Confession

Kay Francis turns in a splendid performance by pulling out all the stops in this 1937 film.

Basil Rathbone is the cad done in by Ms.Francis. He is his usual sinister self in an engaging performance.

Ian Hunter plays the husband who didn't understand what had happened that night and comes to a bad conclusion.

Francis is a great singer literally done in by the vicious Rathbone. One night of exciting living would result in a lifetime of torment, misery and ultimately murder.

Jane Bryan is convincing as the vulnerable young lady who Francis kills for. Refusing to tell why she killed Rathbone, Francis finally talks when the court is cleared. Donald Crisp, as the sympathetic judge, is at his usual best.

What makes this film so good is the appropriate ending.

If you love old movies, here's another good one. Kay Francis is great as both Vera's. The happy, charming, wife-to-be, and the broken, sad woman destroyed by Basil's character. Considering all the bad movies made today, this movie inspires me to continue to look for old Hollywood treasures such as "Confession". I think the rest of the cast was good too!

This must be the best role Kay Francis ever had - and she rises to it, giving an astonishing performance. When you first see her - in blonde wig, singing and dancing Dietrich style but half-drunk - you know you're in for something different. As the film flashes back Francis transforms into an innocent young girl, and back to the present she stands with solemn dignity, a woman all but "washed-up". You'll never forget the final moments of this film.

When Francis is not on, and it takes her a while to appear, the film is less extraordinary - but by no means bad. Jane Bryan's a bit wet, but Basil Rathbone is suitably slimy as her seducer. And there are strong performances from the wonderful Laura Hope Crews (Aunt Pitty-Pat as an opera singer) and the excellent Donald Crisp.

But it is the visual style of the piece that, coupled with Francis' performance, makes the film unforgettable. The story goes that this is a frame by frame remake of a German film called "Mazurka" starring Pola Negri. This would explain why the film looks so different to the usual Hollywood style. There are bizarre camera angles, expressionist sequences, non-realistic moments, haunting music and bizarre costume, make-up and set designs. Joe May directs with a steady hand, and Sidney Hickox's cinematography and Orry-Kelly's costumes warrant special mention.

This film deserves to be resurrected and re-assessed. It is one of the most original American films of the 1930's. It also makes me want to re-assess the career of Kay Francis, who is an actress I never warmed to before this film. See it and tell me what you think!

"Mazurka", the German hit movie of 1935, was rethought by Julius Epstein, one of the best writers in the business. The film that resulted was "Confession", a vehicle created for the delicious Kay Francis, who was at the height of her fame at the time. Joe May directed this classic film that will endear itself to all classic movie fans. "Confession" packs a lot in its 86 minutes running time, something that would take a lot more of screen time in the hands of other, self-indulgent directors.

The film involves an older woman, Vera, who has had an unhappy life. She has been betrayed by the composer, and famous pianist, Michael Michailow, who abused her when she was young and full of life. That romance resulted in a girl, Lisa, who unknown to her, is being pursued by Michael Michalow himself! Supposedly, this story is based on an actual case that took place in Germany. It presented a different situation for American audiences, who were attracted by the unusual theme of the movie. We are all conditioned that crime must be punished, but in Vera's case, the killing is mitigated by what she is doing in order to protect Lisa, who is a naive, and decent, young woman.

Kay Francis does an amazing job in her portrayal of Vera. This is one of her best films and it shows the care which the whole project underwent to accommodate its star. Ms. Francis, wearing a blonde wig, sings and dances and makes a tremendous impact that dominates the picture from beginning to end. Basil Rathbone is perfect as the villain Miachel Michailow. The sweet Jane Bryant appears as Lisa. Ian Hunter is seen as Leonid and Donald Crisp does a fine job as the presiding judge.

They don't make movies like this anymore!

A remake of a 1935 film called MAZURKA and starring Pola Negri, Warners bought the rights and imported the story for Kay Francis, then the studio's #1 female star.

Francis is nothing short of sensational in this film, a story about a woman wronged, motherly love, honor, and sacrifice. By today's standards this all seemed like high fiction, but in the hands of Francis and director Joe May, this becomes a very stylish and absorbing film.

The direction and camera work are excellent. The music is also very good and helps set the scene. The supporting cast is very good also: Basil Rathbone, Jane Bryan, Veda Ann Borg, Ian Hunter, Laura Hope Crews, Donald Crisp, Robert Barrat, Ben Welden, and Mary Maguire.

Francis is stunning here, mostly as a blonde. And she's quite believable as a singer, although the operetta is rather lame. Still she does well with lip syncing to several songs. But she's never turned in a better performance, going from the girlish singer in love, to the bored housewife who drinks a tad too much at a party, to the accused in a murder case. It's a tour de force performance that should have earned her an Oscar nomination.

The film is beautifully directed by Joe May which is a surprise. A few years before this, May butchered a promising film version of the hit show MUSIC IN THE AIR which starred Gloria Swanson and John Boles. But here his direction is excellent, with lots of interesting camera angles and movement and some terrific composition. He certainly makes the most of the 86 minutes he has.

They just don't make movies like this any more. This one has a good story, crisp pacing, and stunning work from one of the decades biggest and most underrated stars: KAY FRANCIS.