A Shot in the Dark

"A death at a college campus appears to be a suicide but is actually a cover for murder. The dead man's roommate finds himself embroiled in a mystery as he tries to uncover the truth behind the young man's murder. Twists and turns, as well as some false leads, makes this a tough case for our collegiate hero to solve, let alone (keep) out of the clutches of the killer," according to the DVD sleeve's synopsis.

The stars may be bigger than the movie. Handsome Charles Starrett (as Ken Harris), who has a small "lingerie" scene, became one of the top western stars of the forties, peaking in "The Return of the Durango Kid" (1945). The man playing his father, Robert Warwick (as Joseph Harris), was one of the most respected actors of the teens, beginning with his performance in "Alias Jimmy Valentine" (1915). Watch out for red herrings.

**** A Shot in the Dark (2/1/35) Charles Lamont ~ Charles Starrett, Robert Warwick, James Bush

A student's suicide turns out to be murder. Murder mystery in which the police are happy to sit back and let an amateur criminologist, played with authority by character actor Robert Warwick, lead the investigation. Passable entertainment despite the inevitable far-fetched resolve.

Caught this film on Hastings Mystery Theater (YouTube) and was surprised at how good the mystery was. The only actor I recognized was Robert Warwick who plays Joseph Harris the father of the young male lead Ken Harris (Charles Starrett).

The film has a truly gruesome opening. After an evening out, Ken Harris returns to his dormitory suite on the Dartmouth campus. Ken is unable to open the door to his room, and his roommate doesn't respond to the knocking on the door. Ken goes down a flight and enters the dorm room below his. There Ken sleeps in an unoccupied bed, but he is awakened by the sound of a low banging on the window. Ken goes to the window, and opens it to see the dead body of his roommate with a noose about his neck. He wakes the student whose room he is in. Let's say the scene gets more gruesome as Ken goes to get a doctor while the other student hauls the dead body up. The relative calmness of both boys makes one wonder what is considered normal on the campus.

The university decides to ask Ken's father, Joe Harris, a well-known lawyer with an interest in criminology, to take on what turns out not to be a suicide but a murder.

As the story plays out there are numerous clues and two additional murders. It even seems possible that Ken's dad could be a suspect.

Some bad acting aside, the film provides a good mystery that will likely have any viewer, including me, making several bad guesses as to who the murderer is. Definitely worth a watch.

The strength of this film is a pretty complex plot. There are a few layers we need to wade through and that's a good thing. Once that was established, the film becomes worthwhile. There are so many other things that are really hard for the modern viewer. First of all, most of the college students seem to be about thirty-five years old, fully mature, looking more like bank executives. We have the father who writes mystery novels who just moves in and takes over. The handling of evidence and the ignorance of the police force is all so contrived. We have the young woman who does nothing but sit in the shadows. We have a chance to solve the crime and they send her into a room where she is almost killed. There's no reason for this.

I did enjoy Everett Sloan, whom I remember as Van Helsing from the Lugosi Dracula. His voice is delightful. I also got a kick out of all the smoking that the self declared detective did. He was constantly blowing smoke in people's faces and couldn't seem to get through two minutes without lighting up. I wonder what the lung cancer rate was back then. This is worth a watch and has some surprises even with its rough edges.

While many of the era's murder mysteries incorporated elements of other genres, such as comedy, action or those beloved old dark house kind of horror movies to shake things up a bit (or to make you forget about plot holes), this one uses no such things, which results in a quite serious tone and a very plot centered script. Which could be a good thing, but unfortunately the movie (which is now in public domain) fails in so many ways.

The budget was pretty low (the movie was produced by Chesterfield, shortly before it was merged into Republic, to avoid closure due to their debts), which would not be a problem itself, but the whole film is way too talkie, while the confusing plot drags around quite slow, with not much going on: the incompetent, but unfunny police officer admits that they don't know much about murder and do not really wish to be in charge (just what!?) and the son-and-father duo that ends up handling the case does not do much detective work either, as they often simply run into important evidence accidentally.

The acting is also pretty weak with people reacting to events in totally unlikely ways. For example when they discover the body of Byron, the first victim or when later others are told about his death, they are all like "Oh, really?" with almost zero emotion shown. Even when his mother learns about his death, we see her smiling, showing childhood pictures of the boy just moments later. The way the other murders are committed is rather unrealistic, the actors that are supposed to play collage boys are quite obviously much older than they should be and the plot, which revolves around some complicated family matters and a lot of money is just too muddled and uninteresting to keep up your attention for 70 minutes. Still, it is not a complete waste of time, but not really recommended either.