It's a Bet

Gene Gerrard gets fired from his latest newspaper job -- you can't say the police are not efficient. Would-be fiancee Judy Kelly tells him he simply must keep a position. She's not going to be poor. So at the club, Allen Vincent his competition for Miss Kelly offers him a wager: if he can disappear, not be caught with the police and the press looking for him, for a month, he can have five hundred pounds, and a job on Vincent's paper.

It's not a laugh-out-loud comedy, but there are plenty of chuckles throughout, and a thorough look at the countryside -- at least insofar as straw can be trucked into Elstree Studios. Except for a sequence in Eastbourne, it's all thoroughly economical studio shooting. The plot pursues the wonted course of such movies, with lovely Helen Chandler chastely aiding Gerrard, and funfair woman Ellen Pollock not being chaste about it. The result is a light piece of fluff that should fill out a program of 1930s fare nicely. With Ronald Shiner, Ben Williams, Moore Marriott, and George Zucco.

This film utilises a plotline that seemed to be quite a favourite with British filmmakers.A reporter goes in hiding for a month and has to use all his wits to avoid discovery.It is only intermittently amusing.Both standards nearing the end of their respective film careers and don't really have a great deal of appeal.It would appear that the last two minutes of this film come from an inferior very worn print.

This old British comedy, recently made available on DVD and probably seen for the first time in more than 80 years, has a most ingenious story line. The lead character Rollo Briggs, played by Gene Gerrard, accepts a bet that he can successfully disappear in the English countryside for a month without being found. He makes the bet with the owner of a London newspaper, who plasters his photo on the front page relentlessly because of his 'mysterious disappearance', so that everywhere Rollo goes, people recognise him and he is continually fleeing. He sleeps in straw in barns, joins a travelling circus and dyes his hair, gets a lift with a girl with whom he falls in love, and has many adventures. At one point he meets up with an escaped convict, played by George Zucco, who steals his clothes from him in the barn where he had been sleeping and leaves him only with convict's clothes to put on, which hardly assists his own attempts to evade notice. The film is directed in a lively fashion by Alexander Esway (also known as Alexandre Esway), a Hungarian immigrant who the previous year had co-directed with Billy Wilder in France MAUVAISE GRAINE (1934), starring Danielle Darrieux. Esway, who directed 20 films in his career, died early, at the age of only 49, in 1948. Little seems to be known about Esway, whose last film was L'IDOLE (1948), starring Yves Montand. This film is very much a light-hearted romp, not intended to be taken seriously. It is very much of its period, and all those wobbling female voices and blustering men are so thirties. But, as is always the case with such films, they are invaluable social documents. And there are plenty of old cars, village greens, and views of Eastbourne Pier, and other sights of interest to social historians and people interested in days of yore. The film is amusing and what is wrong with that?