Pop Goes the Easel

This episode marked a huge turning point for the Stooges. Producer Jules White hired on Del Lord to direct, a former stuntman and Keystone Cop from the early days of silent comedy. An ideal match with writer Felix Adler. These two artists would unite to develop the most insane (yet) material for Moe, Larry and Curly.

It's safe to say Adler borrowed the "guys on the street" Depression scene from Laurel and Hardy, usually being chased by the cops for vagrancy. Same deal with the Stooges, managing to give the coppers the slip and dash into an artsy art school. Here we see lots of new gags, no doubt suggested by Del Lord, foremost Moe's famous "two fingers" poke in Curly's eyeballs. YOUCH! Curly also gets to walk around in drag! -- which would become a laugh out loud bit for years to come, opening the door to even more bizarro story ideas and routines.

And why not put to good use some of that modeling clay in the studio, right? New-found artists Moe, Larry and Curly get into a whopper of a clay fight, again thanks to Lord's creativity. As expected, this would inspire the famous (gooooey, crunchy, wall-splattering) Stooge pie fights over the next two decades.

Fun fact; Moe and Larry's young daughters are seen playing hopscotch in a bit part. Silent film comedian Bobby Burns plays Professor Fuller, also a dirctor of many early films like Del Lord. Interestingly, Lord would direct one comedy for the BOWERY BOYS in the 40s.

Always on remastered Columbia dvd, box sets generally ranging from each decade; 30s, 40s and 50s episodes. Many thanks to METV for running these gems Saturday nights.

This review is of the seventh of The Three Stooges' shorts they made for Columbia Pictures. In this one, they're three men looking for work with each individually having signs on them on certain corners saying something similar on them. After a while, they team up to take brooms from a nearby store and pretend to clean up hoping to impress the proprietor standing in front. Unfortunately, he thinks they're stealing his items and calls a cop. That cop gives chase after the boys and guess where they wind up? I'll stop there and just say there are plenty of funny gags and lines that mostly kept one laughing almost non-stop especially when Moe, Larry, and Curley (as his name was spelled at the time) dressed up in drag for the first time (with the latter doing a hilarious impersonation of Mae West) or when they did a clay fight that would later evolve into the pie fights of later years. I should also note that the little girls playing hopscotch as the boys are being chased are Moe's daughter Joan and Larry's daughter Phyllis. So on that note, Pop Goes the Easel comes highly recommended.

Larry, Curly, and Moe are unemployed and looking for work on the streets. They decide to sweep the streets but the store owner accuses them of stealing his brooms. The boys are chased up to an arts school where they are mistaken for students. They are especially mean-spirited to each other in this one. Tricking Larry out the window is the worst and the best. Curly in drag is simply adorable hilarity. This is stupid and mean in the right way.

This short is important in stooge history for many reasons, not the least of which is that it's the first to establish the basic character personae that would follow them through their entire careers.

It begins with the stooges as beggars, trying to find food or work on the street. This is the first time where we see them as common men, trying to make sense of the real world--a recurring theme in most of their movies. Chased by cops, they end up in an art school and soon create chaos with a clay-throwing fight, a precursor to the pie-throwing spectacles which became their trademark throughout their careers. We see the boys mixing with high society and dragging it down to their level, another common theme.

This short also shows the beginning of how their characters evolved in relation to each other. We clearly see Moe and Curly (or Curley) as adversaries, with Larry as the man in the middle, for the first time. We also see Moe adding his familiar--and painful--slapstick reaction each time Larry or Curly makes a wisecrack. We hear Curly saying "I'm a victim of coicumstance!" and Moe's trademark windmill bonk on the top of the head for the first time. And it's the first time we hear Larry say "Sorry, Moe, it was an accident!", a line that was repeated throughout his entire career. It also lets us know that Moe is the team's leader--and the one to be afraid of.

About the only thing that tips us off that this is still an early short is that Curly is not yet using his manic, high-pitched voice. And some of the direction is slow, as when the boys are smearing clay in each other's faces.

Overall, it's a fun short and a good introduction to the 3 Stooges' brand of humor.

The guys are up to their usual tricks as they escape a cop and hide in an art school. The short starts off a little slow but picks up once they entire the main gallery. Whatever you think of the Three Stooges, this is a funny one, especially the last few minutes.