L'île du diable

Not a lot happens in the first twenty minutes. Then, they get gat brady (john litel) on income tax charges from hidden money. He's sent off to prison, and his girl flo (sheridan) moves into brady's flat to keep an eye on his daughter. But when a thug tries to kidnap the daughter, the thug ends up in jail with brady. Then, brady gets framed for a murder, and must prove his innocence. (although he probably shouldn't have made threats in front of the warden!) some scenes which may or may not really be alcatraz.... it had just opened a couple years before. Movie is okay... a pretty early, realistic look at prison life. And a viable story, for the most part. Directed by bill mcgann. Was nominated for stolen life, but also worked on key largo and treasure of the sierra madre. Story by crane wilbur.

Alcatraz Island (1937)

** (out of 4)

This Warner "B" picture isn't well known today and it's not really any good but I guess you can give it credit for being the first film to take place on Alcatraz (which was built three years earlier). The story has a racketeer (John Litel) being railroaded into prison where he eventually catches up with the man who tried to kidnap his daughter. After being him he's sent to Alcatraz where they eventually meet again and this time the kidnapper is killed but the racketeer must try and prove his innocence even though everyone knows he hated the guy. Like the gangster drama, the prison film was usually a very good one for Warner but that's not the case here as the film, even at 64-minutes, is just too dull to be that entertaining. McGann's direction really drags things down as there's never any energy in the film and things remain pretty slow from start to finish. The screenplay by Crane Wilbur also doesn't do much as we get a pretty familiar story of a criminal wanting to do good for his new relationship with his daughter yet he keeps getting into trouble all of which is due to either someone else or someone trying to frame him. The movie follows the typical guidelines of a prison drama but the screenplay just doesn't have any edge, soul or even any real surprises. The final five minutes takes place in a courtroom and how everything ends is among the worst endings I've ever seen and something that I'm sure Ed Wood would laugh at. I wasn't too impressed with Litel in his role but at least Ann Sheridan makes a good impression in her supporting bit. Mary Maguire, Gordon Oliver and George E. Stone round out the cast.

You may think this story is about the criminal racketeer and mastermind Garrett Sloane aka 'Gat' Brady (John Litel) who is sent to the big house on a five (5) year stretch but the story is really about the district attorney George Drake (Gordon Oliver) who put Gat away. Gat is not looking for trouble while trying to do his five (5) year stint initially in Leavenworth and with good behaviour he may get out in half that time to spend the rest of his life with his loving daughter Flo Allen (Ann Sheridan). But a disgruntled and former criminal named Red who has it in for Gat gets under Gat's skin which leads to a bit of an unexpected scuffle to which Gat is sent to Alcatraz prison where he will surely spend his entire five (5) year stint since any chance for getting out early with good behaviour has vanished.

Gat's instigator Red, isn't done yet either, and so he follows Gat to Alcatraz only to get a knife shoved in his back to which he takes his dying and last lying breath and unfairly claims it was his nemesis Gat who stuffed the knife in his breath just before he dies.

Surprisingly it is the district attorney George Drake who comes to Gat's defense and reluctantly Gat accepts Drake's pro bono offer to represent him at his murder trial. Of course George Drake is smitten by Flo Allen, but his intentions are sincere for his love for Flo Allen and his conviction to get her racketeer father Gat out of Alcatraz and off of the murder charge of Red to which he is truly innocent.

I won't spoil the ending but to say that love conquers all and the two men Gat the racketeer who is Flo Allen's father, and George Drake the district attorney who is madly in love with Flo Allen who sincerely loves both men, her father and her fiance all may just find happiness after much sorrow.

No need to recap the plot. The movie's a surprisingly flat crime drama from hard edge Warner Bros. There's very little to comment on since the acting, directing, and staging are so colorless and pedestrian, to say the least. To bad that the male leads-- Litel, Oliver, and Purcell-- fail to inject any needed spark to heighten the proceedings. In fact, no one in front or behind the camera appears particularly motivated. Note in passing, how mildly racketeer Brady is portrayed (never killed or hurt anybody) so that his eventual reform goes down easily. That's Production Code Hollywood again taking the easy way out-- no awkward moral threads left dangling. Too bad actress Sheridan is given no chance to demonstrate her patented brand of sassy spunk. But I guess that would come later, and a good thing for the studio. Then too, it looks like the only glimpses we get of the real Alcatraz are by air, which are not very atmospheric. Anyway, this is WB's normally expert gangster department operating at snoozer level despite the promising title.

Mobster moneyman Gat Brady is found not guilty of racketeering after a juror has been bribed. His daughter Annabel Sloane gets kicked out of school after her father's identity comes to light. He hires Miss Tolliver to be her teacher. Gat gets hit with tax evasion and the judge hits him even harder. There is an attempt at kidnapping Ann and Red Carroll is convicted of the crime. He is sent to Leavenworth which happens to be where Brady is imprisoned.

This is very much a ripped-from-the-headlines episode based on the Al Capone conviction. Of course, they have changed it a lot. There is a problem in this movie. It's trying to make Brady the rooting interest when he isn't that in the beginning. He does nothing great for redemption but the prison section is still compelling. I guess Ann is meant to humanize him but it's not enough. All in all, it's a functional crime B-movie with good criminal intensity.