IMDb RATING
6.0/10
431
YOUR RATING
A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.A successful crooner who doesn't want to join the Navy decides to prove to his father, a Navy admiral, that he has what it takes to make it in the fleet.
- Awards
- 1 win total
Ernie Alexander
- Radio Fan
- (uncredited)
Joan Barclay
- Song Spectator
- (uncredited)
Eleanor Bayley
- Song Spectator
- (uncredited)
Frederick Burton
- Adm. Fred Graves
- (uncredited)
Mabel Colcord
- Cowboy's Mother
- (uncredited)
Ronnie Cosby
- Boy in Dance Class
- (uncredited)
Virginia Dabney
- Song Spectator
- (uncredited)
Gloria Faythe
- Song Spectator
- (uncredited)
James Flavin
- Instructing Officer
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I first saw this film over 40 years ago and viewing it again it was as good as I remember it. The team that brought you Flirtation Walk, director Frank Borzage and stars Dick Powell and Ruby Keeler did even better in my opinion with their film about a Naval Midshipman at Annapolis and his lady love.
Like Flirtation Walk, both Powell and Keeler come from service families. But Powell's a disappointment to his father, Admiral Lewis Stone. He's a crooner on the radio and from what we see is making a pretty good living at it. Still a combination of persuasive techniques by Stone and Keeler get him to follow in the Naval tradition of his family.
For reasons I don't understand Ruby did not dance a step in Flirtation Walk, but she makes up for it here. It was a weakness in the other film that is now remedied.
Dick Powell got two lovely ballads to sing, I'd Rather Listen To Your Eyes and I'd Love to Take Orders from You. Possibly because he was changing record companies from Brunswick to Decca in 1935 he didn't record either of those songs commercially. That's a pity because he does them so well.
What he did record was the song Don't Give Up the Ship with an orchestra and choral background. That song had a lot of popularity, so much so that the Naval Academy at Annapolis adopted it as their official song, something I'm sure Dick Powell and songwriters Harry Warren and Al Dubin must have been proud of.
Like he did with Flirtation Walk, Frank Borzage got to do some location shooting for Shipmates Forever at Annapolis and on the battleship, USS Pennsylvania. It certainly made for a far more realistic setting than in most Thirties films.
Unlike Flirtation Walk which was more upbeat, Shipmates Forever has the death of one of Powell's classmates which certainly lent a somber, but more realistic note to the proceedings.
Ross Alexander, Eddie Acuff, and John Arledge play Powell's roommates and all do good jobs in roles they are usually typecast in. Shipmates Forever is one of Dick Powell's best Warner Brothers musicals from the Thirties and its charm is eternal.
Like Flirtation Walk, both Powell and Keeler come from service families. But Powell's a disappointment to his father, Admiral Lewis Stone. He's a crooner on the radio and from what we see is making a pretty good living at it. Still a combination of persuasive techniques by Stone and Keeler get him to follow in the Naval tradition of his family.
For reasons I don't understand Ruby did not dance a step in Flirtation Walk, but she makes up for it here. It was a weakness in the other film that is now remedied.
Dick Powell got two lovely ballads to sing, I'd Rather Listen To Your Eyes and I'd Love to Take Orders from You. Possibly because he was changing record companies from Brunswick to Decca in 1935 he didn't record either of those songs commercially. That's a pity because he does them so well.
What he did record was the song Don't Give Up the Ship with an orchestra and choral background. That song had a lot of popularity, so much so that the Naval Academy at Annapolis adopted it as their official song, something I'm sure Dick Powell and songwriters Harry Warren and Al Dubin must have been proud of.
Like he did with Flirtation Walk, Frank Borzage got to do some location shooting for Shipmates Forever at Annapolis and on the battleship, USS Pennsylvania. It certainly made for a far more realistic setting than in most Thirties films.
Unlike Flirtation Walk which was more upbeat, Shipmates Forever has the death of one of Powell's classmates which certainly lent a somber, but more realistic note to the proceedings.
Ross Alexander, Eddie Acuff, and John Arledge play Powell's roommates and all do good jobs in roles they are usually typecast in. Shipmates Forever is one of Dick Powell's best Warner Brothers musicals from the Thirties and its charm is eternal.
An enjoyable if slightly sappy movie with a fairly standard plot line.
Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.
Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.
Interesting goof, possibly intentional?
The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.
Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:
1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.
Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.
Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.
Interesting goof, possibly intentional?
The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.
Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:
1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.
'Shipmates Forever' shares the same flaws and strengths of 'Flirtation Walk' with the same lead actors and director, but due to having better pacing and choreography 'Flirtation Walk' is the better film if only just.
Like 'Flirtation Walk', the weak link is the story, which is wafer-thin and goes well overboard on the simplicity. One says that musical-comedies shouldn't be seen for the story, but as 'Shipmates Forever' is heavier on story rather than on the musical material and production numbers it is harder to ignore it. Again, like 'Flirtation Walk', Frank Borzage tends to make heavy weather of it, meaning that the pace does drag outside of the songs and the energy is not as light-on-its-feet as it should have been. The patriotic tone is sometimes laid on too thick too.
The songs are very pleasant, with the highlights between "Don't Give Up the Ship" and particularly "I'd Rather Listen to Your Eyes", but there are more timeless and more memorable songs. The film is very scant on production numbers and what little there is is literally crying out for the involvement of Busby Berkeley who would have directed them with much more energy and imagination.
However, 'Shipmates Forever' while not lavish still looks handsome and colourful as well as skilfully photographed. The script is smart and amusing, if a little too frothy in places.
Ruby Keeler and Dick Powell are immensely likable and their chemistry is incredibly charming and a large part of the film's appeal. The rest of the performances are also good, with a fine supporting turn from John Arledge and a nicely quirky one from Ross Alexander.
On the whole, a lesser Keeler-Powell film but still very much watchable. 6/10 Bethany Cox
Like 'Flirtation Walk', the weak link is the story, which is wafer-thin and goes well overboard on the simplicity. One says that musical-comedies shouldn't be seen for the story, but as 'Shipmates Forever' is heavier on story rather than on the musical material and production numbers it is harder to ignore it. Again, like 'Flirtation Walk', Frank Borzage tends to make heavy weather of it, meaning that the pace does drag outside of the songs and the energy is not as light-on-its-feet as it should have been. The patriotic tone is sometimes laid on too thick too.
The songs are very pleasant, with the highlights between "Don't Give Up the Ship" and particularly "I'd Rather Listen to Your Eyes", but there are more timeless and more memorable songs. The film is very scant on production numbers and what little there is is literally crying out for the involvement of Busby Berkeley who would have directed them with much more energy and imagination.
However, 'Shipmates Forever' while not lavish still looks handsome and colourful as well as skilfully photographed. The script is smart and amusing, if a little too frothy in places.
Ruby Keeler and Dick Powell are immensely likable and their chemistry is incredibly charming and a large part of the film's appeal. The rest of the performances are also good, with a fine supporting turn from John Arledge and a nicely quirky one from Ross Alexander.
On the whole, a lesser Keeler-Powell film but still very much watchable. 6/10 Bethany Cox
In New York, popular crooner and radio star Dick Powell (as Richard "Dick" Melville) meets tap-dancer Ruby Keeler (as June Blackburn) at a Navy celebration. As you would expect, they are mutually attracted. Helping the relationship considerably is the fact that both Mr. Powell and Ms. Keeler have soured on their US Navy connections. Powell wants to continue his singing career and resists Navy admiral father Lewis Stone (as Richard Melville), who wants his boy to continue a long family tradition. Having lost both a father and brother to Navy service, Keeler agrees Powell should keep his distance...
In order to prove he can make the grade, Powell predictably applies to the Navel Academy at Annapolis. Though he intended otherwise, Powell eventually joins the Navy as a midshipman. Keeler makes a few appearances, coming to terms with her family tragedies through Powell's experience...
Director Frank Borzage and the Warner Bros. team are equipped with plenty of location and stock footage, but too much of it is padding; this film's appeal would be greater with some trimming. Helping the formulaic Delmer Daves story is a colorfully introduced trio of "Shipmates Forever" - Ross Alexander (as Lafayette "Sparks" Brown) from Arkansas, Eddie Acuff (as Lincoln "Cowboy") from Texas and John Arledge (as Johnny "Coxswain" Lawrence) from Arizona. Robert Light (as Ted Sterling) is also on board. Best supporting actor is Mr. Arledge, who gets the best-written role and sails away with the film.
****** Shipmates Forever (10/12/35) Frank Borzage ~ Dick Powell, Ruby Keeler, John Arledge, Ross Alexander
In order to prove he can make the grade, Powell predictably applies to the Navel Academy at Annapolis. Though he intended otherwise, Powell eventually joins the Navy as a midshipman. Keeler makes a few appearances, coming to terms with her family tragedies through Powell's experience...
Director Frank Borzage and the Warner Bros. team are equipped with plenty of location and stock footage, but too much of it is padding; this film's appeal would be greater with some trimming. Helping the formulaic Delmer Daves story is a colorfully introduced trio of "Shipmates Forever" - Ross Alexander (as Lafayette "Sparks" Brown) from Arkansas, Eddie Acuff (as Lincoln "Cowboy") from Texas and John Arledge (as Johnny "Coxswain" Lawrence) from Arizona. Robert Light (as Ted Sterling) is also on board. Best supporting actor is Mr. Arledge, who gets the best-written role and sails away with the film.
****** Shipmates Forever (10/12/35) Frank Borzage ~ Dick Powell, Ruby Keeler, John Arledge, Ross Alexander
Surprisingly good pre-war film about a former radio crooner (that's a singer to you Millennials). Dick Powell finds himself trying to deal with military life at the
Naval Academy at Annapolis.
This was an enjoyable Hollywood look at their take on life of a cadet moving through Annapolis. He has a poor attitude, but does well with his studies. But, has few friends and little support amongst his fellow cadets. He's seen as having a silver spoon.
It was refreshing to finally see a film get when NOT to salute correct in a film. It's one of the things that Hollywood just can't seem to get right. They like to have actors throwing salutes around willy nilly. When actually there are rules.
They don't give an accurate account of how tough four years at the United States Military academies can be. But there are some good characters and it's well acted. And you find yourself caring for the characters.
Did you know
- TriviaNear the end of the movie is a great shot of a Martin P3M-2 seaplane landing in the ocean. Markings on the side of the plane show a "6". Only 6 P3M-2s were ever built.
- GoofsThe West Point Alma Mater is played several times throughout the movie. This must drive Annapolis graduates nuts.
- Quotes
Lafayette 'Sparks' Brown: I was raised on radio. Weaned on radio. Gotta have a radio.
- ConnectionsReferenced in I'd Love to Take Orders from You (1936)
- SoundtracksDon't Give Up the Ship
(uncredited)
Music by Harry Warren
Lyrics by Al Dubin
Played during the opening credits
Played occasionally throughout the picture
Sung by Dick Powell
Later danced to by Ruby Keeler
Frequently played in the background
Details
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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