Mariage double

I have always found this movie more than a little strained and Powell and Loy not up to their usual shine. In fact, Myrna Loy's character seems downright unpleasant!! Much of this may have to do with the death of Powell's fiancee Jean Harlow during production. Myrna Loy, in her autobiography, states that she cannot bear to watch this movie because of the pain they all felt while making it. While the two do their professional best (and the uninformed would never guess that real tragedy was plaguing them) you are much better off watching Powell and Loy in one of their better works...ie The Thin Man Series, Libeled Lady,I Love You Again, etc. FYI: Powell developed colon cancer in the year following Harlow's tragic death and nearly died himself. He recovered and returned to active film work with 1939's Another Thin Man and proceeded to beat the odds and live another 40 years!!!

... with all of its chaotic slapstick, that and the fact that some of this film was shot shortly after Jean Harlow's sudden untimely death makes what probably would have been an 8/10 screwball comedy lose a star. William Powell was involved with Harlow and she and Myrna Loy had been close friends, so her death naturally cast a pall over the production.

It has a cute premise. Charlie Lodge (William Powell) is an avantgarde artist who lives in a trailer outside of a local nightspot - Spike's. He has made the acquaintance of Irene Agnew (Florence Rice) and her passive fiance Waldo Beaver (John Beal). It seems that Charlie has written a movie script and he has Irene and Waldo acting out the leads for him, although this entire matter just gets dropped about 15 minutes in. Irene and Waldo are very afraid of Irene's older sister Margit (Myrna Loy), as she would disapprove of the two - adults mind you - associating with and befriending Charlie.

When Margit does hear of it and goes to retrieve them, she walks in on Charlie reenacting a scene from his movie script where he passionately embraces Irene. Margit thinks it's a real embrace, but in a way it is. Irene has become smitten with Charlie as a result, and Margit goes to Charlie to tell him to stop seeing her sister. However, Charlie is actually smitten with Margit, and so he makes excuses to see her. Initially that excuse is a portrait he says he wants to paint of her, but like the movie script, that too gets dropped shortly thereafter. Charlie pushes things to the edge to get Waldo to show some spine to Irene so as to win her back, and also to get Margit to fall for him. How does this work out? Watch and find out.

If you appreciate the magic of Loy and Powell then I think you'll like this one too, but I've seen better from the pair made before this and I've seen better films starring them that were made afterwards.

Another William Powell/Myrna Loy pairing from the 1930's. Powell plays an eccentric artist who has convinced an 'about to be married' couple to invest in a film he wants to make w/them but standing in their way is Loy, the bride's sister, who is of the overly controlling sort who wants no part of his scheme. As always, the verbal & comedic fireworks are on full blast as soon as the bickering couple meet & somehow fall in love by film's end. The final scene's in Powell's motor-home rivals the famous Marx Brothers sequence from A Night of the Opera as friends & hanger-on's keep popping into the crammed space as the hilarity comes to a boil.

A screwball romantic comedy...but somebody forgot to tighten the screws. Confusion reigns after a ne'er-do-well man becomes involved with both a would-be actress and her domineering, humorless sister. Funny cast (including the "Thin Man" couple, Myrna Loy and William Powell) have a high time with their eccentric characters and fast, witty dialogue, but the plot is extremely thin, taking everyone around in circles. Too bad this didn't have firmer handling, the potential was here for a comedy classic. Loy's continuous bad temper gets the biggest laughs, however the wild slapstick climax boasts some very amusing sight-gags. **1/2 from ****

Considering that this film stars William Powell and Myrna Loy, it's definitely worth seeing--as are all of their films together. Even their lesser films together are wonderful and worth seeing--so it's a natural that I watched "Double Wedding".

In this film, Powell plays the ultimate bohemian and Loy plays a lady who is incredibly controlling and anti-fun. The idea of these two getting together is pretty far-fetched! But, because this is a Hollywood film, you know that eventually the two will find love. However, how they get there and how much fun the film becomes is exactly why you should see the film.

It all begins with Powell teaching a young couple to act and they are discussing his latest screenplay. The three are fast friends and have fun planning on making a film together. HOWEVER, when the very controlling sister (Loy) finds out about this, she assumes the worst and demands Powell stop seeing her sister and her fiancé. Mostly this is because Powell isn't in her plan for the two--as Loy has decided the two will marry, where they will go on their honeymoon, etc.--and the two idiots allow this! Little does this compulsive planner and controller know that Powell has plans for her! Overall, this is yet another fun pairing of Powell and Loy. While the film is silly and contrived, it's also very entertaining and clever. The ending was insanely chaotic--like a Marx Brothers film--and a lot of fun.