Le règne de la joie

Okay, so the plot lines on these "Broadway Melody" movies are pretty thin. But the dancing and the music are great! This one has the inimitable Sophie Tucker running a boarding house for out-of-work performers, and Judy Garland as her pre-teen daughter. Judy sings some wonderful songs in this, including "You Made Me Love You," to a fan photo of Clark Gable. And Eleanor Powell -- what a hoofer!

"Broadway Melody of 1938" (MGM, 1937), directed by Roy Del Ruth, the third installment to MGM's "Broadway Melody" yearly titled series, following 1929 and 1936, is an ultra lavish edition (minus Technicolor) with a galaxy of stars, and being most noted today mainly for young Judy Garland, in her MGM feature debut, singing to the portrait of movie actor, Clark Gable, than anything else in the entire production. It would had been more interesting in making Garland the central focus to the story as a teen-aged daughter of a legendary Broadway star (Sophie Tucker) of long ago wanting to keep the family tradition going after her mother retires, and the struggles and hardships that come with it. Instead, this edition of "Broadway Melody" includes enough subplots to make this a two hour plus special, and possibly was, but due to some noticeable sudden cuts and abridged scenes with quick blackouts, it finally made it to a 112 minute cut. Even Judy Garland's singing voice to the song, "Yours and Mine" is heard during the last half of the opening credits, and not seen as part of an audition as such, in the plot.

For the storyline, Caroline Whipple (Binnie Barnes), a former chorus girl now married to a middle-aged millionaire, Herman (Raymond Walburn), is fond of Steve Reilly (Robert Taylor), and she agrees to back a show for which he has written the score. Caroline maintains a large racing stable. Among her horses is Star Gazer, favored to win a big race at Baltimore. Sally Lee (Eleanor Powell), an ambitious dancer, loves Star Gazer because her father raised him. Hearing that Caroline intends to auction off the horse in New York, Sally stows away in a box car and hopes to go along with him. On the train she meets Steve Raleigh (Robert Taylor), who's traveling with the Whipples in their private car. After Sally helps him complete a score he is writing, he becomes impressed with her singing and dancing, and decides to star her in his upcoming show. While in New York, Steve arranges Sally to live in a boarding house for out-of-work actors run by Alice Clayton (Sophie Tucker), a former Broadway headliner hoping to get her daughter, Betty (Judy Garland) into show business. But before the grand finale featuring Star Gazer in a horse race, and then, the Broadway show, the subplot takes center stage on partners Sonny Ledford (George Murphy) and Peter Polt (Buddy Ebsen) who become trainer and jockey to Sally's horse, both dodging an Italian barber (Billy Gilbert) and his opera singing nephew (Charles Igor Gorin), because they owe him money they played on the horses, which won; plus character actor performers adding some comedy, including Robert Wildhack, who previously demonstrated the art of snoring in "Broadway Melody of 1936," now demonstrating his art of sneezing, which predates the comedy acts of future MGM comic, Red Skelton; Helen Troy as Emma Snipe, the "answer to everything" secretary, and a lot funnier than the sneezer; plus the legendary Robert Benchley in a supporting role as a critic.

The musical program includes: "The Toreador Song" from Bizet's CARMEN (sung by Charles Igor Gorin); "Follow in My Footsteps" (sung by George Murphy, Buddy Ebsen and Eleanor Powell); "Yours and Mine" (sung by Eleanor Powell); "Everybody Sing!" (sung by Judy Garland, with Sophie Tucker who sings a portion of "Happy Days Are Here Again", Barnett Parker, and others); "Some of These Days" (sung by Sophie Tucker); "I'm Feeling Like a Million" (sung and danced by George Murphy and Eleanor Powell); "Dear Mr. Gable (You Made Me Love You)" (sung by Judy Garland); "Your Broadway and My Broadway" (sung by Sophie Tucker/danced by Eleanor Powell), and "Broadway Melody" (closing with cast). A cut song, "Got a Pair of New Shoes," which Garland would sing in her latter film, "Thoroughbreds Don't Cry" (MGM, 1937), can be heard briefly sung by chorus during the finale.

"Broadway Melody of 1938" is pure New Yorkish, with the opening and closing credits focusing on the legendary Broadway theaters, Radio City Music Hall, the Metropolitan Opera House and the streets of Broadway in the after sundown hours. The talented dancing by Eleanor Powell highlight the story, although having her tap-dancing in a box-car and later along with George Murphy on the New York streets in front of the Plaza Hotel around the water pond where they are the only one's around, with the orchestral score playing on cue, may seem foolish by today's standards. These "fantasy" numbers set against realism, along with Garland's memorable "Dear Mr. Gable" number, which takes place in her bedroom after everyone is asleep, all might have worked better as production numbers within the Broadway show, but this has become the normal style of film entertainment, especially by MGM standards, looking more like a dance musical from the 1940s and '50s. Remember Gene Kelly on the streets dancing and singing in the rain in 1952? And speaking of dancers, Buddy Ebsen should not go unnoticed, especially during his brief dancing segment opposite pert Judy Garland in the Broadway finale.

In spite of some of its shortcomings, "Broadway Melody of 1938" will not disappoint any avid lover of movie musicals from the golden age of Hollywood, especially seeing some future film stars on the rise, particularly the young Judy Garland, one year before success found her with "The Wizard of Oz" (1939).

Aside from "Broadway Melody of 1938" being readily available for viewing on both video cassette and cable's Turner Classic Movies, there was also a motion picture soundtrack on record released in 1983, compliments of Motion Picture Tracks International, which not only includes the entire score in stereo, but an outtake song of "I'm Feeling Like a Million," sung by Judy Garland on piano. One can only hope that someday, musical and/or storyline outtakes from the film will resurface in parts on video or DVD. Next and final installment, "Broadway Melody of 1940" (1940). (***)

What we have here is one of those none-too-inspired screenplays which the players are forced to pep up by shouting their lines at the top of their voices! Alas! Only Billy Gilbert can get away with this sort of stratagem. The others just seem ridiculous. However, never mind the silly story (this is one of the very few musicals with a horse-racing background), the movie's chief assets are its song and dance numbers, including a box-car dance with Eleanor Powell, George Murphy and Buddy Ebsen, two songs by Judy Garland (including the justly famous, "You Made Me Love You"), and. topping them all, a very lively and vastly amusing romp in the rain by Powell and Murphy. The movie was choreographed by the vastly under-rated Dave Gould and attractively photographed in black-and-white by William Daniels (although I understand Ray June worked on the film too).

Eleanor Powell dances in a tuxedo to "Broadway Rhythm," Judy Garland sings "You Made Me Love You" to a photograph of Clark Gable, and Sophie Tucker sings her signature song, "Some of These Days." Then Tucker joins Garland for "Everybody Sing," and we hear that "Happy Days Are Here Again." This is another history lesson in the famous tunes of the times and the unforgettable performers who gave them to us in song and dance. --Musicals on the Silver Screen, American Library Association, 2013

The story of Broadway MELODY OF 1938 is not so much zany as just simply bizarre. Raised on a horse farm where she also somehow learned to sing and dance, Eleanor Powell goes to New York in search of fame and fortune on the Great White Way, where she meets (a) George Murphy and Buddy Ebsen, two horse trainers who are also dancers; (b) Robert Taylor, a producer determined to star her in his new show; and (c) one of the horses from her farm. When the horse comes up lame, Eleanor rescues him--and before too long it becomes necessary for the horse to win the big race in order to finance the show!

Eleanor Powell was MGM's great dancing star of the era, George Murphy was one of the screen's most reliable hoofers, and Buddy Ebsen was renowned as a character actor with an eccentric dance style--all three have tremendous star quality and they generate several charming moments. But today the film is chiefly recalled for two supporting players: Sophie Tucker and Judy Garland.

Sophie Tucker had been a great stage star for more than 20 years when this film was made, and MELODY offers one of her rare screen appearances: with her no-nonsense, no-holds-barred style, she leaves little doubt about why she was so celebrated--especially when she launches into her signature song "Some of These Days." Garland, on the other hand, was just really beginning her film career, a slightly chunky teenager with a great big voice--and after putting it through the bullseye with a knockout performance of "Everybody Sing" she nailed the audiences of the day with her famous version of "You Made Me Love You," sung to a photograph of Clark Gable. It was the stuff dreams are made of, and from that moment on her film career was straight up all the way.

The stars knock themselves out to make it fun, and very often it is. But as a whole, it never really seems work in a consistent sort of way. When all is said and done, Broadway MELODY OF 1938 is the sort of show that you watch for certain scenes rather than for the show itself, which is considerably less than the sum of its parts. Recommended for 1930s musical fans, but even they will likely find very thin stuff indeed.

Gary F. Taylor, aka GFT, Amazon Reviewer