Une princesse est à bord

THE PRINCESS COMES ALONG is a comedy/mystery that unfortunately splits itself in the middle rather than being a mix of both genres throughout the film. It stars Carole Lombard as a girl from Brooklyn who while in England somehow manages to persuade film producers that she is a Princess Olga of Sweden, is signed to a contract and on her way to America to make movies. The movie opens with the excited passengers and press eager to see the Princess board the ship (just how this ruse is successfully pulled off strains credibility, Sweden, after all is a major nation, and surely any allegations that a Princess was going to enter pictures would have quickly been denied and disproved).

Fred MacMurray is a popular bandleader who is also on board and takes a shine to the Princess, attempting to romance her. She is indifferent but when a blackmailer is found dead in her room she becomes warmer to MacMurray's offer of friendship as he and buddy William Frawley remove the body. That still means a murder is loose on board and there's more mayhem in the works before the killer is revealed.

This movie starts out an engaging 1930's romantic comedy with Lombard deliciously parodying Garbo as the faux Royal Highness. Alas, the movie literally turns deadly after the murder and it's pretty much a straightforward murder mystery with a surprise that isn't much of a surprise if you've seen movies of this nature. Nevertheless, the cast does very well with the material, particularly the young Fred MacMurray, quite dashing in his late twenties, and the delicious character actress Alison Skipworth, here cast as the Princess' haughty traveling companion but in truth another unemployed actress and of course the always great Lombard. Months after their triumph in MY MAN GODFREY, Lombard is reunited with Mischa Auer with the latter in a small role as the Russian detective, one of several international detectives who just so happen to be all traveling on board. THE PRINCESS COMES ALONG is not one of the better Lombard films but it's a pleasant 90 minutes and worth at least one viewing.

Somehow, when thinking of movie couples in the golden age of film, Carole Lombard's partnership with Fred MacMurray gets overlooked. Not as glamorous as Tracy and Hepburn, Hepburn and Grant, Grant and Dunne, Eddy and MacDonald, MacDonald and Chevalier, Bogart and Bacall, it still got tremendous mileage in comedies (HANDS ACROSS THE TABLE, TRUE CONFESSIONS), comic thrillers (THE PRINCESS COMES ACROSS), and straight drama (SWING HIGH, SWING LOW). Lombard had the ability to make the film's activities soar by her zaniness. MacMurray managed to anchor the film down by his normality (and in TRUE CONFESSIONS uses this normality against itself - by taking himself too seriously).

THE PRINCESS COMES ACROSS made fun of thrillers (although the dangers involved are not made funny), and of the culture of publicity that the public thrives on. Lombard has the looks and talents to make it in movies, but nobody cares. With the help of Alison Skipworth she pretends she is Princess Olga of Sweden and she wants to act in movies. Besides the spoofing of Garbo, Lombard is counting on the vast publicity from the media to get her the million dollar contract she wants. Oddly enough, the Swedish royal family does not seem to care that a fraud is being perpetrated by Lombard and Skipworth at their expense. But we have to make some concession to the plot.

MacMurray is a well known musician (a concertina player of all things) and orchestra leader. He and his manager pal, William Frawley, are on the boat as well, and MacMurray is very interested in the beautiful, but snobbish Princess. However, he has another problem. MacMurray is an honest fellow, but he did one bad thing, and he is being pursued by an obnoxious little weasel (played superbly by Porter Hall) who is waiting for a big payoff from the musician. He also seems to know the truth about the Princess. MacMurray refuses to pay, and Hall promises him some problems. The ship has several internationally known detectives on board (among them are Mischa Auer, Sig Ruman, and Douglas Dumbrille), and Hall sees one of the detectives and we see him approach to talk to him. Shortly afterward Hall is found murdered. On top of this, there is word (sent to the ship) that an escaped murderer is thought to be aboard (shades of Dr. Crippen), and we do see a strange little stowaway from time to time.

The film goes on to a second murder, a set of different rival detectives trying to solve the case, and MacMurray deciding to step in to clear himself and the Princess. The conclusion is quiet satisfactory.

With it's cast of expert character actors supporting MacMurray and Lombard's performances, and the clever script, THE PRINCESS COMES ACROSS is a first rate comic thriller. I rate it 9 out of 10.

... very shortly before all three of these nations would become troublesome for the US and the rest of the world for that matter.

It's a combination comedy/romance/drama/mystery/musical film set aboard a ship that is headed from Europe to America that could have easily been too busy and thus incoherent, and yet it works.

Carole Lombard is the Swedish Princess Olga and Allison Skipworth is her companion/lady-in-waiting as Olga travels to America for an acting career with Transatlantic Studios. Except she's not. She's a Brooklyn chorus girl who is pretending to be a princess, because the studio wasn't interested in her as just another American aspiring actress, but as a princess she got their attention and a contract. Lombard does a great Greta Garbo imitation throughout, and it's thus funny when she lapses into her Brooklyn accent when frustrated or she forgets herself. Fred McMurray plays King Mantell, a successful bandleader and concertina player who wants to romance the princess, but she is (initially) having none of it, because to let someone get too close might disclose her ruse. McMurray is paired with William Frawley as his manager, decades before they are teamed again on "My Three Sons".

A blackmailer (Porter Hall) tries to shake down both Mantell and the princess. At the same time the ship's captain (George Barbier) receives a cable announcing that there is an escaped French convict on board. Plain sailing this isn't. Luckily there is a group of detectives on board who are heading for a conference. They are Douglass Dumbrille representing France, Lumsden Hare representing the U. K., Sig Ruman representing Germany, Mischa Auer representing the Soviet Union and Tetsu Komai representing Japan. There are several jokes about crime and punishment in the Soviet Union surrounding the Russian detective, but nobody says anything about Germany or Japan because they are not seen as a threat yet. It is near the end of a rare period of peace in the world during the 20th century. The vacation of these gentlemen is interrupted when two murders are committed.

It is a wonderful contrivance in script-writing as to how all aspects of this multi-faceted film gel together relatively seamlessly. One moment William Frawley makes another one of his funny down to earth statements, then we go straight over to downright skullduggery and high drama. In the midst of it all Fred MacMurray, who was quite an accomplished musician, gives us a song in the middle of the picture.

I'd say that this busy and engaging film is definitely worth your time.

Combining the elements of a great screwball comedy with a murder mystery,Paramount again cast the great team of Carole Lombard and Fred MacMurray.Carole a down-on-her-luck publicity hungry actress enlists the aid of wise-cracking hefty Alison Skipworth and together they sail aboard a luxury liner en route to America.Lombard pretending to a Swedish princess befriends Fred MacMurray and pal William Frawley and all four form an uneasy alliance.Matters become complicated when Carole is suspected of murdering a blackmailer who knew her in Brooklyn.A pack of zany international detectives attempt to solve the crime in their bumbling fashion while MacMurray tries to find the murderer before he strikes again. This fine little comedy is ably directed William K. Howard with a wonderful supporting cast led by George Barbier(ship captain) suspects Porter Hall,Douglas Dumbrille,and egocentric detectives Sig Rumann,Mischa Auer,and Tetsu Komai.Surefire fun.

Carole Lombard and Alison Skipworth are masquerading as a Swedish princess and her lady in waiting who are sailing to Hollywood to make a film. This is a bit of self ballyhoo that chorus girl Lombard from Brooklyn is giving for her film debut. Still band leader Fred MacMurray is intrigued by her.

Of course slimy blackmailer Porter Hall tries a little touch on both MacMurray and Lombard, MacMurray having done a stretch in jail as a juvenile. Later when Hall winds up murdered in Lombard's cabin, MacMurray moves the body and searches for the real killer. His only clue is that Hall had told him he had a third blackmail prospect on board the ship.

Easier said than done because also sailing on the ship are five police detectives from different countries on the way to a convention in California. When Hall's body does turn up, they all want to have a little competition as to who can crack the case first.

Sounds like a serious plot, but in fact it's a pretty breezy comedy with MacMurray and Lombard at their sophisticated best. One thing that was fascinating in the plot was that Mischa Auer and Sig Ruman being from the Soviet Union and Nazi Germany are playing detectives from the NKVD and the Gestapo respectively though that's hardly mentioned. Both are without their usual methods of investigation on the American cruise ship as is Tetsuro Komei for the Japanese. British Scotland Yard man Lumsden Hare and Surete detective Douglass Dumbrille round out our quintet of sleuths.

Best in the supporting cast is Hall as the blackmailer though. Also good is George Barbier as the ship's captain and William Frawley who a quarter of a century later would co-star with Fred MacMurray in My Three Sons is MacMurray's agent.

This was the second of four films MacMurray and Lombard did for Paramount in the Thirties. They were a good team together and don't get as much recognition as they should.

Despite the Thirties fashions and music, the film holds up very well today. It's Carole Lombard at her best.