Tête chaude

Irish in Us, The (1935)

*** (out of 4)

James Cagney, Pat O'Brien and Frank McHugh play brothers in this lightweight Warner comedy/drama. Cagney and O'Brien have a falling out after Cagney steals his girl (Olivia de Havilland) and this leads to various problems, which comes full on during a boxing match. This film really doesn't offer anything new in the various teamings of Cagney and O'Brien but there's enough charm here to make the film worth watching. Cagney and O'Brien always work well together and that's true here as the two make for some nice laughs and fighting. McHugh and Allen Jenkins add nice comic support in their roles and it seems Allen's character, a boxer who goes nuts when he hears a bell, was inspired by The Three stooges short Punch Drunk. de Havilland is also very good here in her supporting role. The film ends on a ten or fifteen minute boxing match, which is shot very nice, although it does lead to a rather hokey ending.

The Irish in Us has Mary Gordon as a buxom Irish-American mother with three proud sons. Pat O'Brien a cop, Frank McHugh a fireman, and James Cagney a man with big ideas. The O'Hara family is built along the lines of the Beebe family in three years later in Paramount's Sing You Sinners that had Elizabeth Patterson as Mrs. Beebe with her three sons, Fred MacMurray, Donald O'Connor, and Bing Crosby. The only difference between the O'Haras and the Beebes is that the O'Haras aren't musical.

But they are a charming bunch even though Olivia DeHavilland comes between Cagney and O'Brien. As in the Crosby and Hope films, guess who she winds up with in the end?

Cagney's latest idea is to be a boxing promoter and he's got this punch drunk fighter played very endearingly by Allen Jenkins on whom he pins his hopes. Cagney's done a little boxing in the past himself, a fact that stands him in good stead at the climax.

This is the only time in the Cagney/O'Brien series of films that the two of them ever were blood relations and they even get Frank McHugh in there as well. Olivia DeHavilland has very little to do in this film, but sit around and look pretty. She does that very well, but it was films like this for her that made her fight for better parts that she knew she was capable of. This film while entertaining is strictly a testosterone affair.

The Irish In Us if it ever comes out on VHS and/or DVD should be seen back to back with Sing You Sinners if that ever comes out on VHS or DVD. You can't go wrong with either.

Quintessential Irish-American movie mother Mary Gordon lives in a hectic apartment with her three "boys":

Pat O'Brien is a cop, Frank McHugh is a fireman, and James Cagney— well, Cagney has no real job apparently but he fancies himself a fight manager and is his mother's favorite.

It's a sentimental and predictable setup and while the dialog early on is certainly not great, the actors hang in there and make it work —particularly O'Brien and Cagney, who show a knack for taking exchanges that look absolutely awful on the page and giving them real bite:

O'Brien: "Say, let me tell you something, there's lots worse things than being a cop." Cagney: "But I don't wanna be a cop!"

The plot eventually adds Allen Jenkins as a streetcar conductor Cagney tries to turn into a boxer. Olivia de Havilland is fine as a police commissioner's daughter—she catches O'Brien's eye but Cagney catches hers, causing family complications.

It's all pretty dated, I guess, but the picture does pick up steam as Cagney spends more time on the screen, and you'd have to be a hardboiled viewer indeed not to enjoy seeing Cagney suit up and step into the ring himself as an emergency sub when Jenkins gets drunk just before the big fight....

Not a classic but the cast certainly makes this one worthwhile. Also, Allen Jenkins' character has a truly great name: Carbarn Hammerschlog.

It made my heart warm to see the scenes with Olivia de Havilland looking up into James Cagney's eyes, and it made me smile when Cagney skipped rope in his short shorts while helping a boxer train. Olivia de Havilland was 19 and this was just her second film, so for that alone it's worth taking a look. If you don't like those two actors though, you can certainly skip this one, because it's mediocre at best. It tries to be a romance, family study, comedy, and boxing film, and doesn't do any of them particularly well. Ultimately it decides to be a boxing film, but even then it can't help itself but show too much of the stupid antics of one of the three brothers (Frank McHugh). The other throwaway character is the boxer named Carbarn Hammerschlog (jeez, what a name, played Allen Jenkins). Jenkins doesn't look a bit like a boxer, and his character is a clown who starts swinging his fists maniacally any time he hears a bell ring (a tired and unfortunately repeated gag). The love triangle involving two brothers (Cagney and Pat O'Brien) and de Havilland has some nice moments, including those with the dear old mom (Mary Gordon, who was ironically Scottish, not Irish). Cagney looks pretty good in the ring too, fighting stuntman Harvey Parry. It's a shame the script is so haphazard and unfocused.

I usually enjoyed the old WB comedies for their great supporting casts, but although THE IRISH IN US is nicely paced with a good cast, there is too much of Frank McHugh for my taste. McHugh is given lots of low comedy scenes that he plays for laughs but makes the comedy seem much too forced at times. Much more bearable is Allen Jenkins as a punch-drunk fighter who goes crazy every time he hears a bell ringing.

As for the star trio, Cagney, de Havilland and O'Brien, they've all done better work in other Warner programmers. Here they are stuck with rather routine assignments which they carry off with customary charm and skill. De Havilland is considerably toned down from her first role in A MIDSUMMER NIGHT'S DREAM and shows that she caught on quickly to the more restrained acting technique required by the screen.

Mary Gordon does a nice job as the warm-hearted Irish mother of Jimmy and Pat, anxious to have her sons on good behavior when Pat's girlfriend, Olivia, pays a visit. She and de Havilland have a warm element in their performances that helps the comedy glow.

All in all, an entertaining, if routine Warner comedy with the usual stock players doing their best.