Bulldog Drummond s'évade

Mix a cup of Sherlock Holmes with a quarter of James Bond, add plenty of low budget adventures, some comedy gags, a pinch of romance, the language and the attire from the Thirties, shake well, and you'll have Bulldog Drummond: a bunch of pre-war B-movies, if you will, yet with some intriguing elements and entertaining moments. "Bulldog Drummond Escapes" is one of the three "Bulldog Drummond" productions of 1937, and one of the high points in the series in my view.

A few words about Captain Hugh "Bulldog" Drummond for those who do not know him yet: charming and gentlemanly, but a man of action when needed, he is a former WWI British officer who spends his spare time helping Scotland Yard solve intricate cases. "Bulldog" is accompanied by deadpan, witty and vaguely surreal butler Tenny (my favourite character) and by useless, dumb friend Algy (a downer, usually unfunny), and is constantly on the verge of marrying his fiancée Phyllis (adventures will happen and delay the marriage, naturally). All these fictional characters were created by "Sapper", nom de plume of Herman Cyril McNeile, and continued by Gerard Fairlie after McNeile's death -their novels inspired more than twenty motion pictures, many of them in the Thirties.

Similarly to Sherlock Holmes and James Bond, the Bulldog Drummond title hero has been played, over time, by several actors, who gave a different flavour to each episode. In this instalment of the series, which tells of Captain Drummond trying to save a beautiful heiress in distress (played by Heather Angel), the leading man is Ray Milland, a young, bright British actor -a few years later, he won an Academy Award for Best Actor in Billy Wilder's "The Best Weekend". Ray Milland's Bulldog Drummond is charming and funnily flamboyant, but not as clever as he is supposed to be, so the mystery often steers to lighter tones and to comedy.

The result, however, is fast paced and involving, while the unfunny gags are kept to a minimum. "Bulldog Drummond Escapes" is no cinematic masterpiece, but it is enjoyable if you like the genre and if you concede to stereotyped characters and some holes in the plot.

Like other movies from that age, this old flick shows the signs of time, such as scratchy sound and random vertical lines. On the other hand, it is in the public domain, so you can watch it for free on the Internet, if you want.

Three Bulldog Drummond films were made in 1937 in quick succession, this being the first, and the only one starring Ray Milland as Drummond. It was the eighth Drummond film to be made. It came out in April, 'Bulldog Drummond at Bay' came out in July, and 'Bulldog Drummond Comes Back' came out in September. Each had a different leading man, the next two in succession being John Lodge and John Howard. In this one, the young Ray Milland was amusing and engaging, but over-acted in a way which was not helpful. He portrayed the hero as someone with adolescent, almost juvenile, attitudes, thereby turning Drummond into a rather idiotic parody, and making the whole film too much like a comedy, despite its scenes of danger and distress. The producers instantly realized they had made a mistake and had endangered their plans for a series of films, so they sought someone with more gravitas. The next film used John Lodge once. But after that, inspiration finally came in the form of John Howard, who was perfect casting and would go on to make many Drummond films, with just the right combination of gravitas mixed with a residual boyish sense of fun, openness (never Milland's strong point), and solid, sporting good humour. In this film, Phyllis Clavering is introduced for the first time, and inspired casting occurred when Heather Angel played the part. The producers made a big mistake in having Phyllis played for three more films by the boring Louise Campbell, but Heather Angel would reappear the next year five films later (Phyllis does not appear in one of them), and carry on for several films to great effect. Phyllis enters the world of Drummond as a helpless imprisoned maiden in distress, whom he rescues. Eventually she ends up suspended in his arms, kissing him, with marriage beckoning. (As all Drummondonians know, this marriage would be 'interruptus' on numerous future occasions.) Guy Standing is boring as Inspector Nielson in this film, and they got rid of him too. E. E. Clive as Tennie the Butler, and Reginald Denny as Algy are in fine fettle for this episode, and were to grace the series for a long while with their charm and talents. There is a curious scene in this film where the villains are driving through the gates of a great house in a Rolls Royce. This shot is actually cut from the 1929 'Bulldog Drummond' and re-used! Much of this film is spent with Algy Longworth desperately trying to phone the hospital to see if his wife has had her baby yet. In 'Bulldog Drummond Comes Back', he will be desperately trying to make it to that same baby's christening, while Drummond will be desperately trying to marry Phyllis, the villains preventing both of these things. This film is entertaining and lively if one is not fussy, and has humour as well, so it is good viewing. As Tennie the Butler would say: 'That is my thought exactly, Sir.'

Bulldog Drummond returns to England and, when driving home, encounters a young lady who steals his car. He traces her to a manor house and she asks for his help to get out of a difficult situation.

One of a series of B films in that period which featured the character Bulldrog Drummond. On this occasion Ray Milland fills his shoes and does a decent job but, with his star rising, he soon moved on to better films. Watchable and of interest to fans of the series.

This is a solid low-budget feature that delivers the main things you hope for in a 'Bulldog Drummond' movie. It has good action, a plot involving a heroine in distress and some crafty villains, and a confident, good-natured hero played here by Ray Milland. All of the actors who portrayed Drummond gave the movies their own feel, but Milland, like most of them, gives the character the right balance of energy and British poise, while putting his own style into the role as well.

The story is set up by an odd encounter between Drummond and Phyllis (Heather Angel) that leads to an involved sequence of events, with Drummond determined to find out exactly what dangers Phyllis is facing, at times even having to oppose his friend Colonel Neilson. The story moves at a good pace, moving quickly from one predicament to the next. There are times when it doesn't quite fit together smoothly, and with even better writing and editing it could have been even more effective, but the basic idea works pretty well.

Heather Angel makes a good Phyllis, winning and energetic. It's interesting to see her in this early Drummond episode, since she later came back to play Phyllis after the character was played by other actresses for the next few features. Neilson is not given a particularly large role here, but the rest of the usual crowd is present, with E.E. Clive as the resourceful Tenny and Reginald Denny as the befuddled but helpful Algy.

Porter Hall also helps out, with one of his many good character performances as Drummond's slippery opponent. The low budget look is helped by having most of the action take place at night and/or in darkened settings, giving it a decent atmosphere despite the lack of detail. It makes for a solid feature that works well enough as light entertainment.

Ray Milland kicks off the 1937-38 series of films about the intrepid Captain Hugh "Bulldog" Drummond with style. Drummond encounters a young woman on the road who pinches his car and leaves him stranded, but not for long. Soon, he's embroiled in a family squabble over inheritance and paranoid delusions. Pal Algy and valet Tenny try to help Drummond prove the girl is not loony and sort out who the baddies are. The banter is funny and lively and the acting is better than usual for the period, especially Milland, who unfortunately immediately left the role for bigger and better ones. For those keeping score, this is when Drummond meets Phyllis, and Algy is worried about missing the birth of his baby.