As presidential election time approaches in Washington it is the women behind the scenes who seem to be making the decisions.As presidential election time approaches in Washington it is the women behind the scenes who seem to be making the decisions.As presidential election time approaches in Washington it is the women behind the scenes who seem to be making the decisions.
- Director
- Writers
- Stars
- Awards
- 3 wins total
- Mrs. Ives
- (as Lucille Gleason)
- Bit Part
- (uncredited)
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Featured reviews
This tameness pervades the movie, which never even mentions the two main parties, and which reduces the horse-trading and viciousness of arriving at a candidate to one stuffy after-dinner chat, as unbelievable as it is boring. Walter Connolly, whom no one would take seriously, is miscast as the awful candidate--the part needed someone with a resonant voice and an authoritative, if pompous, manner. It's nice to see Verree Teasdale (Mrs. Adolphe Menjou) in a part of some size, but she is called upon only to be exasperated or icily condescending, and is not very funny in either mood.
Kay Francis, the movie's greatest clothes horse and a sparkling comic actress, is the only reason to see this, but she, too, has to fight the sluggish dialogue to keep her character merry and afloat.
Francis is Lucy Chase Wayne, granddaughter of a former President, and she'd like her Secretary of State husband (Foster) to make a run for President since the existing President isn't running again.
When she realizes her nemesis Irene (Verree Tisdale) is dumping her fuddy-duddy Supreme Court justice husband (Connelly) and taking up with the dashing Senator Keane (Victor Jory) and will probably be pushing him to run, Lucy gets to work convincing the powerful head of a women's organization (Louise Fazenda) that Irene's current husband is great presidential timbre, thus forcing Irene to stay by her husband's side.
Hubby is the world's dullest man, about as presidential as a piece of wood, and spends his evening listening to a family radio show.
This is obviously a play and as talky as all get-out, plus it's very dated, based on the premise that while politics is a man's world, the men are merely puppets for the women behind them.
Kay Francis looks great and is very charming, but for me her comedy is a little bit pushed. As far as I'm concerned, Verree Tisdale as Irene walks away with the movie as the bored, bitchy Irene. Her scene with Connelly where she complains about their evenings at home is a riot. Connelly is great as the plodding Supreme Court Justice.
Kaufman wrote some wonderful dialogue, so the script is witty if low on action. Watch it for the performances.
Added Bonus: My Personal Top 5 and Bottom 5 First Ladies of the 20th/21st centuries
Top 5 5) Jackie Kennedy 4) Rosalyn Carter 3) Michelle Obama 2) Betty Ford 1) Eleanor Roosevelt
Bottom 5 5) Jill Biden 4) Florence Harding 3) Melania Trump 2) Nancy Reagan 1) Edith Wilson.
A comedy of machinations and quick-witted dialogue, "First Lady" is a period piece and it's fun to see how the filmmakers of the late 30s fantasized a Washington that never was. This must have been a nice distraction as America inched out of the Depression and moved closer to global war. It's good entertainment today.
Did you know
- TriviaPrologue: "WASHINGTON-- The policies of a great nation are molded by prominent men, but behind those men these men stand women, guiding their husband's destinies--using the same devices that the feminine sex has always used throughout the ages."
"The hand that rocks the cradle rocks the capital, which only goes to prove that wives are women in Kankakee or Washington D.C."
"While this story and all names, characters, and incidents portrayed in it are fictitious, and no identification with actual persons, living or deceased, is intended or should be inferred, it may have happened!--It could have happened!"
- GoofsLucy says that Irene wants to make Gordon president; she would then divorce her prominent husband and marry him. But this would be considered so scandalous the president could not do it.
- Quotes
Carter Hibbard: [Referring to Lucy Chase Wayne's grandfather former President of the United States Andrew Chase insomuch as Hibbard is a hopeful presidential candidate] I hope, Mrs. Wayne, that I am able to fill his shoes.
Lucy Chase Wayne: Oh, but I'm sure you can. But, of course, it was the other end of Grandfather that mattered.
[Her comment is greeted by stunned silence]
- Crazy creditsThe policies of a great nation are molded by prominent men, but behind these men stand women, guiding their husbands' destinies -- using the devices that the feminine sex has always used throughout the ages.
The hand that rocks the cradle rocks the Capital, which only goes to prove that wives are women in Kankakee or Washington, D.C.
While this story and all names, characters, and incidents portrayed in it are fictitious, and no identification with actual persons, living or deceased, is intended or should be inferred -- it may have happened! -- It could have happened!
- SoundtracksThe Stars and Stripes Forever
(1896) (uncredited)
Written by John Philip Sousa
Played during the opening and end credits
Details
Box office
- Budget
- $485,000 (estimated)
- Runtime
- 1h 23m(83 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1