Doctor Syn

I regard this black & white movie highly, for it has many applications into the modern struggles of those seeking justice - in any era! It has stood the test of time. That's something the lack of vision of fundamentalists & puritans, across time & place, fail to appreciate. Freedom of speech is not an issue to such conservative powers who had a powerful voice in 1937 when this movie was made, as to today. Rationalism & fundamentalism are entirely broad enough for themselves. No room for fantasy, adventure or contrary thought some would respectfully observe. No complexities of life or possibility.

The character of "Dr Syn" is displayed as the quietly pious but genuine pastor looking after his flock, is a credible cover for his secretive nocturnal activities of much merit & substance in their justice. Such justice is something that hardliners would portray as an extravagance they can do without. Indeed, people without a breath of vision won't find much here. They can just listen to too many politicians or shock-jock media personalities who could have an immediate fix to any confrontation without justice but suitable to themselves.

Dr Syn might have appeared to be a bible basher. But that is where his common bond with bigots & hypocrites ceases. He was of principle & integrity in his justice, remaining committed to the marginalised outcasts he is sympathetic to the cause of. As such, his expression of two seemingly conflicting characters neatly blends into his one person of integrity. No hypocrisy. No injustice.

In a dictatorship of such historical authority of that time, he is forced to present a message faithful to his faith, but remain loyal to his kin of broader vision & concern for true justice & friendship beyond lip service. He is a bridge between kingdoms of much merit. Such as were his friends were people not intending to crucify a king of heaven or be unjust traffic cops, across time & place. In a modern world, harsh & unmoved in raking up revenues for corrupt governments, it has much relevance to its message.

Of course, such things as rum-runs were anti-authority & subjective in judgement - something black & white thinkers who don't like others having free will, prefer to oppose. But the drama presented in "Dr Syn" is anything but black & white. The dilemmas of the broad-thinking parson not engulfed by religiousness as he might have been, are passionately voiced by the protagonist in actor George Arliss. If this final movie of his life was his only offering, it would have been a substantial contribution in an otherwise productive life & varied acting career.

I think the plot is a realistic one & believable in the era of small churches were scattered along the English coast, & has been verified as historical fact. In such places, activities such as illegal liquor trade & potential invasion were commonly witnessed or experienced threats, that caused the citizens to be wary & vengeful in forming any trust bar their most trusted relationships.

In reality, this movie is much more than an historical piece. Certainly, it is much more than a black & white movie as some may dismiss it!

Due to a tight script, fine direction, a rapid pace, and Arliss' final performance as Dr. Syn, this is a winner in every direction.

Light comedy, action, suspense, drama, all coalesce in this initial adaptation of Russell Thorndike's action novel.

I just came from watching the excruciatingly dull three part Disney adaptation of a number of the novels under the title THE SCARECROW OF ROMNEY MARSH.

Arliss' film is superior to the Disney in every way.

Highly recommended. That's all I have to say, but the review guidelines require ten lines, so I am filling them up.

In the year 1780, the notorious pirate Captain Clegg marooned a mulatto sailor on a desert island. The sailor's ears and tongue were mutilated, and he was trussed up and left for dead. Now it is 1800, and the scene is set in Dymchurch, an English coastal village. A detachment of sailors from the Royal Navy has arrived in the village to hunt down smugglers and contraband. The mulatto is part of the naval complement, having been rescued many years previously by the warship's crew. In the village churchyard a tombstone marks the last resting-place of Captain Clegg, who was hanged for piracy ... or was he?

In this costume yarn the village of Dymchurch is a law unto itself, the whole community being actively involved in the smuggling industry. At night men dress in the eerie garb of the 'marsh phantoms', and take their orders from the sinister Scarecrow. Why does the village parson, Doctor Syn, react so violently to the presence of the mulatto?

George Arliss plays Doctor Syn in this, his last film. As one career was ending another was beginning, an incredibly young-looking Margaret Lockwood appearing as Imogene the barmaid.

The scenery is nice and atmospheric, successfully evoking the rickety feel of vernacular architecture of the period. The Ship Inn is particularly good.

Undercranking the camera in order to liven up the fist fight seems a somewhat clumsy technique to the modern viewer. The humour, mainly in the form of Jerry Jerk the overgrown schoolboy (Graham Moffatt) doesn't come off. And would a coroner really allow a naval captain to turn an inquest into a discussion forum on smuggling? How does the captain know about the parson's injured wrist?

Verdict - An odd little British film with nice atmospheric sets.

This version of the old legend of "Dr. Syn" is good entertainment, with some effective old-fashioned atmosphere and a story that includes plenty of action. Most of the acting is pretty good, with George Arliss giving a good performance in the lead, a young-looking Margaret Lockwood providing the charm, and Roy Emerton in an energetic if somewhat exaggerated role. Not all of the characters come across as well as theirs do, but more than enough of it is good to make the movie worth watching.

The story starts with a government ship coming to a seacoast town where there have been rumors of smuggling, and where secrets abound. It soon leads to an entertaining cat-and-mouse game that takes some interesting, if sometimes implausible, turns. It's a little uneven at times, but it holds your attention, and the way it all comes out still works. Overall, it's a good adventure story that deserves a look.

This is is a rather creaky, flawed effort, that reminds me a little of Jamaica Inn. And yes, this is George Arliss's last film, and he is indeed getting on. But he hadn't lost that unique Arliss delivery -- exuberant I'd call it -- that's so delicious to watch. And he had that angular look that lent itself to so many vivid characters, from Disraeli to Rothschild to Richelieu. He had a gaze that added the dimension of guile, even to his heroic characters, and also made him a great villain, as he was in The Green Goddess and finally (or as another reviewer says, eventually) in Dr. Syn.

Every glimpse of the great Arliss is a treat, and you should grab anything you see him in, because his vehicles are very hard to find. And that includes this one. If for no other reason, see it to see the man who discovered Bette Davis.