Parade du football

Stepping into the role that was usually reserved for Jack Oakie in these college films is Stu Erwin in Pigskin Parade. That substitution got for Erwin a nomination for Best Supporting Actor in the first year of the Supporting Players categories at the Academy Awards.

Pigskin Parade is typical of the college films of the Thirties when students were hardly expected to think about anything of social or political significance. The main thing on the minds of the folks at Yale was who to play in a tune up charity game before the big annual match with Hah-vard. In fact the one guy in the film who does think about issues is Elisha Cook, Jr. and he's a figure of ridicule. Although it is kind of funny how the fraternity boys use his radicalism to help them in their cause of victory over Yale.

But to the students and faculty at Texas State University in Prarie, Texas this is one big deal to show up those Yankees. They have a sad sack football team with a brand new coach from Yankeeland himself in Jack Haley. Although truth be told, it's his wife Patsy Kelly who's the real brains here. A lot of the comedy with Kelly and Haley involves her showing him up and not being too diplomatic about it.

In fact she has the unique idea of utilizing the championship basketball of the school as football players in a unique passing game. Kelly also with Betty Grable and Johnny Downs who discovers Stu Erwin, a natural quarterback in a melon field, heaving melons across it. Thrown in as a bargain is Erwin's little sister Judy Garland who becomes the team mascot.

This film was Judy's feature film debut, she would not make another film outside MGM until she left that studio and did A Star Is Born in 1954. Her songs are negligible, but her talent is apparent to all.

The best song in the film is done by another guy just getting started in the picture business. Tony Martin sings You're Slightly Terrific at a pep rally and he was also going places.

Further down the cast list is Betty Grable and even further down is Alan Ladd who you can see in some of the scenes at the fraternity house and at the football game.

Pigskin Parade is a pleasant enough film with a whole lot of talented people showing their stuff. Did these kids ever go to class in these schools?

"Pigskin Parade" only has one thing wrong with it. It's kind of lousy. But as far as musicals go, it's a *good* kind of lousy.

I've seen Hollywood musicals that bored the hell out of me. I've seen musicals where the songs were lifeless and dull, and the musical numbers put you to sleep. I've seen musicals where the acting in between the musical numbers was sheer cinematic torture. I've seen musicals where the performers seemed to be sleepwalking through the movie, and where the characters they were playing were so brain-dead and annoying that you just wanted to whack 'em upside the head with a tube sock full of wood screws! "Pigskin Parade" is silly and corny, but it is never boring. The musical numbers are not great, but they are always fun to watch. The characters are stereotypes, but the cast plays them with such enthusiasm that you can't help liking them.

The plot: Bessie and Winston "Slug" Winters (Patsy Kelly and Jack "Tin Man" Haley) arrive at Texas State University to coach the football team. Although they spend most of the movie arguing with each other in Ralph-and-Alice-Kramden mode, they make an effective coaching team. Their big success comes when they discover Amos Dodd (Stuart Erwin), a country bumpkin farmer who can hurl a melon with missile-like accuracy. They immediately sign him up as the new quarterback for the football team.

Texas State is mistakenly invited to play in a charity football game against Yale. (They wanted the University of Texas, but sent the invitation for the game to the wrong university.) Will the Texas State team win the game? Will Amos Dodd score a game-winning touchdown in the final seconds of play? What do you think? This is one of those "college musicals" where all the college students look as if they are about thirty years old. Most of the songs are sung by a nutty quartet of "sophomores," played by the Yacht Club Boys. They look old enough to be visiting their kids at the college on Parents Day. (One of them even admits that he has been in college for seven years -- beating John Belushi to the movie line by 42 years.) The musical numbers are not great, but they are a lot of fun to watch. There is one called "You're Slightly Terrific," which pretty much describes the entire soundtrack. The songs are "slightly terrific," but not overly so.

The songs written and sung by the Yacht Club Boys have a great satirical edge to them. They sing "We'd Rather Be In College," in which they admit that, with the Depression raging, they are better off in college than they would be in the current job market; "Down With Everything," a *wonderful*, vigorous musical number that satirizes college revolutionaries, sung to a would-be college Trotsky. And "We Brought The Texas Sunshine With Us," which the Yacht Club Boys sing in the middle of a snowstorm at the Yale football game.

And then there is Judy Garland in her feature film debut, playing Amos Dodd's country-bumpkin sister. The first time we see her in the movie, she is barely recognizable, wearing overalls and sporting pigtails, and using a phony Texas accent. ("Hey, yuh wanna buy a melon?") Within a few scenes, however, she has been transformed (offscreen) into a college girl/young starlet. In her first few scenes, she tells everybody, "I can sing. Wannuh hear me?" It takes a few scenes before someone lets her sing -- and *dammit,* can she ever sing! Her first big-screen musical number is the tail-end of the song, "The Balboa!"--a rather rocky (har!) college dance number, sung at the TSU Homecoming Dance. ("The Balboa" was no "Carioca" or "Continental," although it tried to be.) From there, she sings "The Texas Tornado" and "It's Love I'm After." And if you saw this movie in 1936, you just *had* to know that Judy was going to be a major star! To quote the great Roger Ebert, "I cannot recommend the movie, but ... why the hell can't I? Just because it's godawful? What kind of reason is that for staying away from a movie? Godawful and boring, *that* would be a reason." Well, I *could* recommend "Pigskin Parade." It's not exactly "godawful," but it *is* lousy. But despite the lousiness, you will have a good time watching it. You won't love it the way you love "Wizard of Oz" or "Singing in the Rain." But you will like it -- as long as you accept the lousiness of the movie and go with it.

PIGSKIN PARADE (20th Century-Fox, 1936), directed by David Butler, the studio's answer to the wide range of college musicals made popular in the 1930s, contains its own assortment of comedy, songs and a football game finale (hense the title) all told in 93 minutes. With a credit list of staff and actors listed on a rolling football, Stuart Erwin, who appears late into the story, heads the cast, though the real leads are Patsy Kelly and Jack Haley in that order. By today's standards, its sole interest is on future musical film stars in smaller roles: Betty Grable (in 20th-Fox debut) and Judy Garland (on loan from MGM), resulting to one of the most musical college movies up of that time.

The slight plot begins in a conference room where a deliberation meeting at Yale University as the board of directors select for its charity game the football team from the University of Texas to play against them in New Haven, Connecticut. A clerical error between Freddie (George Offerman Jr.) and Sparks (Eddie Nugent) has them getting the team from Texas State University in Prairie, Texas, instead. Winston "Slug" Winters (Jack Haley), a coach from Flushing, Long Island, arrives by train with his wife, Bessie (Patsy Kelly) to his new assignment in shaping up the team. "Biff" Bentley (Fred Kohler Jr.), the football captain chosen to lead the team to victory, meets with an accident of a fractured leg, forcing Winters to find an immediate replacement. Hoping to acquire Stanley Russell, Bessie, accompanied by fellow students, Chip Carson (Johnny Downs) and his girl, Laura Watson (Betty Grable), encounter Sairy Dodd (Judy Garland) whose older brother, Amos (Stuart Erwin) is seen tossing melons long distances into a basket. Impressed by his accurate throw, Amos is chosen as Bentley's substitute, acquiring a college scholarship for both he and his sister in the process. All goes well until the unexpected occurs.

Taking amiable support for Arline Judge playing Sally Saxon, the college vamp; Elisha Cook Jr. as Herbert Terwillinger Van Dyke, the wimpy socialist; Dixie Dugan (Ginger Jones); Grady Sutton, and Sam Hayes playing himself as the radio announcer of the football game. Look quickly for future leading man, Alan Ladd, in a minor bit as one of the students.

Along with Patsy Kelly's antics and sarcasms, and Jack Haley's bit of confusion, there's time for songs, lots of them. Composed by Sidney Mitchell and Lew Pollack, song interludes include: "T.S.U. Alma Mater" (sung by students); "You're Slightly Terrific" (Sung by Anthony "Tony" Martin, danced by Dixie Dunbar); "Woo-Woo" (written/performed by The Yacht Club Boys); "T.S.U. Alma Mater" (reprise); "We'd Rather Be in College" and "Down With Everything" (The Yacht Club Boys); "Balboa" (sung by Dixie Dunbar, cast members/Judy Garland); "You Do the Darndest Things" (sung by Jack Haley); "The Texas Tornado" and "It's Love I'm After" (both sung by Garland); "The Football Song/Texas Sunshine" (written and performed by The Yacht Club Boys) and "The Texas Tornado" (sung by cast). Although all the musical interludes are delivered in a very entertaining manner, the true musical highlight is unquestionably 14-year-old Judy Garland's rendition of three lively songs, much of them forgotten. Garland's scenes are limited but makes the most of it with her singing ability and transformation from barefoot hillbilly gal in pig-tales to talented singing teenager. The Yacht Club Boys as 14 year career students, are an interesting foursome of comic strip-type faced characters. They perform their specialty numbers well, never missing a beat. Interestingly, Betty Grable, singer and dancer in her own right, doesn't get a solo number to herself. As for Stuart Erwin has the distinction of being the only actor to head the cast and earn an Academy Award for Best Supporting Actor for his performance. If anyone deserves an acting honor in the supporting category is Patsy Kelly, who, in true form, is very funny as the assertive wife who calls the plays for her husband.

Television revivals for PIGSKIN PARADE have been few and far between over the years. In 1996, American Movie Classics selected PIGSKIN PARADE as part its annual film preservation series. Availability on home video came about that same time. The names of Grable or Garland, mostly Garland, are the reasons why this routinely done musical has been kept from oblivion.Clam shell video boxes with Garland's face on the cover might have made this an easy sell, but disappointment for those expecting her to be the lead. Later placed on DVD with Garland, Erwin, Kelly and Haley on the cover, Fox Movie Channel along with Turner Classic Movies (TCM premiere: January 7, 2011, as part of its Betty Grable tribute) have also taken part of cable television revivals.

As silly as it appears, PIGSKIN PARADE is the kind of college musical made watchable for Depession era audiences, a sort of reminder of how films of this nature have proved successful with an assortment of stars working with limited plot material. (*** touchdowns)

By all means not a great film, with a silly premise not made any less so. However it is easy to like and does liven up the spirits as long as not too much is expected.

'Pigskin Parade' is mainly notable for being the film debut of 14-year old Judy Garland, but it is worth watching for more than just historical interest. Garland's performance is certainly one of 'Pigskin Parade's' standout features, she is a real charmer here and not only does she look like she is having a lot of fun but she gets ample opportunity to show off her unmistakable vocal pipes and sounds fabulous for so young.

Tony Martin is also very early in his career, and does make an impression singing the film's best song "You're Slightly Terrific". Betty Grable is similarly charmingly perky, while Stuart Erwin, though am personally not sure about the Oscar-nomination especially with greats like Walter Brennan and Basil Rathbone also in the running in the category that year, is fun and endearing. A pre-'The Wizard of Oz' Jack Haley does just fine, while Patsy Kelly comes very close to stealing the show as a less than subtle character. Love her chemistry with Haley, which can be uproarious to watch. Nice to see Elisha Cook Jnr.

Visually, while not exactly lavish 'Pigskin Parade' is attractive enough, everything is shot well and it was made with care. The bright and breezy direction from David Butler helps. The songs are hardly award-worthy and they vary in the memorability and relevance factor but they are very energetic and pleasant, while they are not necessarily "great" songs count me in as somebody who enjoyed listening to them. "You're Slightly Terrific" and Garland's numbers come off best, and they're staged in a way that isn't big and bold but never static or indifferent either, due to that the cast seem to be enjoying themselves too much.

Scripting has its snappy and funny moments, the film never drags and has a breeziness throughout.

Not that 'Pigskin Parade' is perfect this said. The story is thin, does get contrived in places and is as old as the hills. Some of the script is corny and overly-silly, with some of the comedy over-played on odd occasions. Could have done with less of the Yacht Club Boys, they serve little purpose other than their songs and their performing style is neither interesting or fun and grates somewhat, trying to see them pass for college kids even for comedy strains credibility beyond belief.

Overall, not great but good undemanding fun. 7/10 Bethany Cox

The big draw here is a 14-year old Judy Garland, lighting up the screen whenever she appears. Too bad she doesn't have a starring role and better songs. Also, there's a 20-year old Betty Grable as one of the eye-candy co-eds. The story's nothing special. It's a big football game between little Texas State and big-time Ivy League Yale. Texas has a new coach (Haley) and his behind-the-scenes brains, (wife Kelly). Texas has no chance until wife Kelly spots cornpone farm boy Irwin who has a slingshot arm. With a little finagling they get him enrolled and made team quarterback. Now the little team from the West stands a chance, that is, if wife Kelly gets to make the big decisions.

Irwin has the good-ole-boy drawl down pat, which is pretty funny. On the other hand, Kelly's pretty shrill as the loud mouth missus, undercutting her comedic impact, at least in my book. The college dance scenes, however, sparkle, especially the big one before the game. However, I could do without the Yacht Club Boys whoever they are-- Garland should have gotten their singing spots. And get a load out of that fierce rabbit Elisha Cook playing an aggressive campus communist, of all things. Even then, he appeared as a hapless fall guy. At the same time, somebody spent a bucket load turning the LA Coliseum into a snow bowl for the big game. It's very realistic, but after 40-years, I'm still waiting for real snow on my LA home.

Other than Garland and Grable and a few sparkling moments, there's not much to recommend, unless you're into old time football.