La femme de l'ennemi public

This is a typical Warner Brothers yarn from this period; I mean a fast paced thirties crime flick, starring Pat O'Brien, and I think Jimmy Cagney was missing, because the film would have been better. Cesar Romero had not yet reached his peak; if he ever did in his career. So, this one is an agreeable time waster, rather rare, if you except TCM channel airings. On this scheme, of a big shot behind bars seeking to kill - or take revenge - on his wife cheating him, I will of course prefer Douglas Hickox's SREAMING TARGET, starring Oliver Reed as the lead character. Here, it is not a seventies gritty Britih crime yarn, but only a Hollywood material, rather smoother than we could expect. PUBLIC ENEMY, starring Jimmy Cagney.

Cesar Romero is a con man in prison in Public Enemy's Wife, from 1936. He plays Gene Maroc, whose wife Judith (Margaret Lindsay) served time because she refused to tell the police anything.

Judith is released first and wants nothing to do with Maroc. Maroc threatens to kill her once he's out.

Judith splits and dyes her hair from blond to brunette. The FBI is still interested in talking to her and getting some info. The agents, Lee Laird and Robert Armstrong (Pat O'Brien, Gene Ferguson) attempt to find her. When they finally catch up with her, she's engaged to be married. And Maroc is out and after her. The agents figure if she goes through with the wedding, it will bring Maroc to them.

Part drama and part comedy, this is an entertaining film, with the underrated Cesar Romero as a villain. Romero was a dancer, an actor, he was suave, he was dashing, and he could play a crook. In short he could do anything. He is also very impressive in "Captain from Castile," another departure for him.

Pat O'Brien does a good job in the lead, and Margaret Lindsay is appropriately hard-boiled at first, later softening.

Enjoyable.

Released the same year as MGM's LIBELED LADY, this light Warner's crime drama shares a lot of plot points, tries for a comic take on the subject, but fails, in no small part because Pat O'Brien does not display the diffident feyness that William Powell brought to his role, in part because Margaret Lindsay lacks a light touch but mostly, I fear, because the screenwriters and director Nick Grinde can't quite bring off the material -- certainly Pat O'Brien was capable of handling comedy material and there is a lot of strong comic supporting actors. It's odd to see Cesar Romero, who could have played his role as a gangster with great comic timing, play it straight. The two best comedians are Al Bridge and Harry Hayden, in two almost invisible roles -- both later members of Preston Sturges' stock company.

But screwball was still finding its way at this point, and Nick Grinde was not the director to help it along. Too bad.

I hope no one tuned into watching this film with the idea that James Cagney married someone in Public Enemy and that Public Enemy's Wife is about his widow. This film has nothing whatsoever to do with the film that made James Cagney a star.

Instead it stars Cagney's friend and Irish Mafia member in good standing, Pat O'Brien. O'Brien is an FBI man who is on the trail of Cesar Romero, the number one public enemy at that time. Romero is an insanely jealous type and left enough incriminating evidence so that his wife, Margaret Lindsay, is implicated in his crimes.

She's served her sentence and tells Romero in no uncertain terms that she's divorcing him immediately. In his best melodramatic fashion, Romero tells her she's his forever and jail won't keep them apart.

Lindsay makes a life of her own as a mysterious socialite as she was careful to sock her money away in legitimate investments. She's got playboy Dick Foran panting at the bit to add her to his list of wives.

But Romero escapes and the FBI is brought in. The plan is for O'Brien to marry her and draw Romero out. Of course since the Code just came in it is abundantly clear this will be platonic and annulled the nano- second after Romero's capture.

If you're thinking this sounds like melodramatic claptrap you'd be right. Still somehow the able cast puts it over and it's somewhat enjoyable.

I noticed a long time ago that almost all of Pat O'Brien's films were pretty silly and he was an odd choice as a "macho" leading man. Because of this it's really difficult to find any of his films that can be labeled "great", though at the same time these hokey movies are a lot of fun to watch provided you aren't expecting Shakespeare! The idea of this dumpy, somewhat balding man with a propensity to yell his lines being an action hero or great lover is pretty silly but in Warner Brothers fashion, the films are entertaining.

THE PUBLIC ENEMY'S WIFE is exactly the sort of film I think of when I think of O'Brien. Naturally he's the hero and naturally he's destined to get the girl in the end--even if it seems next to impossible. But despite this, the film is awfully good to watch--with a wonderful performance by Cesar Romero as a mobster. And the plot is different enough to make it worth your time. Great? Of course not--but for fans of Hollywood's Golden Age, it's still a dandy flick.

FYI--There were a few errors in the film. No matter what the Justice of the Peace said, the marriage between Lindsay and O'Brien was NOT legal and would not have been recognized since O'Brien married her while assuming another's identity. Also, the fish O'Brien and Armstrong carried with them were not native Florida fish--and there are no mountains in Southern Florida!