A young playboy inherits a financially-troubled New York City department store. To learn the business, he poses as a store clerk, and quickly falls for a pretty employee in the store's music... Read allA young playboy inherits a financially-troubled New York City department store. To learn the business, he poses as a store clerk, and quickly falls for a pretty employee in the store's music department.A young playboy inherits a financially-troubled New York City department store. To learn the business, he poses as a store clerk, and quickly falls for a pretty employee in the store's music department.
- Waiter
- (uncredited)
- Policeman
- (uncredited)
- Mr. Goodrich
- (uncredited)
- Department Store Bit
- (uncredited)
- Mr. Sprague
- (uncredited)
- Mr. Barton
- (uncredited)
- Elevator-Starter
- (uncredited)
- Customer
- (uncredited)
- Elevator Operator
- (uncredited)
- Store Cashier
- (uncredited)
- Customer
- (uncredited)
- Store Employee
- (uncredited)
Featured reviews
I think what that means is that Warner Brothers, after James Melton's first, undistinguished movie from the year before, *Stars over Broadway*, realized that, to put it kindly, he needed some help bringing off a feature-length film.
He sang well, certainly, so he was given a LOT of songs in this picture. Unfortunately, while Harry Warren and Al Dubin wrote a lot of very popular and still remembered songs, none of their contributions here is at all memorable. As a result, Melton really doesn't make much of an impression. His co-star, Patricia Ellis, gets a few duets with him, but makes even less of an impression.
Compare Melton to Dick Powell, for example, who was also at Warner Brothers at that time. Powell projected personality that Melton does not convey. There was also chemistry between Powell and Ruby Keeler, for example, that is completely absent here between Melton and Ellis.
So we are left with the supporting cast, who are given more screen time than usual and, as a result, do really get to shine. I don't generally like Hugh Herbert, but he gets some good scenes here. Walter Catlett gets to develop a whole character here, and does it well. Zazu Pitts and Alan Jenkins do their usual professional jobs.
That doesn't make this a great picture, but it saves it from being the forgettable zero that it could have been with no memorable songs and two pleasant but uncaptivating leads.
J. J. Haines Jr. Is set to take over the company business following his father's death. However, instead of just stepping into the office to run the department store, he decides to try working as a regular employee in order to see what it's like working there. During his time working in the music department, he becomes a well liked guy...and his new friends have no idea who he actually is.
"Sing Me a Love Song" is still a very good film...well written and the singing isn't too invasive. But the idea works so much better in the later movie. My advice? See them both!! One is a true classic...the other still a very good film. It sure helps that so many familiar character actors are in this First National release...such as Walter Catlett, Allen Jenkins, Nat Pendleton, Hugh Herbert and Zasu Pitts.
The musical numbers are, perhaps, forgettable. But Melton's voice is formidable enough to play on the operatic stage. It would be perfect for the song "I'll String Along With You." And he is not a bad leading man, either.
Herbert is still highly amusing, but on my recent rediscovery of the picture on cable, I was much more impressed by the magnificently effortless soaring tenor of James Melton. He had several great songs in this film, but his "Your Eyes Have Told Me So" left me with goose bumps!
The inane story line is no worse than the average musical, and the music and comedy elements more than make up for it. A very entertaining movie that I can recommend without reservation.
Did you know
- TriviaGeorgia Caine (Mrs. Parker) and Ann Sheridan (Lola Parker) were seen in early test viewings of this film "Sing Me a Love Song (1936)", but were deleted before the final release. Some early reviews of the film even mention them. Variety also mentions that Bobby Connolly was credited for designing dance numbers in the print they saw, but that there were no dance numbers to be seen.
- Quotes
Christopher 'Chris' Cross: That's right. Christopher Cross, commonly called Chris Cross. I was christened Chris but was cross at the christening. I've been Chris Cross and cross Chris ever since.
- ConnectionsReferenced in Le rescapé (1937)
- SoundtracksThat's the Least You Can Do for the Lady
(1936) (uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Sung by James Melton in the opening scene
Also sung by James Melton and Patricia Ellis
Details
- Release date
- Country of origin
- Language
- Also known as
- Sing Me a Love Song
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 15m(75 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1