On a volé les perles Koronoff

A trio of thieves plans to steal a set of pearls. They follow them across the Atlantic and abscond with them in New York City. But their actions are being monitored by the Department of Justice and a rival gang.

Vivian Palmer (Myrna Loy), who is one of the jewel thieves, teams up with Ross McBride (Spencer Tracy) to elude the police and their other ruthless pursuers. But neither trusts the other. Circumstances force them to pool their resources and efforts, and they learn more about each other. The term "whipsaw" relates to McBride's feeling of being torn between two opposing allegiances.

Myrna Loy really holds this film together. She displays layers of emotions and confusion as her character attempts to play both sides against the other. This is a good romance; the chemistry between Loy and Tracy is strong.

Whipsaw is the picture that answers that burning question in the title.

This was Spencer Tracy's second film under his new MGM contract when he switched studios from Fox in 1935. With few exceptions Tracy starred in routine action films while at Fox and working in Whipsaw must have made Spence feel he was still at Fox. Other than the fact Louis B. Mayer instead of Darryl Zanuck was signing his paycheck, he wouldn't have known the difference from the quality of material he was being asked to do.

Myrna Loy however had already found her screen persona in The Thin Man a year earlier at MGM. So why she was asked to do Whipsaw is beyond me.

Basically the plot is Myrna is the confederate of jewel thief Harvey Stephens who's just made a big score. Stephens has a problem though, he's got to watch out for the law and for another gang who wanted in on the robbery.

The FBI has decided that the best way to Stephens is through Myrna and they've sent ace G-Man Spencer Tracy to work undercover and gain her confidence. Of course Spence gains more than her confidence.

So how will it work out for our intrepid duo? See the film if you are big fan of both of the stars, but only if that. Myrna and Spence both did much better work.

But big things were breaking for Tracy soon. He got cast as Father Timothy Mullin in San Francisco, got the first of his Oscar nominations, changed his screen image, and the rest as he later said in one of his better films is cherce.

As for Loy, I'm sure she was grateful to get back to working with William Powell in another Thin Man film. In fact she got to work with Powell and Tracy in Libelled Lady one of the best screen comedies from MGM ever. See that film by all means.

It's a very complicated story about cross and double-cross. Spencer Tracy is an undercover cop masquerading as a crook. He picks up Myrna Loy to lead him to the the mugs who have stolen some very expensive pearls. She makes him immediately, and tries to use him to throw off the tails. What she doesn't known is that she is carrying the pearls herself.

Sam Wood directs for romance rather than laughs, and it doesn't quite work. Tracy is not a romantic lead, no matter how James Wong Howe lights the leads. Apparently this was intended as a role for William Powell, and you can see the sort of romantic lushness that would have echoed ONE-WAY PASSAGE, but second-rate hotels in Kansas City, whether it's Kansas or Missouri, don't do much for the ambience, nor does Tracy spending much of show talking slang out of the side of his mouth help, no matter how beautiful Miss Loy is.

Whipsaw (1935)

** 1/2 (out of 4)

Myrna Loy is in with jewel thieves when she runs into another mug (Spencer Tracy) who's actually an undercover cop. Loy, knowing his real identity, plays along and the two hit the road with Tracy hoping she'll lead him to her gang. Considering the talent involve you have to put this one down as a minor disappointment even though there's still a lot of stuff to enjoy. The biggest problem with the film is that it's rather flat and doesn't contain too much energy outside of the performances. It seems the film never knew if it wanted to be a drama, a romantic comedy or perhaps just a romantic melodrama. It doesn't really do any of them things very well as there aren't too many laughs and the drama isn't really there as the story is pretty predictable. What does work is the romantic angle thanks in large part to the wonderful performances by Loy and Tracy. Loy makes for a terrific leading lady and comes off quite sensitive to the point where you have no problem seeing why the agent Tracy would fall for her. Tracy plays it pretty tough and believable but has no trouble sinking into his wonderful charm. The two of them together makes for a great couple and they certainly keep the rather standard screenplay going. John Qualen plays a farmer who the leads meet half way through the film and he delivers nice work as well. While there's no question a stronger screenplay would have done wonders with the film there's also no doubt that Loy and Tracy really shine here. Fans of the stars will probably find themselves enjoying this a lot more due to them.

Myrna Loy play Vivian, a woman who helps a gang of jewel thieves, but not on this particular heist of some pearls. A rival gang knows that Vivian is associated with the thieves, and is watching her so that when she heads off to rendezvous with the gang that they can follow her to the pearls. And this rival gang does not consist of nice guys. They have no problem with killing people who get in their way.

Spencer Tracy is a federal agent pretending to be an ex-con so he can travel along with Vivian and apprehend the jewel thieves when she unwittingly leads him to them. But Vivian realizes he is a cop and is trying to find a way to get away from him without letting him know that she knows.

Then they run into a bad rainstorm out in the middle of nowhere and stop at the house of a man whose wife is having a baby - two of them actually. And it is there that everything changes in a way you could probably write yourself if you:

1. Are familiar with how MGM of the 1930s often shoehorned these rustic scenes into films to get the city slickers to come to their senses.

2. realize the vagaries of the production code.

3. can paint by numbers

The acting is the real reason to hang around. Myrna Loy is playing the elegant person she portrayed in so many films made after The Thin Man. Spencer Tracy is in the final phase of his "tough guy" era which he was in over at Fox and at first at MGM, even if he is just pretending to be a tough guy here. And in fact he is portraying somebody who is acting, which can't be easy to do subtly. It is interesting to see how the two play off of each other and attempt to keep up a believable front.