Going Highbrow

Guy Kibbee made a lot of money in the stock market in 1929 when his broker sold when Kibbee told him to buy. Now he spends some of that money granting his wife's wishes. Her latest is to break into New York society. Matron Nella Walker is down to her residences and the furnishings, but she still has prestige. So Edward Everett Horton suggests they can enter society by marrying Miss Walker's son, Ross Alexander, to their daughter.

They don't have a daughter, but Kibbee has taken a shine to June Martell, the waitress in the diner he likes to eat at. They fit her up as their daughter and throw a party to introduce her to Alexander, not knowing they've already met, and Alexander is smitten.

It's a Cinderella story, with Kibbee's checkbook serving as a magic wand. Although it occasionally gets a bit tiresome by its reliance on Horton's nitwittery, there's enough of the old-style Warner Brothers' rapid-fire editing to keep this moving along amusingly.

"Going Highbrow" is entertaining, yes, but it definitely also is lacking an uncertain something. I just couldn't help thinking during the entire film that it was a shame for this notable cast and the attention to production to be pretty much squandered on a story that is so under-developed as well as begging for another edit.

The sets, for example the diner, the hotel, the party venue, and even the streets are filled with extras and appointments that were carefully chosen and liberally placed. Edw Everett Horton gets carried away at times with his antics, but the cast does a credible job here and it is fun to see Ms. Pitts and Mr. Kibbee play their cards. But, gee, a little more care and ten minutes more of exposition here and there could have resulted in a far more satisfying picture. Nonetheless, it should be fun for movie fans of the 1930's to see once.

This film is a wonderful example of a rotten plot yet wonderful characters. It appeared as if the film were actually written by two people--one for the plot and one who strictly designed the characters and wrote the dialog. As for the plot itself, it's easy to sum up with one word--"stupid". Instead of trying to describe it, just let it go with that! But as for the characters, I have always been a sucker for colorful character actors and this one has Edward Everett Horton, Guy Kibbee and Zasu Pitts (in a rather restrained performance, thank goodness). And the writers infused these characters with wonderful personalities that were very much in line with their normal screen personas. Kibbee was a not overly bright but decent "normal guy", Zasu played a bumpkin of sorts who wanted "class" and Horton played a rich but decent schemer. Together, they helped to infuse the film with enough warmth and humanity that I was able to overlook the films MANY deficiencies and just enjoy it. While this is certainly NOT a film you should rush to see, it's a very amiable time-passer and a good example of a quality B-movie.

I was really full of anticipation before i viewed this film.What a great cast,full of great comedy actors from the 30s.I was about to uncover a forgotten masterpiece.How wrong i was.This was an extremely lame comedy,of the sort spawned by production requirements that one film a week be shipped out to the theatres.It just goes to show that you can have great talents but if you do not have a good script there is no likelihood that you will have a good film.Guy Kibee as usual plays a business man flirting with a younger woman,Zasu Pitts as so often plays the fretful wife and Edward Everett Horton plays Edward Everett Horton.Ross Alexander sings,if that is his own voice,a rather pleasant song.So the best that you can say about this film is that at 66 minutes it doesn't linger around too long.

"All in all, "Going Highbrow" (1935) is a pretty good post production code comedy although its rather fragmented structure works against efforts to make it a unified story.

Cora (Zasu Pitts) and Matt (Guy Kilbee) Upshaw are hicks from Wellington, Kansas who accidentally made big money at the start of the stock market crash. Matt's broker misunderstood Matt's instructions and invested all his money in put (sell) options for a single stock, the total opposite of Matt's intentions. After the price declined no one exercised their options to buy and Matt got to keep all the proceeds.

Matt is still simple and unpretentious but Cora is determined to crash New York's "Society 400" list. The "nouveau riche" Upshaws enlist the old money (but none left) Marsh family to introduce Cora to the proper people. Part of the scheme involves hiring struggling actress Sandy Long (June Martel) to play Cora's daughter. This sets up an extremely lame romance between Martel and Ross Alexander, who plays the Marsh son. Edward Everett Horton plays Augie Winterspoon, the Marsh's financial adviser. He tries valiantly to link the story elements together.

The soon to be famous singer, yodeler, cowgirl Judy Canova does a nice job in a small supporting part as Sandy's coworker.

"Going Highbrow" is a must see for fans of Zasu Pitts as she dominates the first half of the film with a somewhat different variation on her airhead character. Instead of her usual scatterbrain adventures she plays a self-absorbed social climber, but still manages to infuse the role with her usual comic touches. Pitts was one of the few comedians whose gift for dialogue and expression was effectively complemented by a talent for physical comedy. Because her technique has never gone out of style, her films (including this one) do not seem nearly as dated as other productions from the same time period. Credit Una Merkel, Gloria Grahame, Goldie Hawn, and Brittany Murphy with keeping the Pitts' style alive down though the years.

Horton is almost young looking in this film but has already developed most of the comedic touches he would apply to countless character roles during his long career. He really has too much screen time and during the second half you keep wishing for more of Pitts who effectively disappears from the second half of the film.

Then again, what do I know? I'm only a child.