Border Cafe

This is a charming shaggy dog of an RKO western in which Harry Carey rescues a drunken easterner, John Beal, and helps make a man of him while fighting off a protection racket and Armida, taking a sojourn up from Mexico, tries her hand at stardom among the gringos, singing and being romanced by Beal.

Harry Carey could perform this sort of role in his sleep and make it interesting, and he seems to be awake in this one. There's some nice understated photography by Nick Musuraca.

Overall, this is the sort of highly competent B western that RKO specialized in for twenty years. There's considerable padding, including a scene in which Carey and George Irving get drunk on tequilla and try to outyarn each other, but it's all nicely done.

When keith, the senator's son (john beal) can't keep out of trouble, he heads down to texas for a while. While there, he gets drunk and gets into more trouble, losing all his money. So tex (harry carey) takes him under his wing. Keith and the singer share a room, a daring move for the 1930s. When the senator (george irving) comes to check on things, the real adventures begin. Keep an eye out for armida... she sings and dances in the cafe. Directed by lew landers. Directed films and television from the 1930s into the 1960s. Based on the story by thomas gill. It's a pretty simple story, quick moving at 67 minutes. Good stuff.

Watching a Western starring Harry Carey is like sitting in comfy sweats with your favorite book under a warm bright lamp while it snows outside. Carey always brings a smile to your face, a sense of familiarity, and a feeling of safety and security. He is the father figure we all want.

Now this movie, Border Cafe, certainly did not require Carey to go out on any acting limb. He just played himself. But good God, do I love just seeing him on the screen, with his careful, always polite gravelly voice, and favorite mannerisms, like the way he, while thinking, rubs his chin with his thumb.

He shares top billing with John Beal, who is fine, playing the rebellious young scion of a senator who needs to grow up. And "Armida", the little Mexican ball of fire playing Beal's love interest, is not bad either. But Carey easily steals the movie. He is a generous man, financially and spiritually, and there is nothing like that big genial smile of his, which he sprinkles liberally throughout this movie, to bring a smile to my own.

Look for two funny moments, when Carey, surprised by stunning statements made by other characters, stares straight at the camera, eyes wide open, in shock. Great moments, great close-ups, honoring one of the Westerns great actors.

Happily, the film does not pad the movie with too much stock photography of cowboys riding horses. In fact, the best decision the director made was to include a quite long scene in which Carey and George Irving simply sit next to each other in conversation, taking turns bragging about their respective ancestors, each engaged in a spiraling attempt to top the other. The scene isn't really necessary, but to me it was the most enjoyable in the whole film, allowing the viewers to just bathe in Harry Carey's company.

One other funny thing about this film: the gangsters seem to have walked right out of an Edward G. Robinson set, complete with New York or Chicago accents, yet they claim to be from Kansas, and everyone believes them! They fit into the Western landscape like Robinson with a machine gun fits into a junior prom, yet nobody questions there presence. Quite silly, but all in fun.

Though a very B-Western, not a bad way at all to spend an hour.