Le roi Midas

King Midas already has billions of dollars in gold, but he lusts after more. Along comes an elf who offers him the golden touch. At first he enjoys greatly, running around, touching everything. However, he soon comes to the obvious conclusion that he needs sustenance and must beg for freedom from his own foolishness. This is a well drawn and quickly paced cartoon.

If you are looking for this short, try the "Disney Timeless Treasures: Volume 3". It's there along with several other seldom-seen cartoon shorts.

This Silly Symphony short is, as is ALWAYS the case with these shorts, brilliantly animated--with terrific backgrounds and ultra-vivid colors. It's the story of King Midas and his Golden Touch. But, unfortunately, the Disney folks decided to insert some sappy music--and the King singing "The Golden Touch, The Golden Touch" was pretty annoying. Once this stopped, however, the story was pretty decent and quite watchable. My only reservation about the story is the ending--as the original story told by the ancient Greeks was much darker (and therefore, cool).

This 1935 short was Walt Disney's first time directing in 5 years (he wasn't entirely satisfied with his cartoon directors during this stage) and was his last effort at directing ever. He also hated this cartoon for undisclosed reasons.

It features King Midas, the greedy ruler of legend who craved gold and wishes for everything he touches to turn shiny and priceless. An elf called Goldie (gee, that's imaginative) appears and offers to make that wish come true. Midas enjoys it at first but soon comes to realize that the best things are life are those that you can touch and hold close to you. Or at least he would if the cartoon didn't just have him grow frustrated at not being able to eat dinner.

There is some nice animation in here, but overall it's forgettable. Respect Walt's wishes and skip it.

There was only one thing really that I didn't like about The Golden Touch was the ending, the whole idea that King Midas lost everything for a hamburger didn't convince me and came across as absurd instead. Then again, that's just me having one of my personal thoughts. Otherwise it is a great cartoon, that sadly gets a lot of hate(even from Walt Disney himself!) for some reason which I'd love to find out, especially when there are far worse Silly Symphonies out there(El Terrible Toreador for instance). Why did I love this cartoon? The animation is absolutely great, colourful and fluid throughout, with the standouts being how things turn to gold and the chilling part where Midas sees the skeleton through the mirror in his own robes, and complete with one of the catchiest beginning songs of any Silly Symphony the music is energetic and really sets the tone of the story well. The jokes are very clever, and while it is a tad predictable once Goldie offers Midas the golden touch the story is crisply paced and charming with a great message about how self-destructive greed is, though I have always wondered what happened to the cat once he's turned to gold. What is remarkable about The Golden Touch, other than the sprightly character of Goldie was the portrayal of Midas, who is so much more than the one-dimensional figure he could've been, instead he is greedy, but also subtle, pretty likable and you do feel sorry for him at the end. All in all, not a masterpiece but a great cartoon. 9/10 Bethany Cox

A Walt Disney SILLY SYMPHONY Cartoon Short.

Jolly monarch King Midas is gold mad and nothing seems to satisfy his avarice. Then one day a strange little elf grants him THE GOLDEN TOUCH...

An enjoyable retelling of the tale from Greek Mythology, competently animated.

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.