Hank Sherman is a law student who stumbles into a job as a chauffeur for a wealthy businessman and, in the process, falls in love with his boss' beautiful assistant Margaret. His job becomes... Read allHank Sherman is a law student who stumbles into a job as a chauffeur for a wealthy businessman and, in the process, falls in love with his boss' beautiful assistant Margaret. His job becomes significantly harder, however, after his boss and his brother Steve, manager of a boxer n... Read allHank Sherman is a law student who stumbles into a job as a chauffeur for a wealthy businessman and, in the process, falls in love with his boss' beautiful assistant Margaret. His job becomes significantly harder, however, after his boss and his brother Steve, manager of a boxer named Steamer Krupp, are murdered, and he volunteers in the effort to catch the mobsters wh... Read all
- Bergen
- (uncredited)
- Man Calling Hank to Phone
- (uncredited)
- Accident Witness
- (uncredited)
- Ring Announcer
- (uncredited)
- Waiter
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The opening is a little clunky. It does achieve two things. It shows that Hank is a fighter and there is corruption everywhere. It's just weird that this is how he got hired. It's a little clunky. A lot of the story is a little clunky, but it works good enough. It's a middling crime drama.
He hooks up with the appealing Florence Rice and her boss, who runs the company where he'd been looking for a job. Her father is released from prison and all become involved in a crime-busting plan.
Nat Pendleton as a loyal boxer is at his very best here. He is portrayed as likable, strong, and attractive. The goofiness he was asked to assume in almost every other movie I've seen him in is absent here.
There is a gay undertone to the story as it involves the crime boss. He is a disabled man with an obsession for fighters. We see a frieze of Greco-Roman athletes in his apartment. And when Rice tries to turn his head a little, he tells her sourly that he has no real interest in legs. Maybe this is because of his own disability. Maybe it means women's legs.
The movie packs a wallop and is undeservedly obscure.
Though not a superstar in films, before he became one in TV, Robert Young played a variety of roles in movies. His likable personality served him well, and he is very good here as Hank Sherman, a young man who goes undercover to get evidence against Joe Emerald, the head of a protection organization (Joseph Calleia). His first effort fails miserably when instead of a shooting a cop, he shoots his partner and is thrown out of the group. So he tries again, this time by replacing his brother, killed by the mob, as the manager of a fighter (Nat Pendleton).
Very good and exciting film, with a gay undertone that possibly went over the head of the 1930s audiences. The mob boss, Emerald, is crippled and, from his treatment of Florence Rice's character, has no use for women. When he brings Hank into his deco steam room, it's filled with Greco-Roman friezes of nude men. He more or less tells Hank that he lives vicariously through fighters, which is why he wants Hank's client. An interesting twist on what could have been just a formulaic mob story.
The excellent finale takes place in said steam room, where detectives are searching for hidden files.
Dark film, noirish, albeit before noir, and intriguing. Recommended.
Unfortunately, none of the characters inspire. Joseph Calleia (Joe Emarald) is ok as the lead bad guy but it doesn't say much when Nat Pendleton (Steamer Krupp) who plays a buffoon of a boxer is the most likable cast member. Again, it's not a good sign when the most enjoyable part of the film is spotting Anthony Quinn in a few scenes at the film's climax.
I've read a few of the reviews previously submitted and they have pointed out the next most memorable part of the film and that is the homo-erotic decorations on the walls of Calleia's hotel suite that leads to the steam room. Maybe there is some truth to the idea that these represent his sexuality as he certainly did not seem interested in girls at any point in the movie. Quite the opposite.
It's clearly a B-movie that comes across as hurried and the acting isn't particularly good.
Did you know
- TriviaFirst of six films pairing Robert Young and Florence Rice released from 1936 to 1939.
- GoofsWhen 'Steamer' (Nat Pendleton) carries Joe Emerald (Joseph Calleia) out of the fire, he hits Emerald's head on the door jamb. Calleia never broke character: since he was supposed to be passed out, he just kept his eyes closed.
Details
- Runtime
- 1h 13m(73 min)
- Color
- Aspect ratio
- 1.37 : 1