Le petit bagarreur

Shockey Carter "Mickey Rooney" is the school bad boy. He fights with everyone and even knocks the books out of the hands of girls. His teacher wants to save him. Problem, Carter's father is a drunk. Teacher first must save the father. Mission to achieving this is a job for the dad. This film should have kept the plot of bad boy vs caring teacher. Half way thru the film a total new direction. Evil businessman vs the striking workers of his business. Two plots in one movie with the second one sinking the film the drain.

Highly Expert. (Five years could make a lot of difference back then!) Not a speck or instant of misplaced egg. Hokeyness is strictly avoided in spite of the emotional content - the kind of role, I assume, that made Rooney famous. The action moves smoothly, seamlessly, generating tension and resolution along realistic lines. Protagonist Shocky's school oppressors are ra-THER politically IN-correct. That would never go over today.

"This easygoing rural drama stars Mickey Rooney as a young boy who idolizes his father, a shell-shocked alcoholic war veteran. The boy must protect his dad against the recriminations of the townsfolk," according to the DVD sleeve, "An understanding schoolteacher comes along to rescue Rooney and his father from a life of poverty." She arrives in the Indiana town in the middle of a milk farmer's strike.

In his last really low-budget (ie Monogram) feature before super-stardom, Mr. Rooney is refreshingly natural and scrappy as the typical "bad boy" saved by a good-natured soul. That role is supplied by sweet, pretty history teacher Anne Nagel (as Mary Evans). Her tentative romance with handsome Frank Shields (Brooke Shield's tennis pro grandfather) and the strikers' subplot tie the storyline together neatly.

***** Hoosier Schoolboy (7/7/37) William Nigh ~ Mickey Rooney, Anne Nagel, Frank Shields, Edward Pawley

"Hoosier Schoolboy" is a film most notable because it stars Mickey Rooney. Although he would soon gain great fame with MGM, this was made for the ultra-low budget studio Monogram--and it shows. While the film has some very nice elements, it also seems incredibly rushed and falls a bit flat. Even for a B-movie, it's a bit underwhelming--though some of the acting is nice.

The film has several different plots--and they all center on some crappy little town. One plot involves the owner of the dairy. He's a real jerk and has decided to put the local dairy farmers out of business-- even if it costs him a fortune. Eventually his son joins forces with the farmers, as he's come to realize that his father is a jerk. There's also the new school teacher who has taken a real liking to a kid that others on the faculty think is bad news (Rooney) and she reforms him. And, then there's the father of the boy--a drunk who won the Medal of Honor. And, there's the bratty son of the dairy owner...in fact, there are SO many plots that they never really seem resolved when the movie very abruptly ends. It's a shame, as if the film was about 30 minutes longer, this all could have worked out well--as is, the film, at the end, was frustrating despite having a lot of good story elements and acting.

Nne Nagel takes up her post as history teacher in the school to find a town divided by a strike. The local dairy farmers can't get a fair price for their milk from dairy owner William Gould. He's losing money trucking in milk from other locations. As the strikers start to grow violent, Miss Nagel has to deal with Gould's well-meaning son, Frank Shields Sr. She also has a problem student in Mickey Rooney. His father, Edward Pawley, won the Congressional Medal of Honor in the Great War, but has turned into a layabout drunk. Rooney uses his fists to quiet snickering about his old man.

Director William Nigh has to contend with a script that is telegraphic in its story telling. Nonetheless, he gets some fine performances, including that of Rooney, who would play a more extreme redemptive character in the following year's Boys Town Between the supporting players, including Harry Hayden, Doris Rankin, and Fred Kelsey -- for once, not playing a cop! -- there are fine moments in this movie that more than make up for its brusque plotting.