A lighthouse keeper has been murdered in mysterious circumstances and, during the ensuing investigation a Phantom Light keeps appearing at the scene of his death.A lighthouse keeper has been murdered in mysterious circumstances and, during the ensuing investigation a Phantom Light keeps appearing at the scene of his death.A lighthouse keeper has been murdered in mysterious circumstances and, during the ensuing investigation a Phantom Light keeps appearing at the scene of his death.
Anthony Holles
- Mr. Mason
- (uncredited)
Ernest Jay
- Railway Worker
- (uncredited)
Vi Kaley
- Woman in Pub
- (uncredited)
John Singer
- Cabin Boy
- (uncredited)
Featured reviews
There's a nice undercurrent of comedy running through this otherwise standard mystery story. Set in a "haunted" lighthouse on the supposedly lonely Welsh coast, there seems to be a remarkable crowd of characters bumping into each other at every turn. The plot starts out promisingly with much talk of ghostly terror, but settles into a rather lame and predictable conclusion.
The local Welsh villagers are mercilessly satirized as dim-witted, inbred provincials, in contrast with the smarty pants Londoners who've dropped in to sort out this here ghostly nonsense. An apparently nymphomanic young blonde with no relevance to the story other than removing various items of clothing as things progress, adds to the sly humour.
There's lots of excellent location cinematography of craggy Welsh rocks and crashing waves to provide a suitably moody background.
Taking all these elements together, I came away mildly entertained, although not mentally stimulated. Good late night fun.
The local Welsh villagers are mercilessly satirized as dim-witted, inbred provincials, in contrast with the smarty pants Londoners who've dropped in to sort out this here ghostly nonsense. An apparently nymphomanic young blonde with no relevance to the story other than removing various items of clothing as things progress, adds to the sly humour.
There's lots of excellent location cinematography of craggy Welsh rocks and crashing waves to provide a suitably moody background.
Taking all these elements together, I came away mildly entertained, although not mentally stimulated. Good late night fun.
Very funny British Gainsborough Picture from 1935 with plenty of No-code 'damn' 'ruddy' and 'cor-blimey' -ies along with Binnie Hale's long legs and keen 'how about it' frankness, THE PHANTOM LIGHT is a bookend GHOST TRAIN fog bound mystery set on the shrouded eerie Welsh coast. The photography and settings particularly in the quaint railway scenes in reel one and the village scenes near the end offer the viewer genuine storybook pleasure in that they look completely fake but are not at all. It just happens to naturally all look like some plaster model. Lead actor, music hall star Gordon Harker has some hilarious lines - particularly the closing one: "Lummy! what a night" which would have rocked any Odeon theatre with gales of laughter. Binnie Hale is the Brit Joan Blondell, all perky and silly and ready to cut up her trousers all ready to gad about the lighthouse stairways in hotpants and high heels. Local Welsh eccentricness is on full display with plenty of Popeye style gnarling and eyeball flexing. I thought it was hilarious as (later famous) Director Michael Powell was clearly getting his actors to have fun with their roles. The local policeman is exactly like Constable Plod from the Noddy kids books..all tubby and bug eyed. It is all silly and very funny. The Warner bros pic SHH! THE OCTOPUS of 1935 is a good counterpart from the USA.
I didn't expect much from this obscure film and that was the right approach.
The film's pace is a big letdown - it's consistently slow from beginning to end. The scriptwriters couldn't have been bothered with the development of the story, as it is never made clear what is going on.
Gordon Harker does quite well and tries his best to enliven the proceedings but it's all in vain.
Gordon Harker arrives at the tiny Welsh village where everyone seems to be named Owen. He's to take over the light house in the bay. He listens to stories about the Ghost Light that led the two earlier masters to their death: the light goes out, another one appears, and guides a ship onto the rocks. "Wreckers" he says, and thinks no more of it. He also doesn't think much of Ian Hunter, who claims to be a reporter and offers him lots of money to go to the lighthouse, nor of Binnie Hale, who also makes the same request. He's proud of his 25 years in the service, and runs things by the book. When he gets to the house, there's a helper who's being tended to by doctor Milton Rosmer. Most of the time he's out, but occasionally he gets up and tries to kill someone with his bare hands.
It's a nicely opened version of the stage play by Evadne Price and Joan Roy Byford., with some nice location shooting in th west counties and Wales. It makes me wonder if this was the inspiration for dirctor Michael Powell to wander the island, far from London, and look at the weird and wonderful way people live far from London.
It's a nicely opened version of the stage play by Evadne Price and Joan Roy Byford., with some nice location shooting in th west counties and Wales. It makes me wonder if this was the inspiration for dirctor Michael Powell to wander the island, far from London, and look at the weird and wonderful way people live far from London.
First off there is a very nice DVD of this mixed with some other British Thrillers. Looks and sounds good. That's great because the movie isn't too gripping and would dissolve with any distractions. The movie is an odd mix of "silent" movie acting and a long set up that takes up way too much time. The welsh village is fun and interesting--there are other later British films that have this same kind of small village opener with a stranger appearing and a mystery being resolved. It's a formula that works more often than not. But the movie fails to really evoke much spookiness of the lighthouse itself. It's never interested in generating any suspense for very long. Usually there is some very brief suspense moment, and it's just to set up more comedy. The comedy is fairly funny but no real sense of danger is generated. No sense of the story moving forward. There are also touches from (then trend setting) Russian montage editing that seem kind of comical in an unintended way. As you'd expect from director Powell there are a few nice camera moves and some good location photography. A music score would have helped this film there is none at all, perhaps a cost saving element? Or just a wrong choice? There are things to enjoy here but you have to get over the 30's cliché elements of "flapper girl" and "spunky-male-reporter" and these are pretty creaky indeed. A movie that, perhaps in a very director Michael Powell way, flirts around with various quirky and occasionally unexpected ideas but doesn't commit to any of them enough to become a whole anything. Other reviews of it being an OK time killer are valid.
Did you know
- TriviaWhen Alice Bright (Binnie Hale) remarks that she had just been performing in a play, Sam Higgins (Gordon Harker) retorts, "East Lynne?" This is a reference to the oft produced play and movie of Mrs. Henry Wood's novel of the same name. "East Lynne" was enjoyed for its mad plot and frequently incomprehensible dialogue.
- GoofsSam Higgins arrives at Tan y Bwlch to take a boat to the North Stack lighthouse offshore. Both places exist but are about 60 miles apart. Tan y Bwlch is on the shore of a reservoir, not the sea, and North Stack lighthouse, on the isle of Anglesey, is onshore, not off.
- Quotes
Alice Bright: Mr Higgins. I'm going to tell you the truth. I'm an actress, hiding from the police.
Sam Higgins: What, you act as bad as all that?
- ConnectionsFeatured in Made in England: The Films of Powell and Pressburger (2024)
Details
- Runtime
- 1h 16m(76 min)
- Color
- Aspect ratio
- 1.37 : 1
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