While a distinguished astronomer is giving a lecture in a planetarium, a shot rings out and one of the audience members is found dead. A tough detective and a brassy female reporter lock hor... Read allWhile a distinguished astronomer is giving a lecture in a planetarium, a shot rings out and one of the audience members is found dead. A tough detective and a brassy female reporter lock horns as they both try to break the case.While a distinguished astronomer is giving a lecture in a planetarium, a shot rings out and one of the audience members is found dead. A tough detective and a brassy female reporter lock horns as they both try to break the case.
George F. Marion
- Jim Gray
- (as George Marion Sr.)
E.H. Calvert
- District Attorney
- (as Capt. E.H. Calvert)
Robert Frazer
- Morgan
- (as Robert Frazier)
Lynton Brent
- Reporter
- (uncredited)
Ralph Brooks
- Reporter
- (uncredited)
James Carlisle
- Lecture Guest
- (uncredited)
Charles K. French
- Manning
- (uncredited)
Charles Hagen
- Lecture Guest
- (uncredited)
Creighton Hale
- Witness
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
"Death from a Distance" (which in the end, as we almost suspected, proves a QUITE appropriate title) may be no masterpiece of mystery, but it's a very solid crime puzzle which, like so often in the 30s, teams a cop with a girl reporter to solve the murder.
The performances, especially by Lola Lane as the cheeky, fresh young reporter, are not at all bad: quite convincing, and containing a good dose of humor! Not that the murder case isn't handled seriously: the police methods are portrayed in a realistic way - while, on the other 'side', the newsroom's atmosphere with all its male and female news hounds, who are sometimes nerve-racking, sometimes PRETTY helpful for the cops, is once again depicted in a wonderfully authentic way.
But the most stunning feature of this particular movie that otherwise would be one of many average 30s' murder mysteries are the settings of the murder scene: here we actually get to see how a planetarium of the 1930s looked like and worked - certainly a kind of time document today...
The performances, especially by Lola Lane as the cheeky, fresh young reporter, are not at all bad: quite convincing, and containing a good dose of humor! Not that the murder case isn't handled seriously: the police methods are portrayed in a realistic way - while, on the other 'side', the newsroom's atmosphere with all its male and female news hounds, who are sometimes nerve-racking, sometimes PRETTY helpful for the cops, is once again depicted in a wonderfully authentic way.
But the most stunning feature of this particular movie that otherwise would be one of many average 30s' murder mysteries are the settings of the murder scene: here we actually get to see how a planetarium of the 1930s looked like and worked - certainly a kind of time document today...
Routine whodunit distinguished by unusual setting-- an observatory with a big window on the stars. So who shot Dr.Stone while a gallery of spectators sat entranced by a ceiling of stellar lights. Detective Mallory is doing his best to find out, but it's all rather puzzling with no apparent motive. Then too, comedy relief from Det. Regan's no help, while feisty girl journalist Palmer wants a scoop no matter what. So how will it all turn out, which amounts to the "why" as much as the "who".
Too bad actress Lane doesn't get more screentime. She's a lively presence that picks up the often bland proceedings. In fact, her snappy lines aimed at Mallory remain a highlight. Then too, Prof. Einfeld and fumbling flunkie Jim lend some color to an otherwise rather bland male cast. Unfortunately, director Strayer adds nothing in the way of atmosphere, usually an important element in a whodunit. Here it would have been easy given the exotic setting. At the same time, few scenes take place outside the observatory. I wish that crucial setting were credited by IMDB. Looks to me like the giant telescope had to be real, and my guess would be Mt. Palomar Observatory also located in southern California.
Anyway, the novel touches remain about the only reason to catch up with this uneven indie production.
Too bad actress Lane doesn't get more screentime. She's a lively presence that picks up the often bland proceedings. In fact, her snappy lines aimed at Mallory remain a highlight. Then too, Prof. Einfeld and fumbling flunkie Jim lend some color to an otherwise rather bland male cast. Unfortunately, director Strayer adds nothing in the way of atmosphere, usually an important element in a whodunit. Here it would have been easy given the exotic setting. At the same time, few scenes take place outside the observatory. I wish that crucial setting were credited by IMDB. Looks to me like the giant telescope had to be real, and my guess would be Mt. Palomar Observatory also located in southern California.
Anyway, the novel touches remain about the only reason to catch up with this uneven indie production.
"A murder is committed at the Forest Park Planetarium during a lecture by the celebrated Astronomer, Professor Ernst Einfeld (Lee Kohlmar). The fatal shot is fired in semi-darkness while a distinguished audience observes the stars projected on the dome above them. A hardboiled homicide detective (Russell Hopton) trades verbal jabs with a wisecracking gal reporter (Lola Lane) as they attempt to unravel the mysterious killing," according to the DVD sleeve's synopsis. In a very dull manner.
The "gal reporter" character played by Lola Lane was, in part, writer Jerry Siegel's inspiration for Superman's Girl Friend, "Lois Lane"; however, Ms. Lane's later "Torchy Blane" characterization is a more accurate reference point. Perhaps, "Death from a Distance is most notable as featuring the penultimate performance of George F. Marion (as Jim Gray), who so memorably played the father of Pauline Lord (1921), Blanche Sweet (1923), and Greta Garbo (1930) in Eugene O'Neill's "Anna Christie".
*** Death from a Distance (9/17/35) Frank Strayer ~ Russell Hopton, Lola Lane, George F. Marion
The "gal reporter" character played by Lola Lane was, in part, writer Jerry Siegel's inspiration for Superman's Girl Friend, "Lois Lane"; however, Ms. Lane's later "Torchy Blane" characterization is a more accurate reference point. Perhaps, "Death from a Distance is most notable as featuring the penultimate performance of George F. Marion (as Jim Gray), who so memorably played the father of Pauline Lord (1921), Blanche Sweet (1923), and Greta Garbo (1930) in Eugene O'Neill's "Anna Christie".
*** Death from a Distance (9/17/35) Frank Strayer ~ Russell Hopton, Lola Lane, George F. Marion
During a lecture at a planetarium one of the people in the audience is killed. The police are called and with the help of, or possibly despite the interference of a female reporter the killer is eventually unmasked.
If nothing else this film has a unique location which is played up a great deal as the film milks it for all its worth. What is worth is plenty since this is a snappy mystery with great dialog and a decent mystery. The acting is good and the cast is made up of troopers who you've probably seen in countless other films.
This is one of those movie that's worth seeking out and worth buying. Alpha Video is putting it out shortly in a cheap edition and I'll be picking up copies for friends who like the really good mysteries. Keep an eye on Amazon, you won't be disappointed.
If nothing else this film has a unique location which is played up a great deal as the film milks it for all its worth. What is worth is plenty since this is a snappy mystery with great dialog and a decent mystery. The acting is good and the cast is made up of troopers who you've probably seen in countless other films.
This is one of those movie that's worth seeking out and worth buying. Alpha Video is putting it out shortly in a cheap edition and I'll be picking up copies for friends who like the really good mysteries. Keep an eye on Amazon, you won't be disappointed.
Death from a Distance features a murder at a planetarium. As most of the film's action takes place in the one large room, it's probably a good thing that the room contains a large telescope and a ceiling painted with stars, a setting unique enough to remain somewhat viewable for 70 minutes. The lead characters are not as unique—Russell Hopton is the police detective investigating, Lola Lane the girl reporter getting in his way. Hopton and Lane do their best to put some life into their roles, but the bits of witty banter they are given are somewhat few and far between.
The other characters fare little better. Most lively is Lee Kohlmar as Professor Einfeld, who is supposedly one of the three greatest scientists in the world and is therefore rather unkempt and absent-minded but ultimately sharp enough to aid in solving the mystery. There are, of course, also a dumb assistant detective, a couple of scientists with shady pasts, and a curator. (By the way, Einfeld also speaks in a European accent and has a messy shock of hair. Ein-what?)
The murder device is cleverly conceived, I have to say. However, the detective work and the uncovering of clues are all somewhat hazy. Ultimately, Death from a Distance lacks snap, but the mystery is at least deep enough to keep us watching until the end.
The other characters fare little better. Most lively is Lee Kohlmar as Professor Einfeld, who is supposedly one of the three greatest scientists in the world and is therefore rather unkempt and absent-minded but ultimately sharp enough to aid in solving the mystery. There are, of course, also a dumb assistant detective, a couple of scientists with shady pasts, and a curator. (By the way, Einfeld also speaks in a European accent and has a messy shock of hair. Ein-what?)
The murder device is cleverly conceived, I have to say. However, the detective work and the uncovering of clues are all somewhat hazy. Ultimately, Death from a Distance lacks snap, but the mystery is at least deep enough to keep us watching until the end.
Did you know
- TriviaAccording to the first television schedule issued by NBC in 1941, this was the first feature movie broadcast on New York's first television station WNBT (7/2/41 at 9:00 pm) after it graduated from its experimental status as W2XBS and was officially christened WNBT (Channel 1) on 6/29/41. Post-WWII NYC television viewers also got an early look at it when it was re-broadcast 8/17/47 on WCBS (Channel 2). In Detroit it first aired 10/27/48 on WXYZ (Channel 7), in Baltimore 6/17/49 on WAAM (Channel 13), in Washington DC 6/29/49 on WMAL (Channel 7), in Salt Lake City 8/30/49 on KDYL (Channel 4) and in Cincinnati Sunday 1/1/50 on WCPO (Channel 7). West Coast fans finally got a look at it in Los Angeles 6/18/51 on KFI (Channel 9) and in San Francisco 5/15/52 on KRON (Channel 4).
Details
- Runtime1 hour 8 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Death from a Distance (1935) officially released in Canada in English?
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