A social-climbing couple throw a lavish party for a stranger they persuaded to pose as their daughter.A social-climbing couple throw a lavish party for a stranger they persuaded to pose as their daughter.A social-climbing couple throw a lavish party for a stranger they persuaded to pose as their daughter.
Joseph E. Bernard
- Deck Steward
- (uncredited)
Paul de Rincon
- National Press Reporter
- (uncredited)
Bill Elliott
- Post Reporter
- (uncredited)
Pauline Garon
- Josephine - the French Maid
- (uncredited)
Maude Turner Gordon
- Mrs. Vandergrift
- (uncredited)
Sherry Hall
- United Press Reporter
- (uncredited)
Olaf Hytten
- Watkins - Butler
- (uncredited)
William Jeffrey
- Cafe Proprietor
- (uncredited)
Featured reviews
"Going Highbrow" is entertaining, yes, but it definitely also is lacking an uncertain something. I just couldn't help thinking during the entire film that it was a shame for this notable cast and the attention to production to be pretty much squandered on a story that is so under-developed as well as begging for another edit.
The sets, for example the diner, the hotel, the party venue, and even the streets are filled with extras and appointments that were carefully chosen and liberally placed. Edw Everett Horton gets carried away at times with his antics, but the cast does a credible job here and it is fun to see Ms. Pitts and Mr. Kibbee play their cards. But, gee, a little more care and ten minutes more of exposition here and there could have resulted in a far more satisfying picture. Nonetheless, it should be fun for movie fans of the 1930's to see once.
The sets, for example the diner, the hotel, the party venue, and even the streets are filled with extras and appointments that were carefully chosen and liberally placed. Edw Everett Horton gets carried away at times with his antics, but the cast does a credible job here and it is fun to see Ms. Pitts and Mr. Kibbee play their cards. But, gee, a little more care and ten minutes more of exposition here and there could have resulted in a far more satisfying picture. Nonetheless, it should be fun for movie fans of the 1930's to see once.
Guy Kibbee made a lot of money in the stock market in 1929 when his broker sold when Kibbee told him to buy. Now he spends some of that money granting his wife's wishes. Her latest is to break into New York society. Matron Nella Walker is down to her residences and the furnishings, but she still has prestige. So Edward Everett Horton suggests they can enter society by marrying Miss Walker's son, Ross Alexander, to their daughter.
They don't have a daughter, but Kibbee has taken a shine to June Martell, the waitress in the diner he likes to eat at. They fit her up as their daughter and throw a party to introduce her to Alexander, not knowing they've already met, and Alexander is smitten.
It's a Cinderella story, with Kibbee's checkbook serving as a magic wand. Although it occasionally gets a bit tiresome by its reliance on Horton's nitwittery, there's enough of the old-style Warner Brothers' rapid-fire editing to keep this moving along amusingly.
They don't have a daughter, but Kibbee has taken a shine to June Martell, the waitress in the diner he likes to eat at. They fit her up as their daughter and throw a party to introduce her to Alexander, not knowing they've already met, and Alexander is smitten.
It's a Cinderella story, with Kibbee's checkbook serving as a magic wand. Although it occasionally gets a bit tiresome by its reliance on Horton's nitwittery, there's enough of the old-style Warner Brothers' rapid-fire editing to keep this moving along amusingly.
If you like the silly comedies of the 30s then check this movie out.
Everybody is good in this movie but Edward Everett Horton steals the show. He is excellent.
ZaSu Pitts is also top notch. But as I say all the actors show their stuff in this funny uptown romp.
Everybody is good in this movie but Edward Everett Horton steals the show. He is excellent.
ZaSu Pitts is also top notch. But as I say all the actors show their stuff in this funny uptown romp.
Every once in awhile I discover an actor that is a revelation. I've seen him or her in other roles but wasn't impressed enough to notice. Watching Ross Alexander I saw a likable, energetic, impressive singer. He puts Dick Powell to shame. After reading his bio I see why he never became a star. What a pity. When he and Edward Everett Horton do their patter songs it's impossible not to smile, stop the DVD and replay them. It was also nice to see Sazu Pitts in a glamor role. At 41 she could play frumps and spinsters 'til the cows come home. This one let her look her best. (If you've never seen her in a Von Stroheim film you don't know how good she could look when properly photographed.) The story is nothing. But the interaction of the characters is extremely well done. If you love 1930s character actors as I do, be sure to catch this film the next time it's on TCM.
This film is a wonderful example of a rotten plot yet wonderful characters. It appeared as if the film were actually written by two people--one for the plot and one who strictly designed the characters and wrote the dialog. As for the plot itself, it's easy to sum up with one word--"stupid". Instead of trying to describe it, just let it go with that! But as for the characters, I have always been a sucker for colorful character actors and this one has Edward Everett Horton, Guy Kibbee and Zasu Pitts (in a rather restrained performance, thank goodness). And the writers infused these characters with wonderful personalities that were very much in line with their normal screen personas. Kibbee was a not overly bright but decent "normal guy", Zasu played a bumpkin of sorts who wanted "class" and Horton played a rich but decent schemer. Together, they helped to infuse the film with enough warmth and humanity that I was able to overlook the films MANY deficiencies and just enjoy it. While this is certainly NOT a film you should rush to see, it's a very amiable time-passer and a good example of a quality B-movie.
Did you know
- TriviaA contemporary article in Daily Variety noted that Joan Blondell and Aline MacMahon were considered for the role that went to Zasu Pitts.
- Quotes
Harley Marsh: You know what I like about you, Augie?
Augie: Huh?
Harley Marsh: You're a man of a very few million words.
Augie: Uh-huh, I generally hit the -
[realizes what Harley said and gets annoyed]
- SoundtracksOne in a Million
(1935) (uncredited)
Music by Louis Alter
Lyrics by Jack Scholl (as John Scholl)
Played during the opening credits
Performed by Ross Alexander and Edward Everett Horton
Details
- Release date
- Country of origin
- Languages
- Also known as
- Crashing Society
- Filming locations
- Waldorf-Astoria Hotel - 301 Park Avenue, Manhattan, New York City, New York, USA(exterior establishing shot)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 7m(67 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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