Ride, Ranger, Ride

The Texas Rangers are about to be demobilized because the U.S. Cavalry is coming to Texas. They've got garrison duty as the Comanches are allegedly at peace. That's not what Gene Autry says and that's not what grizzled scout Max Terhune says, who actually does say the only good Indian is a dead one. And that's allegedly without the dummy.

Gene and the whole troop of rangers join the cavalry including Max as a scout and even Smiley Burnette. They really don't take to military life to well. In addition Gene's got a romantic rivalry going with George J. Lewis over Kay Hughes.

Somebody is stirring up the Indians, acting as agent provocateur and for those interested in seeing this ancient oater I won't reveal who it is.

Usually Autry westerns at least included some decent cowboy numbers. But even after seeing this only a couple of hours ago on TCM, I can't remember a one of them.

The Indians are really presented in a bad light. Oafs and Dupes at best and savages at worst. But you can't expect too much from a B western.

Although saying B is giving this one too high a grade.

So every one of the rest of you reviewers think "Ride, Ranger, Ride" is a third-rate "oater," is "routine and dated," "cartoonish," you can't recall any of the music two hours later, etc.? Well, maybe, just maybe, we didn't watch the same movie.

The title song of the movie is one that has echoed in my head ever since I saw the film the first time, when I was about 10 or 11. I've never had any trouble remembering it. In fact, it was considered so good that it was used again in the last Autry film of 1936, "The Big Show."

The big, if a little brief, fist fight that Max Terhune and the other Rangers deliberately start in a saloon to try to get thrown out of the cavalry is one of the most realistic I've ever seen in an old Western. It ends with a close-up of Terhune and Smiley Burnette, but most of it is viewed in a room-wide shot, which would make it more difficult to have the fisticuffs look genuine. But they did!

Yes, Terhune does say, once, "The only good Indian is a dead Indian," or words to that effect. I don't remember Autry ever saying it. But remember this movie was made in 1936, long before the era of "political correctness." Even in the movies, people were more apt to say just what they thought in those days.

And yes, the horse race involving Gene and his rival for the affections of leading lady Kay Hughes, was a fine one. Gene Autry was a very accomplished rider -- which few of the reviewers are willing to acknowledge.

The final and unique plus for this Autry film, for ME, at least, was that Monte Blue, playing a fake Indian chief, and Max Terhune, were both native Hoosiers! Can't beat those actors from Indiana! And Max Terhune was a very talented ventriloquist and card shark, too.

Fairly tame Gene Autry vehicle (as if there were any hard-hitting, serious-minded ones) that deals with Autry and his pals getting jobs with the Texas Rangers, In this we realize a number of things.. we see that the rangers are trigger-happy when it comes to arresting Autry (and rehiring people on the spot), it shows how to to do the old flattened metal dish to block doorways from being locked, how people are around handily to turn tables over when there's a fight, and how the Indians, while using their "Man go that way" type of talk, also use sign language to get their point across. This is a rather curious movie, that teaches us that the Texas Rangers are not to be trusted, has an EXTREMELY lame love interest, and how they are able to get a song in our head by repeating it 3 times. Yikes!

Gene Autry doesn't get much of a chance to stand out in this routine and rather dated feature. The plot had potential, with Autry leading a group of Texas Rangers who are trying to stop an Indian attack while working against the skepticism of a cavalry commander.

But what follows is not very entertaining, and most of the problems can probably be blamed on the script. The characters remain one-dimensional, with little or no justification for their actions, and none of them really appears in a very good light. It does not help that the Indians are portrayed in a rather dated and cartoonish fashion, even for the 30's.

Nothing at all against the talented and very likable Autry, but this one just does not work very well at all. Even the most devoted fans probably won't find much here to get excited about.

A good Western film is built around the Good Guy- Bad Guy conflict and their eventual Showdown. Here, that showdown is there, but it's not the major focus of the film.

It's mainly about how we must fight against Indians. Gene and his Texas Rangers know about Indians; the cavalry does not. ("Make your peace sign with one hand, and keep a gun in the other.") We get that awful 'Tarzan talk' in the way the White Man speaks to the Indians. We get the cliché (it was used in John Ford's 'The Iron Horse' in 1924!) of a white man masquerading as a warlike Indian -- except this time he's a saloon owner.

There is the throwaway of a love interest (surprisingly, Gene marries her and rides off into the off screen). There is Republic's 'comic relief' of Smiley Burnette and Mex Terhune (he is actually good in this film!); and the dreadful running gag of Chief Thundercloud, who was so evil in the serial 'Custer's Last Stand' (1934), trying to scalp Frog Millhouse; but there's really nothing of substance going on in this picture. It seems too have been made from the "let's crank out another one" mode as part of the new Republic formula of cheapie B pictures.

There are much better Gene Autry films that seem more authentic, such as 'Yodelin' Kid From Pine Ridge' (1937) than this third rate formulaic cranked out film. Gene is genial, but overall this movie is worth only a 3.