La Fiancée imprévue

this movie is in the spirit of pursuing your dreams and following your heart. it's the wonderfully silly story of a auto designer whose company wants to keep making what sells rather that try his new designs. while soul-searching in the park he meets unemployed Jean Arthur who thinks he's down on his luck also. she sees a job for a married couple (a live in butler and cook), turns to him and ergo, the title. anyway, it's a lot of fun. for some reason this isn't available on video and isn't shown on TCM etc. so i had to find a copy on eBay. and now our town is having a Jean Arthur film festival (why didn't they consult me!? :-)). this is my favorite of Jean Arthur's movies not available on video, followed by Party Wire.

Auto titan Jim Buchanan is in a league with Henry Ford but in the dumps over an impending marriage to a cold fiancé and Luke warm reception to his latest models. Disconsolate, he finds himself sharing a park bench with Joan Hawthorne (Jean Arthur) a Depression victim in need of work. Unaware of Buchanan's status she gets him to agree to be a butler to her cook in order to attain employment with a wealthy mobster (Leo Carrillo). Seems they only want married couples. With everyone being less than upfront comic confusion reigns.

If Only You Could Cook is a spry enough comedy with plenty of charm supplied by Herbert Marshall and Jean Arthur ably supported by the abrasive comic turns of mobsters Leo Carrillo and especially Lionel Stander who threatens to steal the picture. Director William Seiter assembles economically, as he sums up Buchanan's dual predicament in under ten minutes before encountering Hawthorne and focusing on the couple for the rest of the picture, the first hint of romance between them a brief harmless interlude with the ruse still playing itself out. By removing extraneous characters and situation he leaves it up to the four leads to carry the pace of this benign comedy in which they more than succeed.

This is a rather simple plot for a film, but due to exceptional writing, deft direction and the winning acting of Herbert Marshall and Jean Arthur, it's a wonderful movie. This is a great old romantic film that would be great to see with someone you love.

Marshall plays the CEO of a huge car manufacturing company. When his ideas are rejected by the board, he gets annoyed with the business. At about the same time, he meets Arthur, who has no idea he's a rich big-shot. She actually thinks he's an out of work schnook and convinces him to apply to a job with her--she as a cook and he as a butler in the same household. Since Ms. Arthur is so charming and sweet, he agrees and neither she nor the employer know his true calling. Later, this misunderstanding REALLY gets out of hand, but I don't want to spoil the film by explaining further.

The bottom line is that the freshness and delightful nature of the film make up for the fact that the plot line is pretty hard to believe. Unless you are an old grouch or hate old films (people like this need to be shot), you will like this film.

Interestingly, the film was so good that Columbia Pictures' president, Harry Cohn, tried a "fast one". Since Frank Capra worked at the studio and was now famous for IT HAPPENED ONE NIGHT (having practically swept the Oscars) and since IF YOU ONLY COULD COOK was such a sweet film, it was marketed as a Capra Film--even though Capra had NOTHING to do with it!! As a result, Capra sued and Cohn nearly lost his job until it was all smoothed over and tempers subsided.

Entertaining, almost screwball-like, comedy about successful car designer, James Buchanan (Herbert Marshall), soon to be married in what seems like a "marriage of convenience" to a society woman he doesn't love. Well, he meets a pretty out-of-work blonde named Joan (Jean Arthur) on a park bench where she is busy reading the want ads. Finding an ad desiring a married couple for "cook and butler", they decide to pretend they are married and apply for the job (James agreeing to go along with the idea 'cause he "likes" her). Well, they get the job, the employers are a bunch of gangsters, and they end up living in the servants quarters above the garage with just one double bed!

This is a very enjoyable film, much better than I was expecting. The plot is lots of fun, and features a couple of my favorite actors, Jean Arthur and Herbert Marshall, who are both great in this - they even seemed to have some chemistry together (even though the first kiss between them looked almost like a boy kissing his grandma). The actors who play the gangsters in this are quite funny, especially Lionel Stander as the main man's sidekick, a guy named Flash who seems like just another dumb mug, but is actually the one who immediately catches on, via snooping around, that James and Joan may not really be a married couple. A really good film that deserves to be more well known than it is.

If You Could Only Cook had been made over at MGM, Jean Arthur would have had her pick of leading men like Robert Montgomery, William Powell, Robert Young, or Franchot Tone all of who might have been a bit more believable as the auto tycoon who gets tired of his stuffy board of directors and walks out on them. As it was Columbia Harry Cohn got her Herbert Marshall is far better cast in more mature parts like in The Little Foxes or the head of MI5 in The List of Adrian Messenger. He really hasn't the touch for light fare like If You Could Only Cook.

That's what happens to Marshall though, he walks out on his board of directors and a week before his wedding to Frieda Inescourt who's from a family with an old name, but no dough. On the park bench he runs into Jean Arthur who is one of the great mass of unemployed. They get to talking about food and Arthur sees in the want ads one for a married couple to be cook and butler on an estate. On a whim as these things are in screwball comedies, Marshall and her agree to pose as husband and wife.

What they don't know is that who's hiring them is gangster Leo Carrillo who's particular about his food. Not unusual because if you remember Goodfellas the wise guys in stir were very particular about their food and were rich enough to buy what they want in the joint. Carrillo's number two, Lionel Stander, thinks these two just don't sound right.

The rest of the film is the normal antics of mistaken identities and mistaken motives and finding out who really loves who after all. It's not a bad film, but not particularly a memorable one.

But If You Could Only Cook attained a status way beyond its own importance in film history by becoming the object of a fraud perpetrated on the foreign markets by Harry Cohn. Seems as though when the film reached Europe, Cohn advertised it in the foreign markets as being a Frank Capra Production. When Capra found out about it, he went ballistic and ultimately his connection with Columbia was severed.

The story is described in great detail in Capra's memoirs and the whole saga is a great example of the power those studios had back when they were at their height.

In fact that whole story might make a great movie.