Amis pour toujours

An enjoyable if slightly sappy movie with a fairly standard plot line.

Notably, the song from this film "Shipmates Stand Together" is still performed as part of a medley by the US Naval Academy Men's Glee Club.

Speaking about the music from the film, the US Military Academy's Alma Mater (that's Navy's gridiron rival West Point!) is used as background music at least three times, including in the closing scene.

Interesting goof, possibly intentional?

The scenes dealing with the upperclassmen "rating" the Plebes are fun; they are different in detail but not in quality from what goes on at the Academy even today.

Of the movies available on VHS or DVD about the Naval Academy, I would rank this about in the middle:

1. Navy Blue and Gold (1937) 2. Midshipman Jack (1933) 3. Shipmates Forever 4. An Annapolis Story (1955) - pretty bad. 5. Annapolis (2006) - truly dreadful.

There's a lot to like in SHIPMATES FOREVER, but it's really a treat for DICK POWELL's fans with him singing a batch of songs (only a couple are really catchy), with generous close-ups of pert and pretty RUBY KEELER as the gal who can't make up her mind about the sailor she loves.

Keeler is only given a couple of tapping moments, which is fine with me. I have to agree with the book "Warner Bros. Presents" which describes her as "conspicuously untalented" but managing to be "endearing" nevertheless.

It's the formula story about a young man whose father is a Navy veteran (LEWIS STONE) and thinks his son should follow in his footsteps. The son happens to be a popular radio crooner who only half-heartedly joins the service just to prove that he can pass the officer's exam. The predictable plot follows a standard course with the boy winning the love of the girl by the time we reach the final reel.

Powell gets to demonstrate that he had a flair for carrying a tune although his voice is nothing remarkable. He's pleasant to watch and handles the acting chores with professional ease.

I can't say the same for ROSS Alexander who mugs through his role as comedy relief, but JOHN ARLEDGE does a fine job as an ill-fated sailor friend who attempts to put out a boiler room fire.

Touches of drama are better than the humorous interludes, so it's an uneven film, to say the least, directed by Frank Borzage who usually does much more sentimental romances than patriotic musicals like this one.

The Warner Brothers gang is back again, and this time they're out to sea. Richard Melville III (Dick Powell) comes from a long time of Navy men. His father (Lewis Stone) is commander of the fleet and expects that his son will follow in his footsteps. Dick doesn't want to; in fact, he has become quite successful as a crooner on the radio. And besides, his girl (Ruby Keeler) doesn't want her husband to turn out dead like her Navy brother and father. Now before you start having flashes of The Jazz Singer, read on. Dick decides to give his father's way a try, but he is stubborn enough to isolate himself during his training. It is too bad too, because his father knows how he could benefit from the company of guys like Sparks (Ross Alexander), Cowboy (Eddie Acuff), and Coxswain (John Arledge).

A really great film, Shipmates Forever is undeniably similar to Flirtation Walk not only for the cast or the story but the director Frank Borzage too. However, the similarities are no hindrance and this second chance has actually improved upon the original. It features a great many more comic moments which liven it tremendously. Alexander is always good for a laugh, and it is too bad he took his own life only a few years later. Perhaps the funniest and most shocking moment is during a "I'd Rather Listen To Your Eyes." Powell's crooning draws all of the women, and a series of Busby Berkeley-esquire close-ups on their eyes illustrates the melody. That is, until a pair of men's eyes pop up! Other songs include the Warren and Dubin standards "Don't Give Up The Ship" and "I'd Love To Take Orders From You." It is a wonder why this one has never been released.

SHIPMATES FOREVER (Warner Brothers, 1935) cashes in on the recent success of FLIRTATION WALK (1934), set in West Point, reuniting Dick Powell, Ruby Keeler, Ross Alexander, John Arledge, Frederick Burton, with Frank Borzage as its director, in a Navy themed product filmed on location at Annapolis, Maryland. As with FLIRTATION WALK, SHIPMATES FOREVER centers mostly upon Powell, not so much for his crooning, but his ability as a serious actor and ladies' man. Although labeled a musical, the movie emphases more on plot than tunes, and contains more sentimental moments than comedy, thus being a true departure for both Powell or Keeler, best known for their backstage musicals with Busby Berkeley dance numbers and gold-digging chorus girls.

The scenario has Powell playing Richard John "Dick" Melville III, singer at the Sky Club in New York City, who would rather be entertaining than serving in the Navy as traditionally expected of him by his admiral father (Lewis Stone). Dick meets and immediately falls in love with June Blackburn (Ruby Keeler), a dancing teacher for little children, who also comes from a long line of Navy relatives. With the intention of taking his Navy entrance exam to show his father he can pass it, and not entering the academy, Dick has a change of heart and enters the academy anyway, with the intention of throwing away his commission in the end. Dick soon resents the friendship of his fellow roommates, "Cowboy" Lincoln (Eddie Acuff), Johnny "Coxwain" Lawrence (John Arledge) and Lafayette "Sparks" Brown (Ross Alexander) from Arkansas to room alone after plebe year. Basically, a loner with his only companion being June, Dick becomes a disappointment to his father, who wants him to be nothing more than a true Navy man.

Other members of the cast include Dick Foran (Gifford); Robert Light (Ted Sterling, June's cousin); Mary Treen (Cowboy's Girlfriend); Joseph King and The Meglin Kiddies. Of the supporting players, it's Ross Alexander who provides some good doses of comedy, especially where he successfully sneaks in a radio into his room during plebe year under the noses of his superiors.

When I first watched SHIPMATES FOREVER on Memorial Day weekend on Turner Network Television (TNT) back in 1989, I actually didn't care for it mainly because I was expecting a big song and dance/ flag waving, military musical in the tradition of 1936 releases of BORN TO DANCE (MGM) or FOLLOW THE FLEET (RKO Radio), or possibly an overblown lavish scale production in the manner of MGM's ANCHOR'S AWEIGH (1945) with Keeler tap dancing galore and Powell leading a military parade of singing sailors. After repeated viewings, I find SHIPMATES FOREVER breaks away from the usual military musical clichés, and truly believe it holds up better than FLIRTATION WALK due to the realistic way Navy life is depicted.

With tunes by Harry Warren and Al Dubin, including "Don't Give Up the Ship," "I'd Love to Take Orders from You" and the charming "I'd Rather Listen to Your Eyes," the songs grow tiresome after being re-prized two or three times. While Keeler never tap danced in FLIRTATION WALK, she doesn't sing a note in SHIPMATES FOREVER, yet shows off her dancing skills first in the dancing school to the amazement of her students and another at the Sky Club. With some time out for song interludes, there's no production numbers. Reportedly distributed in theaters at 124 minutes, it's the 109-minute print that's currently in circulation on the TV markets, DVD format and broadcasts on Turner Classic Movies cable channel. While Powell recruited to military duty as THE SINGING MARINE (1937), he would make a return engagement into the Navy once again, co-starring opposite the popular comedy team of Bud Abbott and Lou Costello for IN THE NAVY (Universal, 1941).

Trivia: The theme to SHIPMATES FOREVER was reworked as a 1939 military programmer titled ON DRESS PARADE (WB, 1939) starring The Dead-End Kids, with Leo Gorcey assuming the role originally enacted by Powell, but minus the singing. (** Bells)

first movie i ever saw in person. i was very impressed and, although only five, i was ready to enlist in the navy. i have seen it several times since then and still think it is a good movie. although some might think it dated and anachronistic it still has a good deal to say about duty and honor. those things are in short supply today.