Murder in Harlem

Just watched this Oscar Micheaux-directed movie on YouTube. Based on the Mary Phagan murder case of which a Leo Frank was the accused one, a black night watchman sees a dead white woman on his rounds, and first tries to call his boss. Somehow the police find out and this particular watchman gets arrested even though he says he didn't do it. I'll stop there and just say the story goes back to before the beginning quite a few times which may get you confused as the narrative goes on if you're not paying enough attention. Some of the performances seem stiff but Alec Lovejoy, playing Lem Hawkins, seems somewhat of a comic relief when he does some of his kowtowing to his white boss or does a good acting turn expressing concern about what his possible fate might be if he doesn't follow orders. There's also some good musical numbers whenever there's a restaurant scene. The print I saw on YouTube skipped some frames but for the most part, I understood what was going on. In summary, Murder in Harlem was an okay murder mystery drama.

The script is not tight, as there are unnecessary long parts and it is sometimes confusing. However, the general crime story is amusing and quite important, as it addresses serious issues together the parallel (and underdevelopped) love story: structural racism that make the black and the poor as being seen as suspucious and not owners of civil rights. Oscar Micheaux was a black pioneer in cinema in the United States, and his cinegraphy does matter. I may add that this particular film by him is much more interesting than most of the early mainstream white-made flicks produced in Hollywood under authoritarian Hays Code then and through subsequent years. The casting (mostly but not entirely black, what was interesting and unusual those years) has an acceptable, but not very skilled, performance. Sometimes, they seemed artificial and mechanic while saying their lines, and that includes the actors and actress in the leading roles: Clarence Brooks, Dorothy Van Engle and Andrew Bishop. There is, however, a great exception: Alec Lovejoy did a great job, with a very expressive and convincing performance, mostly as a comic relief but als with drama moments.

Black night watchman finds the body of a dead white woman on the job and is accused of the crime.

Good but unremarkable crime drama set interestingly in a world thats both black and white. Many of the so called race films have casts that are entirely black, here there is a mix, which is rather unique. The problem with the film is that although it was made in 1935 it moves and behaves like a film five or six years earlier. Its slow and creaky nature reminds me of a film like Sinister Hands or The Shadow Laughs.

Its a good little story but there is a good chance you'll get bored with it and start speeding through it (I did)

I believe that Oscar Micheaux is one of the most prolific and uncredited Director of our time. Today, many do not know about this African American Director who became the First Independent African American Movie Director. Oscar Micheaux had his own marketing machine when it came to production of his movies. Beginning in the 1920s, Oscar Micheaux began to create a new market, the African American movie goer.

Not only did he make "Murder in Harlem" on a shoestring budget, he also made movies that dealt with the era. Oscar Micheaux singlehandedly got African-American movie goers into the movie houses. Oscar Micheaux taught the new cinema goer what they should expect from a movie. Micheaux addressed African American life in his movies and gave the viewer something to be proud of. Yes, in some of his movies we saw characters such as Lincoln Perry (the lazy servant character), but we also saw strong professional characters such as: Robert Earl Jones (Father of Actor James Earl Jones),William Graves (The Attorney Actor), Lorenzo Tucker (Movie Heartthrob) and Francine Everett(Our African American Beauty).

Too some viewers, "Murder in Harlem" isn't one of Micheaux' best efforts, however, to me, Micheaux played to the themes of life in Harlem. Affluence and Poverty, Professional Life and the Underworld. Good vs. Evil. See this movie when you get a chance!!!

Before watching this film and certainly before judging it, there are things you should bear in mind. First, the quality of the actual celluloid leaves much to be desired, and the film jumps in places. Secondly, although by 1935 blacks had already made an enormous impact on American popular culture, this was primarily through music. Oscar Micheaux, who made this, was a rarity, so although by 2015 standards this low budget monochrome leaves much to be desired, it was not a bad effort for the son of a slave, even if he had been making films for more than a decade.

Yes, the script is a bit wooden, and the extended absurd cameo at the beginning about the book salesman is superfluously irrelevant and then some, but this was based on Micheaux's own experience. The film itself is a thinly veiled reworking of the murder of Mary Phagan by Leo Frank. Although there have been repeated attempts over the past hundred years to absolve Frank of this crime and put the blame on his Negro sidekick, the complete documentation from the case has now been placed on-line, and it is difficult to conclude otherwise than that fanciful as Jim Conley's story may sound, he was telling the truth.

That being said, certain agenda-driven special interest groups continue to beat the drum of anti-Semitism, with the absurd implication that in 1913 a low class Negro was higher up the food chain than a white, college educated businessman. Those same mischief-makers were very active when this film was made, so it is possible that the twist in the end of the story was formulated by Micheaux to avoid problems with distribution.