Postal Inspector

This was long thought to be a lost film, but it has been resurrected using a number of different prints so quality varies, but entertainment is still consistent. This is an odd film being a mixture of genres namely thriller,disaster, musical and quasi-documentary about the post office. A number of crimes involving the post office are shown mainly tragic, but a couple are very funny. Eventually it centres on a train robbery of old banknotes en route to the federal mint. Ricardo Cortez is all suave self assurance as the leading detective assigned to the case, while Patricia Ellis is drop dead gorgeous as a chanteuse who may be involved with the robbery. Bela Lugosi as a club owner with links to a gambling syndicate only has a small role. Last part of the film takes place in a flood with stock footage lifted from the Johnstown flood interspersed with new studio shot scenes which blend quite well. Some may dislike the jingoistic tone of the film regarding the post office, but the movie fairly zips along and the denouement is exciting.

1936's "Postal Inspector" appeared to serve several purposes for cash strapped Universal following the March 1936 ouster of the extravagant Laemmles: a Warners-style glorification of a rarely spotlighted branch of government, a vehicle cheaply built around newly shot stock footage of heavy flooding in Pittsburgh PA, and a way to fulfill their three picture contract with Bela Lugosi, having failed to use him on "Dracula's Daughter" or a fourth pairing with Boris Karloff (they would finish Karloff's deal in Feb. 1937 with "Night Key"). Not only that, but this innocuous programmer also had the audacity to feature Patricia Ellis as Connie Larrimore belting out a whopping four songs by the film's midpoint, making for an awkward musical enabling her songbird to trill at the nightclub owned by Lugosi's Gregory Benez, his kindly nature hiding a dark secret of being heavily in debt to an impatient loan shark who has already murdered a previous client. The plot finally settles in at the 40 minute mark, as Benez and his confederates choose to rob a shipment of $3 million worth of retired currency (the driver a fatal casualty), a crime that could be pinned on Charlie Davis (Michael Loring), brother of Postal Inspector Bill Davis (Ricardo Cortez), because his car was used by the thieves. Severe flooding in Milltown finds cops and robbers engaging in a speedboat chase until the villains are apprehended and Charlie is free to wed childhood sweetheart Connie. More romantic trifle than serious drama, the daily activities in the inspector's office offering some novelty as many people are defrauded through the mail, basically those who can least afford it. Offbeat enough to still provide light entertainment as an hour long programmer, but little material for Lugosiphiles, 4th billed Bela on screen for barely 7 minutes in a bland role that still shows he was capable of playing a character without any sinister shadings, the main reason for film buffs to seek out after missing in action for decades.

Before seeing this the only other film I ever saw dealing with the Post Office police was a very good Alan Ladd noir film called Appointment With Danger where Ladd like Ricardo Cortez here plays a Post Office cop. Postal Inspector does not have the really good plot the Ladd film has but it's good enough and it has some nice action sequences involving a flood that spoils plans for the good guys and bad guys alike.

Bela Lugosi plays a nightclub owner who doubles as the boss of a gang and he's got a pretty good scheme involving the robbery of a shipment of old and soon to be retired currency being shipped by mail. He carries it off, but the flash flood interrupts his plans.

Patricia Ellis plays a nightclub singer and Michael Loring, Cortez's brother who get innocently into a jackpot in the robbery as he's suspected of being an inside man.

Postal Inspector has a nice action climax involving a chase with outboard motorboats through flooded. And in the role of the nightclub racketeer owner provided a nice change of pace for Bela Lugosi not playing a mad scientist or an inhuman fiend.

Postal Inspector (1936)

*** (out of 4)

A city is being ravished by a flood when a group of criminals (including Bela Lugosi) decide to steal three million from the post office, which gets the postal inspector (Richard Cortez) involved. I was really shocked to see how much I liked this little film that has some wonderful comic moments dealing with various ways people get ripped off and the ending was full of great action. The special effects of the city being ripped apart by water were all very well done, although some stock footage was used. An interesting note was that this was Lugosi's final film for Universal under his Dracula contract.

I doubt that any movie ever made better use of stock footage of floods than "Postal Inspector." Every time the tale sags -- or more accurately sogs -- it's back to some unfortunate town where the river is rising, the dam done burst, homes are being washed away and people are trudging through muck and mire (not to be confused with the vaudeville act of the same name,) trying to escape the deluge. The big chase scene even replaces cars and horses with speedboats. The plot centers on Bela Lugosi as a night club owner, drowning in debt, who tries to steal $3 million in old bills being transported by the US Post Office. Fortunately, Ricardo Cortez is there to sink him, aided by Patricia Ellis as a night club singer who manages to warble a few Frank Loesser tunes before the water rises. It's actually not a bad little thriller and manages to float along in a fast-moving 58 minutes.