A spoiled brat who falls overboard from a steamship in the 1920s gets picked up by a New England fishing boat, where he's made to earn his keep by joining the crew in their work.A spoiled brat who falls overboard from a steamship in the 1920s gets picked up by a New England fishing boat, where he's made to earn his keep by joining the crew in their work.A spoiled brat who falls overboard from a steamship in the 1920s gets picked up by a New England fishing boat, where he's made to earn his keep by joining the crew in their work.
- Won 1 Oscar
- 8 wins & 6 nominations total
- Priest
- (as Jack LaRue)
- 'Doc'
- (as Sam McDaniels)
- Charles
- (as Billy Burrud)
- Robbins
- (uncredited)
- Boy
- (uncredited)
- Bit Role
- (uncredited)
- Fisherman
- (uncredited)
- Reporter
- (uncredited)
Featured reviews
Young teen Freddie Bartholomew is a snotty, spoilt brat, and on a cruise with his dad he falls overboard and is rescued by Portuguese fisherman Spencer Tracy who takes him to Captain Lionel Barrymore's commercial fishing ship. They can't afford to go give up their fishing to take the arrogant kid back to land, and so Freddie is forced to spend three months with the crew, gradually mellowing into a nice boy and evolving into a rugged, no-nonsense kid who dotes on Tracy's rough and ready Manuel.
Victor Fleming was never the most subtle of directors, and this adaptation of Kipling's story does not thrive on its wealth of detail or the ambiguity of emotion, but its sweep is epic and its heart so real that you feel you have been on a roller-coaster-ride. I loved the reels of the men fishing and preparing the fish, it had a nice documentary feel to it, akin to the silent 'Down to the Sea in Ships' that 'Captains Courageous' resembles a lot at times. The cinematography is beautiful, the mist and fog captured with finesse.
But this film is all about acting. Spencer Tracy got an Oscar for his acting as Manuel, cast against type. And although his performance verges on the sentimental, it never actually tips over. But the film belongs to Freddie Bartholomew who surely must have been tempted to overboard with emotion, but, miraculously, never does. This boy was an astute and intuitive actor, and he never sets a foot wrong. Mickey Rooney shines in an itsy bitsy part as the captain's son. He never tries to steal any scenes from Bartholomew (as one suspects he might, and could!), but concentrates on a brisk, matter-of-fact performance of this young pro of the sea, every movement he makes seems exactly right, again almost documentary-like.
Watch this film if you get the chance. They don't come much better, and yes, it will make you bawl and sob. Be warned.
Nowhere is this more evident than with Freddie Bartholomew. The character he plays is a spoiled rich-kid, used to getting his own way and obnoxious with everyone he meets. Yet he plays the role in such a way that we can sympathize with him, rather than detest him. We understand the character, but we do not hate him.
Watch any similar movie made today, and the child actors will whine and sneer and have smart-mouthed replies to everything. In this movie, however, the character is not taken to that extreme, and when he makes his transition in the film we are able to love him, and are able to forget how horrid he was before.
The boy can truly act. When he cries for his loved ones, we cry with him. When he is happy, we are able to smile. And when he does something foolish, we do not get the urge to punch him in the face. The character is attractive by the end of the film, and that is a quality which few (if any) child actors possess today.
If you want to see a touching movie with superb acting and genuine emotion, this is the one.
Spencer Tracy as Manuel the Portugese fisherman was absolutely fantastic. Just looking at the sparkle in his eyes when mentoring Harvey (Freddie Bartholomew) was beautiful. I have shown this film to my senior class in Strategic Management and they all loved it. And what a supporting cast, Lionel Barrymore, Melvin Douglas, Mickey Rooney, John Caradine. It was also one of the first Hollywood movies to treat a black character with dignity and respect. The ship's cook was even bilingual, speaking both English and Portugese, and was a respected member of the crew, not just an Uncle Tom.
They don't make them any better than this--and not a single word of profanity, no sex or sexual episodes, must a wonderful story, well acted, sad but uplifting.
Well-directed, well-acted coming-of-age tale that may have the most hard-bitten viewer in tears by the end.Captains Courageous still stands up pretty well today.
Frank S. Nugent of The New York Times called the film "another of those grand jobs of movie-making we have come to expect of Hollywood's most prodigal studio. With its rich production, magnificent marine photography, admirable direction and performances, the film brings vividly to life every page of Kipling's novel and even adds an exciting chapter or two of its own." This really is a great film. I went in knowing nothing about it, and came out really impressed. For the first quarter or so of the film, I was increasingly annoyed with the spoiled boy, and did not now where things were going to go. But once it shifted gears, that build-up of annoyance paid off. In fact, it would not have been nearly as effective if they didn't convince me of how awful this boy was. Perfect execution.
Did you know
- TriviaWhen production finally wrapped in late February 1937, Spencer Tracy was relieved. "Well, I got away with it," he said later. "Want to know why? Because of Freddie, because of that kid's performance, because he sold it 98 per cent. The kid had to believe in Manuel, or Manuel wasn't worth a quarter. The way he would look at me, believe every word I said, made me believe in it myself. I've never said this before, and I'll never say it again. Freddie Bartholomew's acting is so fine and so simple and so true that it's way over people's heads. It'll only be by thinking back two or three years from now that they'll realize how great it was."
- GoofsWhen planning the Atlantic crossing, Mr. Cheyne is told that the trip would happen on the Queen Anne. A lifeboat on the ship is shown with a name that is partially obscured, but appears to say QUEEN MARY. "QUEEN" is shown in its entirety, and the letters "AR" are shown in the second word.
- Quotes
Harvey: I bet I know a lot of things you don't know. I know that's not French you're singing.
Manuel Fidello: That's right. About ten million people know it Portuguese.
Harvey: I bet you can't speak French.
Manuel Fidello: Right now, I sorry I speak *English*.
- Crazy creditsThe opening credits are letters on planks, like the lettering on the side of ships, and between screen-fulls, a foaming wave of water splashes over it and then runs off. In the initial sets of credits, these appear to be actually letter-forms attached to the wood, as the water gets deflected by some of the letters; in later sets of credits, this effect is harder to see and the sets may be credits superimposed upon wood.
- ConnectionsEdited into Spisok korabley (2008)
- SoundtracksOoh What a Terrible Man
(1937) (uncredited)
Lyrics by Gus Kahn
Music by Franz Waxman
Sung by John C arradine, Spencer Tracy, Freddie Bartholomew, and other seaman
- How long is Captains Courageous?Powered by Alexa
Details
Box office
- Budget
- $1,645,000 (estimated)
- Runtime
- 1h 57m(117 min)
- Color
- Aspect ratio
- 1.37 : 1