Le mort qui marche

Michael Curtiz directed this beautifully filmed story of poor luckless John Elman(played superbly by Boris Karloff) who was framed by racketeers for the murder of a judge. Elman is then tried and found guilty of murder. Though evidence proving his innocence is found, it arrives too late to save his life. Still, a Dr. Beaumont(played by Edmund Gwenn) has developed a way to bring back the recently dead, and resurrects Elman, who resumes his pianist skills to conduct eerie concerts, though also is compelled to confront those responsible for framing him... Again, Boris Karloff is excellent, playing the role for the sympathy and pathos it deserves. Atmospheric and thoughtful; only the highly familiar plot mars this fine film, with a haunting end.

Michael Curtiz directed this odd combination of gangster and horror films for Warner Bros. Karloff is a minor gangster released from prison who is framed and executed for murder. He's brought back to life when his name is cleared and confronts each of the men who framed him with his knowledge from beyond the grave. The execution scene is absolutely excruciating, as the only witnesses to the crime try to get the corrupt governor to call in a pardon while the music-loving Karloff walks to the electric chair, accompanied by a cello.

It's a dead man walking in this film with Boris Karloff brought back to life by a doctor (Edmund Gwenn - Miracle on 34th Street).

There was no surprises as I would have expected, as the reanimation was posted all over the newspapers the next day.

It's not just a horror film, but a gangster film, as Ellman (Karloff) was executed for a crime he didn't commit.

It was really funny when he went after those involved in the conspiracy to frame him. A little supernatural work on a lot of guilty consciences.

It was a fascinating film, and Gwenn was superb. Karloff was also very good.

One of the best horror films of the 30s. The only criticism lies in some of the acting by the secondary characters. Otherwise, superb direction, magnificent Hal Mohr photography, good script and story, and excellent music score by Bernhard Kaun (which was NOT listed in the credits by the way). Even if you are not a horror fan, it rates high as a rainy day diversion.

This is a one of a kind--combination horror/gangster! Karloff (who's just incredible) is bought back from the dead after being wrongfully executed and takes revenge on those who set him up. It's basically a gangster film until the last half hour--then the scary stuff kicks in. The film is VERY short (70 minutes) and moves quickly. It's intelligent (although bringing a person back from the dead after they've been electrocuted is a stretch!), very well-directed (effective use of shadows and camera angles) but the main reason to watch is Karloff. He never received the attention he deserved because he made horror films, which are still looked down upon. He was a wonderful actor and in this movie gives one of his best performances ("The Black Room" is probably THE best he ever gave). Just check out his expression after he "kills" the men he goes after. Excellent job. A perfect "B" movie. Don't miss it! I don't believe this is on video (I saw it on TCM), so if you get a chance, SEE IT! You won't be disappointed!