La Fiancée imprévue

James Buchanan and Joan Hawthorne meet on a park bench one day. Buchanan is sulking away about his impending marriage which is sure to be a loveless one, while Hawthorne is perusing the job vacancy adverts in the paper completely baffled by her lack of suitability for all the positions. Once the pair strike up a conversation it becomes apparent that both of them could help each other if they are prepared to take a risk, the risk would mean posing as a husband and wife team and entering the service of Mike Rossini, but little do they know that Rossini is something of a local wise guy, love and gangsters.......interesting.

If You Could Only Cook slips firmly into the category of films that deserve to be called charming, simple in structure and honest in its intent, it's a most enjoyable piece that leaves a long and warm impression after the initial viewing. There are many different reasons why so many old black and white pictures get termed classics, with one of the main instances being the ability to have longevity of entertainment values. It only really becomes apparent with a film such as this when you compare it with the more modern day romantic comedies, where today's directors and writers are prepared to force the issue with star appeal and cloying scripts, here the makers are fresh with zippy dialogue and charm personified.

Jean Arthur is Joan, a wonderful bone structured face and a lovely fulsome figure, she's a smashing actress that carries off the required romantic humour with consummate ease. Playing off her with equally excellent results is Herbert Marshall as James, many other actors could do no worse than to watch Marshall when they want guidance in the art of line delivery, peachy and carrying a great presence, Marshall remains a sadly undervalued old time performer. Villain duties fall to Leo Carrillo {Rossini} and the wonderful Lionel Stander as henchman Flash, while all the supporting members come up to the requisite charming standards. But ultimately it's a team achievement across the board, from the writing to the wink at the end of the piece, If You Could Only Cook is a smashing film that makes one feel all the more richer for having sat thru it. 8/10

This is a rather simple plot for a film, but due to exceptional writing, deft direction and the winning acting of Herbert Marshall and Jean Arthur, it's a wonderful movie. This is a great old romantic film that would be great to see with someone you love.

Marshall plays the CEO of a huge car manufacturing company. When his ideas are rejected by the board, he gets annoyed with the business. At about the same time, he meets Arthur, who has no idea he's a rich big-shot. She actually thinks he's an out of work schnook and convinces him to apply to a job with her--she as a cook and he as a butler in the same household. Since Ms. Arthur is so charming and sweet, he agrees and neither she nor the employer know his true calling. Later, this misunderstanding REALLY gets out of hand, but I don't want to spoil the film by explaining further.

The bottom line is that the freshness and delightful nature of the film make up for the fact that the plot line is pretty hard to believe. Unless you are an old grouch or hate old films (people like this need to be shot), you will like this film.

Interestingly, the film was so good that Columbia Pictures' president, Harry Cohn, tried a "fast one". Since Frank Capra worked at the studio and was now famous for IT HAPPENED ONE NIGHT (having practically swept the Oscars) and since IF YOU ONLY COULD COOK was such a sweet film, it was marketed as a Capra Film--even though Capra had NOTHING to do with it!! As a result, Capra sued and Cohn nearly lost his job until it was all smoothed over and tempers subsided.

"If You Could Only Cook" is a small film apparently credited to Frank Capra at one point but actually not by Capra, made in 1935, and it stars Herbert Marshall, Jean Arthur, Lionel Stander and Leo Carillo. Carillo was the Cisco Kid's sidekick Pancho on the TV series that boomers may remember; and Lionel Stander's unmistakable voice will be remembered from the Robert Wagner TV show "Hart to Hart." This is a film made during the Depression, and it concerns a wealthy auto executive named Jim Buchanan (Herbert Marshall) who is about to be married to the right kind of woman and is dreading it. While sitting on a park bench trying to escape his board of directors and his fiancé, he meets a down to earth young woman (Jean Arthur) who is desperately looking for a job and can't find anything. Plus, she's just lost her room. She finds a job that pays well, but it's for a couple. She talks Jim into applying for it with her -- he's the butler and she's the cook in the home of a gangster (Carillo). Thanks to her sauce, she is hired. Thus begins Buchanan's double life. You can guess the rest.

A very charming movie with a delightful performance by Arthur and a good one by Marshall. It's always hard to believe that Herbert Marshall was ever a leading man given the roles he had later on, but he was a type that went out of style -- very formal, well spoken, a little stuffy, modeled on the British. Films in the '30s were often based on plays, and the plays of that era dealt with class differences.

Capra initiated a lawsuit against Columbia for crediting him with this film in England, where he was very popular, but Harry Cohn purchased "You Can't Take It With You" for him in exchange for dropping the suit. So a little film, never seen by Capra, paid him a big dividend.

Herbert Marshall is quite charming as an automobile tycoon who chances upon unemployed, nearly-homeless Jean Arthur in the park; he conceals his true identity and lands them both jobs at the home of a wealthy racketeer (he as the butler, she as the cook); however, his impending marriage to a society girl might put an end to the charade. Whimsical fluff, silly yet put over with so much professionalism that one isn't apt to complain too loudly. Arthur creates a likable character and has some very cute scenes (especially her cooking audition with the garlic). Her conversation with Marshall early on about "200 people for every one job" is still remarkably relevant in the 21st century, though this thin premise is nearly stretched to the breaking point. Worth-seeing for the performances, and fans of nutty '30s comedies will surely enjoy it. **1/2 from ****

this movie is in the spirit of pursuing your dreams and following your heart. it's the wonderfully silly story of a auto designer whose company wants to keep making what sells rather that try his new designs. while soul-searching in the park he meets unemployed Jean Arthur who thinks he's down on his luck also. she sees a job for a married couple (a live in butler and cook), turns to him and ergo, the title. anyway, it's a lot of fun. for some reason this isn't available on video and isn't shown on TCM etc. so i had to find a copy on eBay. and now our town is having a Jean Arthur film festival (why didn't they consult me!? :-)). this is my favorite of Jean Arthur's movies not available on video, followed by Party Wire.