La ville du diable

John Wayne, (Dare Rudd) plays the role of a drifter who gambles his money away and just can't seem to settle down until he goes back to his relative, (Tom Fillmore) Johnny Mack Brown who owns a great deal of cattle and runs the bank in town. Tom knows that Dare has a bad reputation but he gives him a chance and offers him a job to cook for his cattlemen. Tom has a girlfriend named Judy Rustoe, (Marsha Hunt) and Dare soon becomes very interested in her and they both start falling for each other. Judy persuades Tom to give Dare a different job than being a cook and so Tom makes Dare a foreman in charge of his cattle and wants him to take the cattle to market and sell them in town for $10,000 dollars. However, there are many problems that face Dare as he travels with the cattle and the story begins to get very interesting. John Wayne was 30 years of age when he made this picture and Marsha Hunt was 20 years old, they both gave outstanding performances and Marsha looked very beautiful. Today, Marsha Hunt is 91 years of age as of 2008. WOW

*This review is based on the re-release of the film under the title, Hell Town*

Drifter Dare and his friend Dink travel to Wyoming to see Dare's cousin, Tom Fillmore, banker and president of the cattleman's association. A large number of herd are being rustled in the area, headed by saloon and casino owner Bart Hammond. Tom gives Dare a chance to earn an honest living (Dare bills himself as the greatest poker player west of the Mississippi, while Dink sells lightning rods as part of a payment scam) by working on his next cattle drive. Dare accepts, mostly to impress Tom's sweetheart Judy. After failing to lure Dare into working for him, Hammond has a few of his men sent to sabotage the trail drive, including herd boss Lyn (who lost his job to Dare, and regulated to a hand working the drive). When that fails, Hammond, along with card shark Brady, lures Dare into a crooked poker game, getting the money that Dare earned for the drive. Will Dare leave the game before its too late, or will Tom have to bail his cousin out of this jam somehow? Very good movie, with an excellent cast. Wayne seems to carry most of the film, seeming odd that Brown was an established B western draw, and he could have gotten more scenes in the film. Same goes for Monte Blue who just seemed to pop in and out as the villain Hammond. A bit too much of stock footage for me, but there are plenty of good scenes, and the poker game at the end is on heck of a scene, with plenty of suspense. Rating, based on B-westerns, 9.

John Wayne fans should watch this film right after seeing a few of the ultra-low budget B-westerns Wayne made for Lone Star Pictures in 1934-5 (conveniently, you can get a 2-DVD set with this film, nine of Wayne's Lone Star cheapies, and ANGEL AND THE BADMAN for six bucks at Wal-Mart).

In the earlier films, we're clearly watching young Marion "Duke" Morrison appearing under a stage name. By the time BORN TO THE WEST (aka HELL TOWN) came out in 1937, Morrison was really growing into the John Wayne persona. The swagger, the drawl, and the squint are all there. Perhaps the character wasn't quite perfected yet, but the seeds of Wayne's future superstardom are there on the screen.

And the film itself is much better as well. No longer is Wayne a goodie-two-shoes, milk-drinking, kiddie-matinee hero. His character here is flawed--even a bit of a screwup. The script, the direction, and the acting are miles ahead of his early films. It's certainly not one of the greatest movies he ever made, but it's a solid, enjoyable little Western.

7/10

After six non-western B-movies, John Wayne returns to the saddle for what would be the beginning of the final chapter of his B-movie career. Rather than the standard formulaic B-western where Duke is the known hero who will get the girl, here his cowboy hero status is in question – he has to chase the girl and he's not exactly the squeaky clean character we have always known him as up to this point in his filmography. The story is by acclaimed western novel writer Zane Grey which helps explain how this is different from all that came before it for the Duke.

5.7 / 10 stars

--Zoooma, a Kat Pirate Screener

I am giving this film ten stars, not because it is a great film (although it is one of the best of its type), but because it is a remarkably important transitional film for one of the real originals of American cinema, John Wayne.

This is one of the last of the many 'Saturday matinée' potboilers Wayne acted in for a half-dozen marginal studios during the 1930s; two years later, Ford would give him the big break of his career in "Stagecoach".

Unlike the other potboilers he appeared in, "Hell Town" (aka "Born to the West", although I have never seen a print with that title on it) is well-written, well-directed, nicely photographed, and well-acted by all involved (but especially Johnny 'Mack' Brown) - surprising quality for a cheapie, but I suppose the fact the story it derived from had been written by Zane Grey - already a legendary Western writer - probably impressed cast and crew to make a best-effort presentation here. At any rate, the film, under 55 minutes long, has the look and feel of a feature-length Western of the time, and it survives far better than any other of the Western shorts of the period.

The story is solid, with relatively serious overtones concerning the possibility of redemption. Wayne's character, a gambling addict, is rightly transformed when he discovers that his cousin is a better gambler than he is, but just prefers not to gamble.

Wayne himself is in top-form for the period. All the little gimmicks and gestures we associate with him are here in a way never seen in any film of his before this - his cautious smile, his frown, his ability to strike a pose leaning his weight on one leg, his soft but firm voice of warning, his ability to face a tough situation with grace and even, one must admit, an oddly noble humility. This is no longer the "Singing Mesquiteer" of the earlier potboilders, this is finally the Duke, who would star in "Stagecoach" and lead an army of fans (including myself) through film after film for four more decades.

This is where the filmography of John 'Duke' Wayne rightfully begins - a film that has survived well, and may yet survive a few decades more.

(Note: in another film made the previous year, Winds of the Wasteland, Wayne can also be seen coming into his own as an actor; but this is the better film.)