IMDb RATING
5.2/10
422
YOUR RATING
The story of a Boston dance teacher who gets shanghaied by buccaneers who might make his next steps be off the plank!The story of a Boston dance teacher who gets shanghaied by buccaneers who might make his next steps be off the plank!The story of a Boston dance teacher who gets shanghaied by buccaneers who might make his next steps be off the plank!
- Nominated for 1 Oscar
- 3 wins & 1 nomination total
The Royal Cansino Dancers
- Royal Cansinos
- (as Cansino Family)
Sam Appel
- Café Owner
- (uncredited)
Eduardo Cansino
- Specialty Dancer
- (uncredited)
Nora Cecil
- Landlady
- (uncredited)
Jim Farley
- Sailor
- (uncredited)
Rita Hayworth
- Specialty Dancer
- (uncredited)
Cy Kendall
- Bouncing Betty's Cook
- (uncredited)
Featured reviews
I got this out of the 50 musicals set. It said it was in Technicolor but it the print was curiously in black and white. The Plot-a dancing master gets kidnapped to be a galley worker on a pirate boat. He ends up in Calfornia near Monterey which at that time was populated with Mexicans. At first they arrest him, but he charms the whole town. This was an entertaining little musical. Not perfect and not a classic but definitely worth a look for Charles Collins and Frank Morgan.
It had a lead I have never heard of... Charles Collins who was quite a talented dancer-singer-actor . He kind of looks like Kevin Kline. Amazed the man didn't have a more illustrious career as he had all the makings of what constituted a star back then. Quite an interesting discovery. Frank Morgan (the wizard of oz) is quite funny as the bumbling mayor. The film was quite enjoyable.
It had a lead I have never heard of... Charles Collins who was quite a talented dancer-singer-actor . He kind of looks like Kevin Kline. Amazed the man didn't have a more illustrious career as he had all the makings of what constituted a star back then. Quite an interesting discovery. Frank Morgan (the wizard of oz) is quite funny as the bumbling mayor. The film was quite enjoyable.
The Dancing Pirate which was released by RKO in 1936 was one of the last films done with an original score by Rodgers&Hart. They would be moving back to Broadway and had a string of hit musicals only interrupted by Larry Hart's death in 1943.
As this was an RKO film watching it now it was fairly obvious that this film was created with Fred Astaire in mind for the lead. Had Astaire done it The Dancing Pirate might be better remembered. Certainly the two songs done by Dick and Larry aren't among the most memorable. In fact the best number in the film is a dance by lead Charles Collins to Yankee Doodle Dandy that had Astaire written all over it.
In fact the main weakness of the film is Collins. A good dancer, Collins had a screen presence that was colorless, odorless, and tasteless. He plays a Boston dancing teacher who gets shanghaied by pirates and escapes the first chance he can when they put in to California for provisions.
Still ruled by Spain, the local Alcalde is Frank Morgan at his decisiveless best. Morgan on loan from MGM is the best thing about The Dancing Pirate.
Collins is sad to say guilty by association and the men want to hang him, but the women want to learn to dance so he's in legal limbo of sorts.
He also has competition for the hand of Morgan's daughter Steffi Duna in the person of Captain Victor Varconi from Monterey at the head of a platoon of dragoons ostensibly there to protect the village from pirates. But Varconi has his own plans, Snidely Whiplash type plans.
The Dancing Pirate won an Oscar nomination for the now defunct category of dance direction. I long for the day when musicals of all kinds were being churned out and a category like dance direction was warranted. Speaking of dancing Rita Hayworth is in this film as part of her family troupe of Spanish dancers, The Dancing Cansinos.
The Dancing Pirate is an amusing enough film, but it really needed Fred Astaire to put it over.
As this was an RKO film watching it now it was fairly obvious that this film was created with Fred Astaire in mind for the lead. Had Astaire done it The Dancing Pirate might be better remembered. Certainly the two songs done by Dick and Larry aren't among the most memorable. In fact the best number in the film is a dance by lead Charles Collins to Yankee Doodle Dandy that had Astaire written all over it.
In fact the main weakness of the film is Collins. A good dancer, Collins had a screen presence that was colorless, odorless, and tasteless. He plays a Boston dancing teacher who gets shanghaied by pirates and escapes the first chance he can when they put in to California for provisions.
Still ruled by Spain, the local Alcalde is Frank Morgan at his decisiveless best. Morgan on loan from MGM is the best thing about The Dancing Pirate.
Collins is sad to say guilty by association and the men want to hang him, but the women want to learn to dance so he's in legal limbo of sorts.
He also has competition for the hand of Morgan's daughter Steffi Duna in the person of Captain Victor Varconi from Monterey at the head of a platoon of dragoons ostensibly there to protect the village from pirates. But Varconi has his own plans, Snidely Whiplash type plans.
The Dancing Pirate won an Oscar nomination for the now defunct category of dance direction. I long for the day when musicals of all kinds were being churned out and a category like dance direction was warranted. Speaking of dancing Rita Hayworth is in this film as part of her family troupe of Spanish dancers, The Dancing Cansinos.
The Dancing Pirate is an amusing enough film, but it really needed Fred Astaire to put it over.
The Dancing Pirate is worth watching for a several reasons: the over-the-top early Technicolor hues, the spectacular finale featuring the Royal Cansino Dancers (including a young Rita Hayworth) and a very small appearance at the beginning of the movie by Pat Ryan, later to be Pat Nixon. But more than these things, I like The Dancing Pirate as a forgotten movie about Los Angeles. The movie depicts a Boston dance teacher kidnapped by pirates who escapes into the sleepy Alta California village of La Paloma.
This is an obvious adaptation of the real-life story of Joseph Chapman. Chapman, originally from Boston, deserted Hippolyte de Bouchard's piratical coastal raiding party to become the first yanqui resident of Los Angeles in 1818. Chapman, like the character in the movie, became a solid citizen of the little pueblo. Unlike the character in the movie, there's no historical evidence that Chapman could dance, however.
This is an obvious adaptation of the real-life story of Joseph Chapman. Chapman, originally from Boston, deserted Hippolyte de Bouchard's piratical coastal raiding party to become the first yanqui resident of Los Angeles in 1818. Chapman, like the character in the movie, became a solid citizen of the little pueblo. Unlike the character in the movie, there's no historical evidence that Chapman could dance, however.
Boston dance teacher Charles Collins is shangaied by pirates. He escapes from them in Spanish California, where he is about to be hanged by Alcalde Frank Morgan (!). Morgan's daughter, Steffi Duna saves him on condition he will teach her the waltz. While this is going on, renegade captain Victor Varconi marches in with his troops. He plans to marry Miss Duna, receiving a dowry of hundreds of thousands of acres and tens of thousands of cattle.
Although I looked at a black&white copy, this was the third feature shot in 3-strip Technicolor, and the costuming betokens this. The story is silly and conventional for the era, and there are plenty of skilled farceurs in the cast, including Luis Alberni, with one immense production number feature Eduardo Cansino -- Rita Hayworth's father -- and his dance troupe. As an actor, Collins is a good dancer. He was born in 1904, and married dance partner Dorothy Stone, with whom he appeared in several Broadway musicals through 1945. His movie career was limited. Another film lead was his in 1944, but he appeared in a total of a dozen shorts and features from 1932 through being part of the chorus in THE WIZ. He died in 1999.
Although I looked at a black&white copy, this was the third feature shot in 3-strip Technicolor, and the costuming betokens this. The story is silly and conventional for the era, and there are plenty of skilled farceurs in the cast, including Luis Alberni, with one immense production number feature Eduardo Cansino -- Rita Hayworth's father -- and his dance troupe. As an actor, Collins is a good dancer. He was born in 1904, and married dance partner Dorothy Stone, with whom he appeared in several Broadway musicals through 1945. His movie career was limited. Another film lead was his in 1944, but he appeared in a total of a dozen shorts and features from 1932 through being part of the chorus in THE WIZ. He died in 1999.
In 1820, handsome dance instructor Charles Collins (as Jonathan Pride) decides to visit his aunt in California. Young Mr. Collins thrills the ladies by waltzing with his hands touching their waists. Leaving his giddy pupils wanting more, Collins takes the long route - around the continent of South America. Armed with only his satchel and an umbrella (to return to his aunt), Collins is mistaken for a pirate. As the "Dancing Pirate", he holds up in the western town of La Paloma. There, he dances, faces danger, and falls in love with lovely Senorita Steffi Duna (as Serafina Perena), daughter of the town's bumbling mayor, Frank Morgan (as Don Emilio Perena).
The well-staged "Finale" earned an "Academy Award" nomination for dance director Russell Lewis. Leading man Collins looks like he had everything needed to become a major star - possibly, he found himself in the wrong studio, at the wrong time. Without the takes afforded the standard era star (Fred Astaire), he manages to be dazzling, in his solo routines. The scene with Collins' umbrella stuffed down the front of his pants provides a visual worthy of a Mae West double-entendre. Mr. Morgan isn't a very convincing "Don", but he is always a film asset. Ms. Duna, a Hungarian woman, is a beautiful and believable Senorita.
Currently, this film is more available in "black & white" than "color" - this is not always a disadvantage, but "Dancing Pirate" really should be seen in color. Although my "Hollywood Legends" VHS Madacy HWGL-5512 says "B & W" on the sleeve, this release of film IS definitely "in color". It most certainly does NOT star cover-girl Rita Hayworth, however. Ms. Hayworth, Pat Nixon, and Marjorie Reynolds can be spotted among the dancing extras (provided you know who you are looking for well enough to spot them).
****** Dancing Pirate (5/22/36) Lloyd Corrigan ~ Charles Collins, Steffi Duna, Frank Morgan
The well-staged "Finale" earned an "Academy Award" nomination for dance director Russell Lewis. Leading man Collins looks like he had everything needed to become a major star - possibly, he found himself in the wrong studio, at the wrong time. Without the takes afforded the standard era star (Fred Astaire), he manages to be dazzling, in his solo routines. The scene with Collins' umbrella stuffed down the front of his pants provides a visual worthy of a Mae West double-entendre. Mr. Morgan isn't a very convincing "Don", but he is always a film asset. Ms. Duna, a Hungarian woman, is a beautiful and believable Senorita.
Currently, this film is more available in "black & white" than "color" - this is not always a disadvantage, but "Dancing Pirate" really should be seen in color. Although my "Hollywood Legends" VHS Madacy HWGL-5512 says "B & W" on the sleeve, this release of film IS definitely "in color". It most certainly does NOT star cover-girl Rita Hayworth, however. Ms. Hayworth, Pat Nixon, and Marjorie Reynolds can be spotted among the dancing extras (provided you know who you are looking for well enough to spot them).
****** Dancing Pirate (5/22/36) Lloyd Corrigan ~ Charles Collins, Steffi Duna, Frank Morgan
Did you know
- TriviaWhile this was the third feature film released in 3-strip Technicolor, it was, for a long time, thought to no longer exist in that form. Only incomplete 35mm negatives were known to survive, plus 16mm prints struck in the two-color Cinecolor process. However, in 2015, a complete 35mm nitrate Technicolor print was discovered, leading to a 2022 home video release on DVD and Blu-ray.
- Crazy creditsThe following is included in the opening crew credits, in an era when color was still relatively unused in filming and Technicolor was becoming in vogue: "Designed in Color by Robert Edmond Jones"
- Alternate versionsSome prints of this film are not even in color, but in black-and-white, although the credits still say "Technicolor".
- SoundtracksWhen You're Dancing the Waltz
Music by Richard Rodgers
Lyrics by Lorenz Hart
Performed by Charles Collins (uncredited), Steffi Duna (uncredited) and chorus
Details
- Runtime
- 1h 23m(83 min)
- Aspect ratio
- 1.37 : 1
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