The Case of the Black Cat

"The Case of the Black Cat" is one of a bunch of Perry Mason films that were made in the 1930s. None of these really played very much like the later TV series. The biggest difference is that the films portray Perry as much more of an amateur sleuth--sort of like The Saint or Boston Blackie. Also, he is much more of a character. So, if you are looking for a more urbane version of Mason like the one Raymond Burr portrayed, you may be very disappointed in the films--though they are enjoyable B-movies.

This particular film is frustrating because it had a lot going for it but the script becomes a mess towards the end. Ricardo Cortez is quite good in the lead and it's easy to like him. Also, the plot has some wonderful twists. HOWEVER, you don't see these twists naturally unfold like they would in a well-written script. Instead, there's a courtroom scene at the end where Mason talks and talks and explains all the stuff that SHOULD have been in the film all along. All these secrets that he suddenly pulls out of a hat is just bad script-writing. It's a shame, as it is still a decent and enjoyable flick.

Personally, I am not fond of this film, although Cortez is fine as Mason. The 1930s hosted a brief Warner Brothers series, with three different men in the lead. This is the only movie I have seen from the period.

The plot is convoluted, with a few too many characters. I am assuming that all were in the original story - I would love to see the Burr television take that was apparently shot over twenty years later. Speaking of which, I am one of those who grew up on Burr's Mason, so it is strange to experience another actor in the role.

This film wastes Della and Drake, in my opinion.

Harry Davenport provides his usual supporting role professionalism, albeit in a B movie a few notches below what he was probably accustomed to.

Definitely worth a viewing.

This movie is called "The Case of the Black Cat" because horror films were popular money-makers at the time of its release and the use of "black cat" in the title made it sound more ominous. An alternate moniker was "The Curse of the Black Cat." Apparently the producers thought that title was too misleading. The Erle Stanley Gardner Perry Mason story on which it is based was labeled, "The Case of the Caretaker's Cat," which was the title of the TV version when it played on the old Raymond Burr series. The cat and its caretaker owner are at the center of the plot; so that title makes more sense. Why not use a black cat in the 1936 film version? When the movie was being made, the "black cat" reference in the title had not been proposed; that the cat in the story was gray and white spotted determined the kind of cat to use in the picture.

To most fans of the Erle Stanley Gardner character, the definitive Perry Mason will always be Raymond Burr. The first big screen Perry Mason was Warren William and he made a dandy. His "The Case of the Howling Dog" is one of the very best in the William series. Unfortunately, the three follow-ups in which William played, while entertaining, were not up to the standards of the premiere feature. Ricardo Cortez, said to be a difficult actor with whom to work, does very well with the Perry Mason character, making "The Case of the Black Cat" one of the best translations of Perry Mason from book to screen.

The initial screen perception of Perry Mason was one of a debonair, skilled, yet at times unscrupulous, counselor-at-law who would use almost any trick to win a case. His courtroom shenanigans were part of the show. Even Raymond Burr began his TV program in that vein, becoming more law respecting and less law bending as the series progressed. Ricardo Cortez assays the role more along the lines of the later Raymond Burr personification of Perry Mason, though still willing to bend the law a bit when it helps his client, in this case a gray and white-spotted cat.

That the Perry Mason mysteries were not one-dimensional but at times highly complex was one reason for their popularity with amateur armchair sleuths. "The Case of the Black Cat" is no exception. A rich invalid, Peter Laxter, hires Mason to help him rewrite his will. Not long after the will has been changed, Laxter's mansion burns to the ground with Laxter in it. Perry convinces District Attorney Hamilton Burger (Guy Usher) to conduct an investigation. The findings show that Laxter had been dead for some time before the house burned. His heirs become the prime suspects, including Wilma Laxter (Jane Bryan) who runs a waffle house, since she had been disinherited by the new will.

Another prime suspect is heir Sam Laxter (Gordon Elliott aka Wild Bill Elliott). The caretaker, Charles Ashton (George Rosener), has a cat, Clinker, who meows at the moon so much it keeps Sam Laxter awake. He throws items at the cat, threatening to poison it if the mewing doesn't stop. The caretaker appeals to Mason for help after receiving yet another threat from Sam Laxter, this time in the form of a note. Thus Perry takes the cat as a client and the fun begins.

Case of the Black Cat, The (1936)

*** (out of 4)

Fifth film in Warner's Parry Mason series now features Ricardo Cortez in the role of the attorney. This time out an old man calls Mason to his house so that he can change his will since he's worried someone in his family is about to kill him. A few days later the old man dies in a fire but after the autopsy it turns out he was dead hours before the fire. This is a pretty solid little crime picture from start to finish and I was surprised to see it didn't suffer any from not having Warren William in the lead. Cortez actually delivers a very strong performance as the attorney and manages to come off looking and sounding like a real detective and someone with a brain in their head. The supporting cast doesn't feature any huge stars but they all fill their roles nicely. One interesting note is that the cat from the title plays a big part in the film but it's a black and white cat. One has to wonder why Warner didn't use a black cat.

It should come as no surprise that Erle Stanley Gardner, the author of the Perry Mason series, hated the way his hero was portrayed in the movies. Consider this: When he saw Raymond Burr walk in to audition for the part of Hamilton Burger, he told the casting people, "That's Perry Mason." One can just imagine, then, how fond he was of Warren William, Donald Woods and Ricardo Cortez.

It's not so much the actors, of course, as the emphasis of the films -Warren William, whom I like a lot more than one of the posters on this site, always had a little too much fun, and his character was loosely modeled on Nick in "The Thin Man." Woods was very lawyer-like but lacked spark; Cortez had spark but was more on the smooth, streetwise side than the actual Perry of the books, who was a very intense young man, given to big speeches.

In this film, Perry is asked to act as attorney for a caretaker's cat named Clicker who isn't black. That's because the title was decided upon after the film was made. The actual Gardner story is "The Case of the Caretaker's Cat," but black cats were hot in movie titles in the '30s. Peter Laxter's will states that the caretaker has his job for life, but one of the heirs wants the cat gone and is threatening to poison it. Laxter has died in a fire, but Perry soon surmises that he was murdered first and has the body exhumed. He also learns that Laxter cashed out a million dollars worth of stock and that a famous set of diamonds are missing. Two more murders follow. Clicker unknowingly provides an important clue to whodunit. The last few minutes of the film are done in flashback so that we can see how Perry put it all together.

Not bad, but none of these men will ever be Perry Mason after Burr did the role so long on television. It's best to just look at these films as mystery stories and ignore the old, unattractive Paul Drake and the pronunciation of Hamilton Burger as Hamilton Berjer (in the Woods version). And that's the way Erle Stanley Gardner would have wanted it.