La Fille de Dracula

This movie literally starts off were "Dracula" finished. Since it is a sequel you would expect only more of the same old routine but "Dracula's Daughter" is surprising original and good on its own. This ain't your average bloodsucking vampire movie.

Thing that was best about this movie is that they came up with a quite original and solid story that goes deep enough and features some strong and interesting characters. It's not like they wanted to surpass the original "Dracula" movie or became too dependent on the events that occurred in that movie. Instead they just tried to be original and create a new and different kind of vampire movie.

Only returning character is professor Von Helsing (why did they ever changed his name?) played by yet again Edward Van Sloan. Van Sloan truly was a fantastic actor, I already loved him in "Dracula" and in this movie he reprises his role with just as much flair. Another actor that impressed me was Irving Pichel as the creepy looking Sandor.

It's definitely a movie worth watching. It never becomes scary, mysterious or tense really but the story and acting are what makes this movie a very solid one.

8/10

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One of Universal's most unusual horror films and a more than worthy successor to Lugosi's Dracula (1931) - although I wouldn't go so far as to say it's better: BRIDE OF FRANKENSTEIN (1935) it ain't! The film's approach is very different to its predecessor - despite having the same scriptwriter, Garrett Fort - as it presents the vampire lady of the title as a somewhat tragic figure rather than a mere spook, and Gloria Holden has both the exotic looks and acting talent for the role. Perhaps to make up for Lugosi's absence, the script features a creepy vampire acolyte in the figure of Irving Pichel: fine actor though he is, I think the make-up department went overboard in trying to make him look menacing!

Otto Kruger and Marguerite Churchill are two of the oddest, and yet most likable, leads in a Universal horror film: not only their age difference is immediately apparent, as is their obvious intelligence, but they share a love/hate relationship all through the picture which is both fresh and endearing. The supporting cast is filled with stalwarts of the genre: first and foremost, naturally, is Edward Van Sloan who reprises his seminal Van Helsing characterization as if he had never been away; Billy Bevan, Halliwell Hobbes and E.E. Clive as coppers of different ranks; Gilbert Emery as the unavoidable incredulous Scotland Yard official; Edgar Norton as his 'fresh' butler; and, adding to the fun, there's also Claud Allister as an upper-class nitwit and famed columnist Hedda Hopper as a gossiping socialite. Nan Grey, later female lead of THE INVISIBLE MAN RETURNS (1940), appears briefly as one of Dracula's victims in what remains perhaps the film's most discussed scene (due to its lesbian overtones). Unlike the original, this sequel is briskly paced and the vampire's demise is not anti-climactic.

As the last movie completed before the Laemmles were ousted from control of Universal, DRACULA'S DAUGHTER holds some interest as a place marker, surely; now, the men who had fought the patent trust and had largely given way to the next generation. Yes, Zukor was hanging in as Chairman at Paramount, but with vastly curtailed power; DeMille was beginning his own renaissance -- by becoming a parody of himself -- and Lasky was still fading, although he would continue to produce increasingly ponderous prestige films over the next dozen years. Only Goldwyn would prosper -- but no one liked him.

But this is Dracula's Daughter I'm talking about, and it's just fine. I like Lambert Hillyer's frequently matter-of-fact handling of the movie, with its complicated lesbian and Triple-Goddess subtext. I can't see all the money on the screen (over a quarter of a million dollars -- a huge sum for Universal), but I am amused by the opening, with its "All right, Doctor, you've killed Count Dracula. You're claiming an insanity defense, are you?" attitude.

In London, two policemen find the body of a man, Renfield, with neck broken and Dracula with a stake through his heart. They arrest Prof. Von Helsing (Edward Van Sloan) that tells that he did it and take him to the Scotland Yard. The inspector Sir Basil Humphrey (Gilbert Emery) asks Von Helsing who might defend him and the professor asks for the psychiatrist Dr. Jeffrey Garth (Otto Kruger). Meanwhile, the mysterious Countess Marya Zeleska (Gloria Holden), who is Dracula's daughter, compels the policeman that is in charge to take care of the bodies and takes Dracula's body with her to bury him with her assistant Sandor (Irving Pichel) before dawn, expecting to be released from the family's curse.

In Edinburgh, Jeffrey is hunting with friends and his assistant Janet Blake (Marguerite Churchill) comes to tell him that he has an appointment with the Scotland Yard to help his friend Von Helsing. When Von Helsing tells him about Dracula, Jeffrey believes that he is obsessed with the vampire and promises to help him. During the night, he goes to a party where he meets the Hungarian Countess and he tells his theories about the vampire blood thirsty that he believes is an obsession. Now, Countess Zeleska believes that Jeffrey can heal her and release her from her blood thirsty and she wants to bring him to her castle to spend the eternal life with her in Transylvania.

"Dracula's Daughter" is a great vampire movie, with the dramatic story of a vampire woman that wishes to be free from the curse of her father, Dracula. The plot is naive and funny, and the relationship between the annoying Jeffrey and the witty Janet is amusing. This is one of the best movies of Universal Studios in this genre. My vote is seven.

Title (Brazil): "A Filha de Drácula" ("The Dracula's Daughter")

Dracula's Daughter begins right where Tod Browning's Dracula left off, and ironically sees vampire slayer, Van Helsing in trouble with the law for the murder of Count Dracula. This follow up doesn't have the same quality feel about it that the original had, and it seems clear that this was always meant to be very much a 'B' movie picture. But at the same time, its lots of fun to watch; and the fact that it begins straight after the ending of the Bela Lugosi film ensures that it's credible as far as Universal's series is concerned, and that fact will also give many fans of the original film a good reason to see it. The plot starts properly when a young woman turns up at the police station, wanting to know if Count Dracula really is dead. We then follow her as she tries to undo her family curse, aided by psychiatrist Dr. Jeffrey Garth. However, around the same time that this is going on; corpses begin appearing around London, and jailed Van Helsing is convinced that vampires are roaming the streets of London again.

Unfortunately, this follow up doesn't feature the bloodsucking demon of the first film, and as the title suggests; follows his daughter instead. Gloria Holden excels in the title role as the daughter of Dracula. She's seductively sexy and has a definite air of understated evil about her at the same time. The rest of the support cast back her up excellently, and while nobody other than the title character is a real standout; the ensemble comes together nicely. Atmosphere is obviously a big thing here, and director Lambert Hillyer does a great job of photographing the locations, and ensures that the film benefits from a malevolent aura at all times. The story is obviously nowhere near as great as the original, which was based on the novel by Bram Stoker; but it's good enough. Writing a follow-up to Dracula can't be easy, and while the plot isn't too engaging, it's always at least interesting. There's an underscore of black humour hanging around just behind the central plot, and overall I would say this is a worthy sequel, although it's not a patch on the original film.