Gary Gray arrives only to be caught up in the rustling activities of Ben Holt and his gang. First Holt brands him for rustling and then frames him for murder. Proven innocent, Gary foils the... Read allGary Gray arrives only to be caught up in the rustling activities of Ben Holt and his gang. First Holt brands him for rustling and then frames him for murder. Proven innocent, Gary foils the gang's stage holdup and then heads after Holt whom he now knows to be the real killer. Bu... Read allGary Gray arrives only to be caught up in the rustling activities of Ben Holt and his gang. First Holt brands him for rustling and then frames him for murder. Proven innocent, Gary foils the gang's stage holdup and then heads after Holt whom he now knows to be the real killer. But Holt knows he is coming and waits unseen in ambush.
- The Sheriff
- (as Edward Cassidy)
- Deputy Andy
- (uncredited)
- Stage Driver Bill Manning
- (uncredited)
- Express Company Clerk
- (uncredited)
- Deputy
- (uncredited)
- Deputy Chuck
- (uncredited)
- Express Agent John Brent
- (uncredited)
- Deputy
- (uncredited)
Featured reviews
When the film begins, the sheriff is bushwhacked and left for dead. Fortunately, a heroic stranger (Bob Steele) arrives and saves the man's life. However, again and again, the deputy, Holt, keeps accusing the stranger of just about everything! Yet, again and again, Holt was the one who obviously was behind all the cattle rustling and killing. Eventually the sheriff does realize this (it's about time!)--yet not everyone is so fast on the uptake. A mother and daughter who hate and distrust Holt are VERY fast to believe his lies about the stranger--which really makes no sense. So, in light of all these dumbbells, I guess it's up to Bob to save the day!
This is a pretty typical Bob Steele western--with a lot of fist- fighting and lots of mistakes when it comes to folks assuming our hero is a baddie. If you are a Steele fan, it's well worth seeing. Otherwise, you could do a lot better.
It's one of Bob's last movies with his father, Robert Bradbury directing (they would do only four more together), and it's nicely written, with a couple of nice fight scenes and some good riding. Charles King, who seems ubiquitous in 1930s B westerns, has a sizable role as the father of ingenue Margaret Marquis, member of the gang and murder victim. Although Bob doesn't display the dramatic athleticism of his roles five years early, it's another solid B western for him.
Steele is not a sheriff or a marshal or someone working undercover. He's just a nice innocent cowpoke who rides into a certain area and gets mixed up with both the lawbreakers and the law. At the beginning of the film, Steele has the good fortune to save the life of the sheriff played by Ed Cassidy. After that even though Cassidy's crooked deputy Jack Rockwell does him a lot of dirt, Cassidy is Steele's true friend and eventually things are put right.
One thing that drove me nuts was the branding scene. Not a whimper came from Steele when that hot branding iron touched his chest. I mean not even John Wayne is that tough. I'm not sure the Saturday matinée crowd bought that one.
Did you know
- TriviaThis film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast. It's earliest documented telecasts took place in Los Angeles Tuesday 27 September 1949 on KNBH (Channel 4), in New York City Sunday 18 December 1949 on the DuMont Television Network's WABD (Channel 5), and in Philadelphia Thursday 5 January 1950 on WPTZ (Channel 3).
- ConnectionsEdited into Six Gun Theater: Brand of Outlaws (2016)
Details
- Runtime1 hour
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1