Actor Philip Trent, weary of his detective role, plans a cruise to escape Hollywood. He meets a mysterious woman and discovers a body onboard, later learning it was all orchestrated by Peter... Read allActor Philip Trent, weary of his detective role, plans a cruise to escape Hollywood. He meets a mysterious woman and discovers a body onboard, later learning it was all orchestrated by Peter Dean.Actor Philip Trent, weary of his detective role, plans a cruise to escape Hollywood. He meets a mysterious woman and discovers a body onboard, later learning it was all orchestrated by Peter Dean.
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When the story begins, Philip Trent (Edmund Lowe) is finishing up his sixth mystery movie...and he's sick of them. He feels that the stories are trite and he refuses to do any more. Before he'll even consider returning to the studio to work in any film, he wants a vacation. However, when he takes a cruise, wouldn't you know it but bodies would start piling up, and, in some cases, disappearing! Apparently it all has something to do with a stolen Chinese diamond...and reluctantly Trent begins investigating the case along with Ms. Dean...the woman who wrote his trite screenplays.
In support of Lowe are a variety of familiar actors (such as Zasu Pitts, Edmund Gwenn and Edgar Kennedy), but the most interesting was Ted Healy. While I never have been a Healy fan, he is an interesting guy here because it's so obvious that the part was written for Ted Healy and His Stooges. The Three Stooges had been partners with Healy up until about 1933 and here, without the Stooges, he inexplicably smacks a few guys around as if they were Moe, Curly and Larry! Again and again, he's slapping poor schmucks who just seem willing to take it! It really was weird.
Even though this plot is too familiar, having Trent be an actor who has no interest in investigating crimes is unusual. He only begrudgingly investigates...and he really would rather be left alone.
So is it any good? Yes...mostly because I love Lowe and loved his style in this movie. He's an actor mostly forgotten today, though he certainly deserves to be remembered. Here he manages to take a B-mystery and inject a lot of life into it. Well worth seeing and fun.
** 1/2 (out of 4)
MGM crime-mystery about actor Philip Trent (Edmund Lowe) who grows tired of playing a mystery solver so he decides to quit the film business and go on a trip. On board a ship he runs into Peter Dean (Elissa Landi) who just happens to be the writer of his story. It doesn't take long for the two to find a dead body and now they're got a real mystery to solve. It's clear that this "B" picture was trying to recapture the magic of THE THIN MAN and while it doesn't reach the levels of that classic, the fun cast makes the film worth viewing. There's no question that Lowe was an expert at playing this type of character. The character is rather full of himself, charming and has a way with words so Lowe is perfect at this. He's especially good early on once he finally cracks and realizes that he doesn't want to act in these type of pictures. Landi makes for a good partner in crime as the two manage to have some nice chemistry. The supporting cast has some very familiar faces with Edgar Kennedy stealing the picture as a detective who just happens to be on board the ship. Zasu Pitts plays a rather dimwitted fan of the actor and Ted Healy can be seen playing a stooge promotional man for the studio. The actual mystery itself is a pretty good one as you'll certainly be left in the dark as to who the killer is and what the exact motive was. Director George B. Seitz does a nice job at keeping the film moving at a nice pace and the screenplay also has some good touches and especially when it gives the viewer a few winks about what happens behind the scenes of one of these films. MAD HOLIDAY is far from perfect but it's a nice little time killer.
Ultimately this film is somewhat like "The Thin Man" in that you have a reluctant detective (Lowe) and a woman spurring him on and getting involved in the mystery herself (Elissa Landi). This is actually a very good role for Landi, actually much more up her alley than some of the other films I've seen her in.
The film gets very busy with lots of minor character actors showing up, including the zany Zasu Pitts and the always on edge Edgar Kennedy. I might have given this film an 8/10, but Ted Healy absolutely ruins every scene he is in, he is just so obnoxious. He cut the Three Stooges loose in 1934, they went to Columbia, the rest is history. Healy stayed at MGM ,and the rest is just not funny. In this film he has some kind of pseudo stooge that looks like a genetic splicing of Moe and Larry. It is all very weird.
The end is just a big joke, but as (deliberately) corny and hammy as the individual parts were, it really fit well into a satisfying whole of a spoof. I'd recommend it.
Did you know
- TriviaWhen Trent asks Dean if she hit him with a "mashie or a niblick", he is referring to the kind of golf club she used. At the time, golf clubs had names and not numbers - which would not come into use until after WW2. A "mashie" would be the equivalent of a modern 5-iron, and a "niblick" would resemble a 9-iron.
- GoofsWhen the killer reveals himself and speaks in his "natural" voice, it's plainly obvious that he's been dubbed by another actor.
- Quotes
Philip Trent: [after Mert has taken a photo of Trent and Peter Dean kissing] So you're at it again, huh?
Mert Morgan: Can I help it? This is what I do for my bread and buttah!
Philip Trent: Yeah, well, what do you do for your meat and potatas?
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- The Cock-Eyed Cruise
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- Runtime
- 1h 11m(71 min)
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- Aspect ratio
- 1.37 : 1