Fenton, who made a lot of forgettable and forgotten flicks, is Barry, an American who on the channel ferry to Dover rescues very pretty Julie, Muriel Evans, from the clutches of a cad. A violent one at that. Instantly smitten, he defers returning to the states so as to find Julie in London. Despite being rescued by this gallant, she refused to give him her name, address or measurements.

Fortuitously, Barry is called to a solicitor's office where he is told that an unknown and eccentric uncle bequeathed an ancient manor house to him. But on arriving to take possession he's driven off by dogs, the butler and a gun-wielding older guy. Coincidence of coincidences, Julie is residing at this manor. Only happens in the movies.

What follows is a combination of typical thirties crime genre topped by a mysterious house, possible mad doctor caper. Always the gentleman, Barry pursues Julie who endlessly tells him to stay away from HIS house. Scotland Yard and even the Home Secretary is entangled in the story as Barry remains passionately persistent in trying to see Julie at HIS house from which he's repeatedly barred.

Not the most convincing of plots but some nice lines - including a back and forth between Barry and his solicitor as they attempt to translate Anglo-American slang for each other to facilitate understanding.

Yep, it's a "B+." Alpha has this super bargain DVD out as part of its very large release of old, pre-war flicks (I paid $4.99).

So try and catch it.

6/10.

The wise-cracking Leslie Fenton (as "Barry") sounds quite a bit like James Cagney in his gangster days. The lovely Muriel Evans (as "Julie") looks quite a bit like Jean Harlow. The movie is not a true "Old Dark House" movie, because it doesn't have some of the elements required to qualify, but there is an old dark house, a hidden treasure, & lots of mystery. "House of Secrets" is interesting, the dialog is snappy with lots of current day (copyright 1936) slang, the acting is good, the sets are dark & spooky, & there are a few neat sub-plots (one involving Chicago mobsters). What drags this movie down a bit is the redundancy. I couldn't count the number of times Barry asks "What's going on?" & Julie (among many others) replies "I can't tell you." Although I was eventually able to guess the ending, it was difficult to figure out, & fun meanwhile. I rate it 6/10.

The House of Secrets starts with an intriguing shipboard encounter: Leslie Fenton (as Barry) assists Muriel Evans (Julie) escape the unwanted attentions of a stranger. She thanks him nicely—but when he attempts to take a look in her handbag for whatever it was the stranger was after, she—get this—throws the whole bag overboard rather than let him see its contents! Hmm, mysterious.

Not surprisingly, they soon meet again (in a major but not shocking coincidence, she happens to be living at the large estate he has just inherited), and she becomes one of numerous characters determinedly resisting Barry's attempts not only to enter his own property, but to find out what the heck is going on. These characters include practically everyone else in the story—his detective friend, Julie's scientist father, some police and government officials, and a gang of crooks after a hidden treasure.

The plot is fast-moving and fairly intricate, and the dialog is mostly sharp. However, as the story progresses, frustration builds—not only for Barry but for us viewers, who also have no idea why everyone is trying so hard to keep him in the dark. By late in the film, my own sympathies had shifted almost entirely over to the gang of crooks, because at least they were straightforward about what they wanted, which is something you can't say about any of the other characters.

The movie also features an ancient document written in "old English," which means it has some words like "ye" and "olde" in it, that is fun for the gangsters to try and sound out. And an inn landlady offers some entertaining colloquial dialog, like her criticism of her husband's aches and pains: "He calls it rheumatism, but I calls it arthritis. I likes to keep up to date." Nothing is particularly authentic, but hey, I point that out in fun, not as a real quibble with the film. Overall, the dialog is one of this film's quite interesting qualities.

Overall: well done—but maddening.

Likable cad Fenton stars as an affable, assertive gent who inherits a mansion following the death of a distant uncle. When he attempts to take possession of the mansion, he discovers a group of shady characters occupying the house, including a sultry beauty (Evans) with whom he had a bizarre encounter on the ship across the Atlantic. Along with his detective pal (Blackmer), the pair soon discovers that there's more than meets the eye to the supposedly haunted house, its strange occupancy (a raving lunatic) and a gang of murderous thieves converging on an alleged hidden treasure.

It's all happening at a brisk pace, with fast-talking Fenton quite a gregarious chap, Evans an attractive and mysterious vice, while in my opinion, Blackmer was the best performer, displaying a professionalism and ease that made him a bankable talent for six decades in a long and illustrious career.

While the conclusion is a little hackneyed, there's some effort gone into the neatly woven plot, with all loose ends tying together, albeit a little conveniently. It's the strength of the three leads (Fenton, Evans and Blackmer) that elevates this run-of-the-mill tale to average status.

Sailing from the United States to London, chivalrous Leslie Fenton (as Barry Wilding) saves pretty Muriel Evans (as Julie Kenmore) from the advances of brutish Matty Kemp. The lady is grateful, but rejects Mr. Fenton's more mannered advances. After debarking, Fenton learns he has inherited a deceased uncle's estate. But, when he visits his mansion, Fenton is chased off the property, by interloping inhabitants. Surprisingly, Ms. Evans (the woman he saved on the ship) is among the uninvited tenants. During the running time, you go from wondering what's happening in "The House of Secrets", to indifference. Fenton and a good cast, including pal Sidney Blackmer (as Tom Starr), try to keep it simmering.

**** The House of Secrets (10/28/36) Roland D. Reed ~ Leslie Fenton, Muriel Evans, Sidney Blackmer