La Ville fantôme

Winds of The Wasteland is a vastly underappreciated film. Having seen most of John Wayne's pre 1939 westerns (including some of his more highly regarded ones such as Randy Rides Alone, Hell Town aka Born To The West, Blue Steel, West Of The Divide, Sagebrush Trail and Riders of Destiny) this is the most entertaining. It has a great story that is well played by the primary actors, though the doctor is a little wooden. Of all Wayne's shorts, I would first recommend this one. Get the colourized version if possible. It may be heretical to say, but the colourized shorts are more enjoyable and most are available.

With the advent of the telegraph, Pony Express rider John Wayne and his friend find themselves out of work with a few horses as severance pay. The two purchase a stage line to Crecent City and find out they were swindled, as Crecent City turns out to be a ghost town! However, the two have a plan to make it work by winning a mail contract and bringing in the telegraph.

One of Wayne's best B-pictures, Winds Of The Wasteland is irresistible, breezy fun, full of humor and can-do spirit, with a winning performance by the Duke.

An exciting stagecoach race, full of villainous treachery and thunderous action makes for a good, satisfying climax.

If you haven't seen any of Wayne's early westerns, this is a good place to start.

Former Pony Express Riders John Wayne and Lane Chandler get some free horses when the Pony Express disbands and decide to start a stagecoach line. Easier said than done when a crooked stagecoach entrepreneur, Douglas Cosgrove, sells them a worthless route to a ghost town.

Well not quite a ghost town, there are two inhabitants there. But through good old American know how and some hard work, Wayne and Chandler make a go of it. The town springs back to life in the process.

Though this is a poverty row B film with production values of same, this is one of the Duke's better B films of his pre-Stagecoach period. I like the plot very much and there is an exciting climax with a stagecoach race to see who wins the government mail contract.

And why wouldn't it be exciting since the King of Stuntmen, Yakima Canutt who did the chariot race in Ben-Hur had a hand in this one.

Also look for a very nice performance from character actor Lew Kelly, the "Mayor" of the ghost town who keeps having a run in with a persistent skunk who has taken up residence in the old stagecoach Wayne and Chandler buy.

But that's no comment on the picture.

I recently watched the John Wayne western Winds on the Wasteland (1936) on Prime. The plot depicts the end of the Pony Express and the shift to traditional government postal services. Recently laid-off men offer to assist a local stagecoach company in securing the government mail contract, but challenges lie ahead.

Directed by Mack V. Wright (The Man from Monterey), the film stars John Wayne (Stagecoach), Phyllis Fraser (Little Men), Lew Kelly (Paradise Express), Lane Chandler (Samson and Delilah), and Douglas Cosgrove (Lady Killer).

This is a dated western with varying degrees of success in its elements. The acting and dialogue feel somewhat stiff and inauthentic at times. However, the elite attire, settings, and props immerse the audience in the era. The storyline is compelling and holds attention, though the fake backgrounds and staged scenes haven't aged well.

In conclusion, Winds on the Wasteland is an average western with redeeming elements that make it a must-see for genre enthusiasts. I'd score this a 5.5-6/10 and recommend watching it once.

"Winds of the Wasteland" was made following the 1935 merger of Lone Star/Monogram and Mascot Pictures into Republic Pictures. With the added resources of the old Mascot serial group, the production values of John Wayne's series improved greatly. The budgets were certainly bigger and that can be seen in this particular entry.

The story has two ex Pony Express riders, John Craig (Wayne) and Larry Adams (Lane Chander) starting up a stagecoach line. They are duped into signing an agreement with bad guy Drake (Douglas Cosgrove) to operate the line between two towns one of which is deserted except for the disgruntled doctor (Sam Flint) and jack of all trades Rocky (Lew Kelly).

Doc's daughter Barbara (Phyllis Fraser) arrives unannounced and tries to convince her father to return east with her. Craig convinces them to remain and await the results of the upcoming stagecoach race for a $25,000 mail contract. Drake, along with his henchmen Bob Kortman and Yakima Canutt, among others, try to thwart our hero at every turn.

The highlight of the film, and a sequence that sets it apart, is the climatic and very well staged race between Drake's coach and that of Craig. Veteran director Mack V. Wright gives us plenty of action and a realistic race to boot. Having Yakima Canutt around meant many visually exciting stunts. The outcome of the race of course is never in doubt nor is the fate of the villains.

Jon Hall (using the name Charles Lochner), appears briefly at the beginning of the movie as a Pony Express rider who is seen talking to Wayne and Chandler. Also in the same sequence is veteran "B" western performer Ed Cassidy.

This was one of the best of Wayne's early "B" westerns.