Vacationing Broadway producer George White stops off in a small Georgia town to send a telegram and, seeing his name in lights on a local theater, is scandalized over the unauthorized use. H... Read allVacationing Broadway producer George White stops off in a small Georgia town to send a telegram and, seeing his name in lights on a local theater, is scandalized over the unauthorized use. He goes to the theater to object and, while there, discovers some unusual and great song-an... Read allVacationing Broadway producer George White stops off in a small Georgia town to send a telegram and, seeing his name in lights on a local theater, is scandalized over the unauthorized use. He goes to the theater to object and, while there, discovers some unusual and great song-and-dance talent buried in a tank-town. He takes them to New York City, puts them in a new v... Read all
- Turk
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- Englishman
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- Chorine
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- Chorine
- (uncredited)
- Chorine
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- Chorine
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- Soloist
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Featured reviews
What follows as far as plot is a very clichéd tale of small town stars going Hollywood - except they're on Broadway. It takes up very little time with most of the movie being the revue itself. Unfortunately, the revue portion is very unmemorable, which is hard to believe with Alice Faye singing and Eleanor Powell tap dancing in her film debut, but believe me it is true. One song, "The Hunkadola", is pretty catchy but seems like almost a copy of 1934's "The Continental" from The Gay Divorcée. Overall the musical revue just lays there. It lacks the snap of the popular Warner Brothers musicals of the era and the flair of the MGM musicals of that same period.
Cliff Edwards and Ned Sparks get the best lines and give the film what little genuine comic flavor it has. I've always been a big fan of James Dunn, but again, since there is very little plot, there is no chance for him to really distinguish himself. Plus I really noticed how old he looked here compared to roles I'd seen him in just a couple of years before - and he was only 33! This was his last year with Fox as his heavy drinking finally caused them to give him the boot.
I'd say this is worth viewing just for the history of it all, but don't expect too much.
The plot is again a backstage romance story on wish to display various numbers you would have seen on Broadway in the Scandals revue. It involves Alice Faye and James Dunn, a vaudeville team appearing in a small town show that's also in another White show, this one though involving small town producer Elmer White played by that merriest of screen actors, Ned Sparks.
White's passing through town and discovers that the show is really a gold mine of talent. He signs Dunn, Faye, Cliff Edwards, Lyda Roberti and even Sparks himself for his new George White's 1935 Scandals.
Of course both Dunn and Faye let stardom go to their heads a little, but you know it all works out in the end.
Eleanor Powell got her first big break after a couple of bit roles in two previous films. But this didn't lead to a Fox contract, Louis B. Mayer snapped her up right away.
Like the previous film, George White's 1935 Scandals is a nice historic record of a Broadway review. One only wishes Florenz Ziegfeld had lived long enough to create a film version of the Follies himself. But this pales in comparison with what Busby Berkeley was achieving over at Warner Brothers in this decade.
White might have considered hiring Berkeley, but then his personal imprimatur wouldn't have been on the picture. After all he wasn't producing the Busby Berkeley scandals.
Still it's a pleasant enough musical review and the plot doesn't get too much in the way.
It involves a big-time Broadway producer named George White who lures a beautiful young aspiring actress (Alice Faye) to star his next show, "George White's 1935 Scandals". It opens with White and his crew just completing their successful "1934 Scandals", and then he travels along with his gal to a music hall show, owned by Elmer White (Ned Sparks who provides the film's funnies gags), where Faye's Honey Walters is performing along with her sweetheart Eddy Taylor (James Dunn). White persuades Honey that she has what it takes to star his next big revue; she agrees and suddenly they all find themselves singing and dancing on Broadway.
This was one of Alice Faye's earliest roles and she really looks like a Jean Harlow-ish platinum blonde; her singing was fun and very enjoyable. We also see some fine tap dancing by Eleanor Powell in her movie debut!
The best numbers are "According to the Moonlight", "It's an Old Southern Custom", "The Hunkadola", and "Side by Side".
Did you know
- TriviaIn the same year that this film was released, there was a "George White's Scandals of 1935" playing on Broadway. That show had nothing in common with this film except the title.
- ConnectionsReferenced in Hercule Poirot: The Lost Mine (1990)
- SoundtracksAccording to the Moonlight
(1935) (uncredited)
Music by Joseph Meyer
Lyrics by Jack Yellen and Herb Magidson
Played during the opening credits and often in the score
Played by "The Jones Boys" in the Georgia theater
Performed by Alice Faye and James Dunn in the Georgia theater
Reprised by Alice Faye, James Dunn and chorus in the 1935 Scandals
Performed by Walter Johnson on the dance floor
Reprised by Alice Faye and chorus in the finale
Details
- Release date
- Country of origin
- Language
- Also known as
- Cocktail d'amour
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 24 minutes
- Color
- Aspect ratio
- 1.37 : 1