A public relations man for a movie studio uses an early form of television to help solve a murder.A public relations man for a movie studio uses an early form of television to help solve a murder.A public relations man for a movie studio uses an early form of television to help solve a murder.
- Detective McKane
- (as Thomas Jackson)
- James Deley
- (as Franklin Farnum)
- Theatre Manager
- (uncredited)
Featured reviews
Rather good mystery with a pacy plot, good chemistry between Reginald Denny and Drake - Drake plays an astrology obsessed person. Denny wants to marry her but she says their stars don't align. This is an entertaining mystery with a fine insight of film making of that period. A nice look at paramount studio backlot- the camera angles are great, capturing things nicely.
However, Larocque has been getting threatening notes that he won't live to see the new picture. When he dies during the premiere, it turns out to be poison... and then, during the production of her next picture, a prop gun aimed at Miss Patrick turns out to hold real bullets.
It's a pretty good murder mystery, directed by Robert Florey, showing off the Paramount studio using a lot of Dutch angles. Florey spent his career as a good journeyman director, always trying out interesting shots, so much so that they dominated his pictures... and he never got much higher than the programmers. Paramount's wealth of talent, in front of and behind the camera helped make this a very watchable movie, with Karl Struss as DP, and a cast that includes Reginald Denny, George Barbier, Thomas Jackson and a wealth of faded but still skilled performers. Had this been a production at Fox or RKO or one of the minors, this would have been a top-grade A picture. At Paramount, it was just another interesting release.
The director, Robert Florey, did a remarkable job of covering up the strain placed on what must have been his modest budget. My favorite feature of this film is the innovative cinematography. Look at the use of shadows and its interplay with patches of light. Look at the use of Dutch tilts, making the environs of the studio look dangerous and mysterious. You can turn the sound off and just admire the camera man's craft.
There was one fascinating sequence involving the Batman. We spend a few moments on a set that looks like The Cabinet of Dr. Caligari with a character that looks like Conrad Veidt. We learn that he's portraying a character called "the Batman." This movie was done in 1936. The Batman character that we know first emerged from the Batcave in May, 1939. This movie may mark the first appearance of a character named the Batman on a movie screen.
If you'd like a fun time capsule trip to see moviemaking in the mid 30's, this is your movie.
Their latest film is a remake of a silent, The Song of the Toreador. The previous star of the film was a man pictured wearing a turban, who died before talkies. Gosh who could he have been modeled after?
The talkie promises to make the lead, Neil Dubeck (Rod La Roque) a huge star. But Neil is distracted because he is receiving notes predicting he will be murdered before the end of the preview.
In a way, the murder is a blessing as after his performance, he would have had to change his name and move to Ecuador. His singing sounded like a billy goat and his body was so stiff his costar, Gail Patrick, could have pushed him over with her index finger.
With that murder, one other, and the leading lady's life threatened, it falls to the studio publicist (Reginald Denny) to attempt to catch the killer by having him or her step into his office and trip a camera flash.
I think Reginald Denny and Gail Patrick were slumming. I didn't like Rod LaRoque as The Shadow and I didn't like him here.
This is a bit of behind-the-scenes of a movie shoot and a murder mystery. The actors are not big enough. Nobody is overtaking the screen. More than anything, it's a fun peak behind the camera with early Hollywood. The murder mystery is functional B-movie. This movie needs a more compelling lead character to head the investigation and solve the mystery.
Did you know
- TriviaThe illuminated rooftop sign of the local chain Broadway Department Store's famed Hollywood location is briefly glimpsed in the background. The corner building still stands at the famous intersection of Hollywood and Vine and is listed on the national register of historic places. It is a converted residence building as of 2023, but in its heyday, the department store served many Hollywood personnel, who worked both in front of and behind the camera.
- GoofsThe last two shots at the studio appear to have been filmed out of focus, and the studio did not seem to think it was worth re-shooting for this "B" picture.
- Quotes
[last lines]
Peggy Madison: [changing from what was her guide of astrology] I'm going to take up numerology.
Johnny Morgan: What's that?
Peggy Madison: Well, if the letters of your name don't add up right, we'll change it.
Johnny Morgan: Say, that's a swell idea. We'll change your name tomorrow.
Peggy Madison: Don't I have anything to say about that?
Johnny Morgan: Yup, just two words.
Peggy Madison: Two words?
Johnny Morgan: "I do."
Peggy Madison: [as Johnny hugs her] Oh, Johnny.
- Crazy creditsThe cast list shown at the end lists only the supporting players, not the stars (who are listed at the beginning).
- ConnectionsReferences Le Cabinet du docteur Caligari (1920)
- SoundtracksPromise with a Kiss
(uncredited)
Music by Charles Kisco
Lyrics by Leo Robin
[Neil Du Beck (Rod La Rocque) sings the song during the filming of Song of the Toreador]
- How long is The Preview Murder Mystery?Powered by Alexa
Details
- Runtime1 hour
- Color
- Aspect ratio
- 1.37 : 1